As the film market becomes more and more international, the film industry increasingly needs to take care of everyone's emotions, and with the advent of the golden age of TV dramas, the entire film industry has not looked so good in recent years. The protagonist at the box office has always been the Marvel series of carnivals, and from time to time I can see the anxious DC chasing after the old opponent in a panic. Superhero movies are good-looking, and the special effects are getting more and more bursting, but the real combat action movies are getting weaker and weaker. The cheap and old Hurricane Rescue series and the uninteresting Detective Jack seem to be the final form of gunfight action movies. Various series restarts and sequels are also full of money written on their faces. In this turbid era, Keanu Reeves, who played the savior for half his life, once again became the One man army, and the director Chad Stahelski and David Leitch, who were born as stuntmen, dedicated the retro and innovative John Wick. With a small cost and a big success, John Wick has become a fresh blood in the sluggish combat action film. John Wick's sequel has also become one of the few viewers in the market awaited the sequel. The first John Wick is an extremely pure movie, and a reason was quickly fabricated to give the legendary killer John Wick a reason to complete a hundred people in 90 minutes. Gun Porn has made countless (mostly male) audiences hooked. , The audience knows that the protagonist will not die, and what they enjoy is this process of blood spurting (a mistake, the correction should be the blood spurting (the fourth sound of fen)). The schedule for the sequel forced the creators to continue to fabricate reasons for John Wick to return to the killer world. The creators wisely worked hard on the highly acclaimed killer world setting, creating a killer underground world where no dollar cash is seen, only gold coins are passed, mixed among ordinary people, and police laws are out of reach. Compared with the first one, John Wick Chapter 2 has a slightly more complicated and more urgent plot. The world view is larger and more detailed, and it is integrated with the more admiring action scenes. Almost every scene has something remarkable-spoiler dividing line-opening: Since John Wick is a movie with strong fans, few viewers of the sequel have not seen the first one, so the protagonist is also Not in a hurry to show his face. The whole colorful city car chase scene, Keanu Reeves himself only appeared in trousers and leather shoes, so he smashed the fleeing motorcyclist into a muscle car. After the addition, Bian settled accounts with the Russian gang's autumn queen. As soon as he came up, he made a full opening for John, and also had enough blood for the audience, so that the film had a chance to pave the way for the next ten minutes. Rome nightclubs: The combination of the classic gorgeousness of old Europe and the futuristic nightclubs is so cool that there are no friends. Although the cohesion of the whole scene is not as good as the first one, it is more grand and luxurious. The first confrontation with Common: The rapper, who is acting as a cross-border acting Common, plays the bodyguard (and lover?) of the villain’s sister. After John escaped from Ruby Rose’s pursuit, he had a punch-to-flesh confrontation with John. When the two hit the hotel from the street, there was no dialogue, no exaggerated movements, no false sound effects, only the instinctive sound made by people when fighting, deadly and real, just like watching two wild beasts biting each other. The moment he entered the killer hotel, the fierce duel came to an abrupt end, and the rhythm of the movie couldn't be better grasped. With a ransom of 7 million on his head, he flees for his life: Facing the temptation of 7 million, various killers desperately want to take the head of the Daredevil. The bewildered John and several groups of killers switch back and forth, which is really exciting. The "one pencil kills three people" that was blown in the first part of the movie finally got a response. Mirror Labyrinth: The mirror labyrinth at the end of World War I in the museum obviously imitated Bruce Lee's "Dragon Fight and Tiger Fight". When I watched the trailer, I actually didn't expect it because of my personal taste. Unexpectedly, this scene was also played brilliantly. The editing and playfulness of the video when John left was once again cool to no friends. The last shot: Continuing the fine tradition of not letting the villain finish talking, shoot a headshot when the villain is complacent and complacent. Simply neat, it also formally established the theme of escape and the break between John and the killer world for the third part. Burnt home: After more than an hour of flying chicken blood in the whole movie, we almost forget that John Wick is actually a tragic character who pursues his wife's puppy hot on the head but has been slapped in the face by reality. With long hair and greasy stubble on his face, he wore a spotless high-definition suit and wandered through the burnt to pieces of the ruins once called home. The picture was sad and beautiful, like a post-modern artwork. Black humor: John Wick is a film series that knows how to mix black humor with sadness and violence. From suddenly drawing a gun and shooting a leg in a hand-to-hand fight with a Russian big tall, to police officer Jimmy's re-appearance, to all kinds of humor in action scenes, Make John Wick full of entertainment. Black humor is like Coke with burgers, without it, this meal would not taste like this. Whoever comes, I will kill them, I will kill them all. Of course you will.
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