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visual feast
Hollis 2021-12-14 08:01:05
I only saw some concept settings and storyboards on the illustration forum before, and I secretly thought it would be an interesting film. Later, I heard that I was named by Oscar, but I didn't spell "Happy Feet" in the end. I haven't read the latter yet, and I can't comment on which is better. But I think "Monster Cabin" should be a bit inferior in terms of overall quality, because the screenwriter seems to have some problems, the first half feels a bit procrastinated, the second half ends quickly, and the most important thing is that the story is finished, but the theme is not obtained. sublimation. I know this is a commercial film. I'm talking about Oscars. I bet that "Happy Feet" must be deeper than this film. Of course, what attracted me to "Monster House" was not the plot, but the gorgeous technology. I immediately felt an unprecedented excitement from the smooth shots at the beginning of the film. From the beginning to the end, I seemed to have become an ultra-wide-angle camera that could move freely. I enjoyed the perfect and gorgeous lens. Coupled with the characters' delicate and realistic expressions, natural body movements, and the color and sound effects of the production staff, I can hardly believe that I am watching an animation. This is a well-made thriller. Later, I read the special features and learned about the production process behind the scenes. I was so impressed that I sold it here. If you are interested, please come and take a look.
Extended Reading
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[last lines]
Zee: Skull's not like you. He makes time for me and gives me the respect I deserve.
Bones: Whatever.
Zee: Bones!
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Chowder: My dad is at the pharmacy and my mom is at the movies with her personal trainer.