obsessed with the
Wenders (Wim Wenders).
When I first saw the name Paris, Texas, Lenovo felt that Wenders was very strange. Thinking about it carefully, it turns out that the name of my SPACE is just borrowing the title of his movie of the same name. When I first came to the UK, I felt uncomfortable about people and things around me, and I couldn't find a way to vomit. So go online crazy, just like tonight, seeking explanations. Finally, I was able to see the discussion of Wenders in the community of my friends. When it comes to the translation of the movie's title, "So Close, So Far" (or the more archaic approach to the world), it actually fits my mind. There were so many new people I experienced at that time, so why didn't all of them give me this feeling of being able to communicate clearly in front of my eyes, but it seemed that they would never go deeper. The name far away, so close has been hung on MSN for a long time. Later, I wrote BLOG and used it by the way. It has nothing to do with the movie itself.
The concept of Far away, so close has been embodied in Paris, Texas. The lover whom I haven’t seen for five years is already close at hand, but there is a transparent and sturdy glass in the middle; Turning his head and not looking at the other person's face can he continue speaking.
A few hours ago, I went to the computer for the first time and wanted to write this movie. In the end, I only put down a few typographic characters. I probably don’t believe in this kind of emotional fluctuations that can make people's choices so painful. But the movie is so good, whether I believe it is already the most important thing. No, I'm still trying to write something at six o'clock in the morning. The subtle touch experienced in the movie seems to have not dissipated yet.
Wenders’s movies are always like this. After watching Paris, Texas, I realized that I had visited the Million Dollar Hotel before. I really don't remember the specific plot. That was the day when I went to the school's video library to watch videos and escape from life without restraint. After reading two or three pictures, it was three o'clock in the afternoon, and I walked along the moat that smelled not fresh, pleasing to the eye, and then went back to the cafeteria to eat, and the day went by just like that. It wasn't until one day that I woke up when I read a poem. In short, at that time, I felt that the more literary and artistic the life, the more moist it was, but it somewhat concealed this cynical face now. But I still remember some. The feeling after watching a movie is often very subtle. Sometimes the tears will drop two or three baskets after watching the movie, but they will be forgotten in 10 minutes. The heart swayed for several days. In addition, there are non-sensory movies and bad movies, so I won't talk about it here. The Million Dollar Hotel is a kind of sensational movie that has been shining for days, and I think Paris, Texas is also.
Of course, Million and Texas are very different works from each other. Paris, Texas is still a linear narrative film. If I remember correctly, when it reaches millions, the frame of linear narrative seems to be gone. It seems that the whole plot is following the image. However, the focus of Paris, Texas, I think, has never been placed on the line of linear narrative, and the image language is even more impressive. The vastness of the Texas landscape, and the gaps between dialogues (I don’t know if this slow pace is due to his admiration for Ozu), the effect of the near-real rhythm and the beauty that cannot be captured by reality is not an article. The plot script of self-help and self-reflection can be achieved by oneself. As an artist's film director, at this time, he is just saying that life cannot be said, showing that life cannot be expressed, and imagining that life is unimaginable. In contrast, the failure of purely narrative directors is that the effects that can be achieved by movies that are often made with huge sums of money are not as good as those written on a few pages of paper.
When it comes to movies, I always feel a little aphasia. First, I really don’t know how to make professional comments, so many of them are made up temporarily. The second is that I think a good movie is meticulous and seamless, no matter whether it is positive or negative comments or recommendations, there is nowhere to start. Because it doesn't try to tell you the general principles that can be simplified into items—the general principles are those of political conspirators. It just shocks you through the arbitrary combination of voice and image. Let you see the world in the eyes of others. Wonderful, desperate, profound, and boring. But as long as the sincerity is in place and the angle is tricky, it will bring you to that world and make you have to believe that there are other people in this world.
Today in the projection hall of the LSE Student Film Club (that is, the E171 that we usually have in class), only a few people went to watch (presumably the movie is too old), and some people left the scene. After the break, I heard people say, "It's not that simple." The story, how did it take so long to tell it clearly?' I wanted to go up and add two beautiful words, but I was still unable to speak in the emotions after watching and didn't know how to say it. I saw two students with SEMINAR also present. , But there was really no dealing, so embarrassed that he didn't even nod and smile, right should be the end of the world. The few others that can be counted by only these five fingers can also be so diverse.
---------------
It seems a bit nonsense
http://pengzou.spaces.live.com/blog/cns!C49026D8EE4E7AE2!322.entry
View more about Paris, Texas reviews