Watching "Floating Flower", everyone feels the female power in it. Why has no one pushed it further and called it a new mode of military action? The energy that exploded when the difficulties and the weight of life descended one after another, and its fascinating, has surpassed my imagination of individual "people". In fact, none of them are alone.
Intelligence spy. The special attack team
said that PENELOPE CRUZ was so gorgeous and aggressive that it would reveal the subject’s conservativeness. I was deeply impressed by the slashing rhythm of action—they are all rules and regulations, and food is to make up for it. Of course it cannot be taken easily. The audience panicked and laughed as she opened the door with blood on her neck and greeted the two deaths in a short time. We audience members didn't know the pain of the tragedy repeating in her heart. On the other side, she had dragged the whale-like corpse on the other side. I crossed the street, and I started to get big business after another change of thinking. This is an energetic change of mind. It’s also incredible to say that it’s unbelievable. When it’s so annoying, do you still want to start a business? But in fact, those of us girls who are so depressed, haven't we ever tried to find Lie Xinxi to find income and develop our potential when the weight of life is close to the limit, and also provide the choice of regular meals and buffets? That is not only necessary for daily life (she can no longer work away from home often, but also to deal with daily expenses), but also an adventurous comedy.
It is said that the movie is really moving, but it is actually full of lies. Every woman lies. Leimonde said she didn’t even blink her eyes, her sister Suri was the kind of person who wrote "I lied" on her face (Lola Duenas grasps this trait very well), but the design "Russia" The lie of the "po" is shining on others. Leymonde was blindly blind, but tears burst into his eyes—and that did make us feel that emotions were more real than anything else. In fact, the truth is the feeling of watching the subject at a loss because of the constant misplacement of truth and falsehood. After a long journey, we came to the character. The nature of the lie is extremely strange. The fat prostitute complained that Leimonde didn't tell her at first, and immediately told her not to tell her. The perfect turning point of the lie is difficult to grasp, but Raymonde's swift apology resolves everything-it is the female friendship on that street that has been saving her.
Speed is the key. CARMEN MAURA hides agility and dexterity, takes care of the sick but only spreads the rumors of ghosts. The eyes of the ghost horse turn around. The most brisk role in the movie is played by the oldest actor. Emduwa is too much. Know everything.
Logistic
women generally serve as logisticians. In the play, Egustina smokes marijuana daily, but she takes care of Aunt Baona and plans a decent funeral. The murderous rituals in "Kindly Gold" are so precise and meticulous that women are obsessed with details. Why doesn't the heavy box in "Floating Flower" bring countless troubles? But from the very beginning, Leymonde dealt with it from the perspective of cleanliness and tidiness. The fine lines on the oil-absorbing thick tissue paper and the kitchen faucet have forgiven the unspeakable sin. To be honest, if you have to deal with a corpse that you don’t want to deal with, especially if it’s a person whose love and hatred is still unclear, I think I will also put it in a box, like dealing with old letters, face-to-face embarrassment. .
There is no more logistical layer for the logistical staff, only each other. Have you noticed that the camera is slightly lowered when Okustina is playing? That unidentified camera movement kept me suspense until the last scene, after the ghost mother hugs Leimonde, who has become a daughter, she wipes her tears up the stairs to take care of the dying Ogustina, posing in the opposite direction. The lens made a completely symmetrical movement, fine-tuned high. That is an exchange of responsibility. Whether it is Ogustina, the ghost mother, or Raymonde, they all become the good ones, taking care of things before and after death. Women use their childbirth experiences to intersperse and work on the margins of life and death.
Triumphantly return to memory.
Attention is mostly placed on the gorgeous picture, so I only glanced at the Chinese subtitles. The song that Raymond sang was translated (Long live Mike), which made people feel like a goddess: female songs are infinitely tender, but still Let alone the bitter glory of returning home after facing the changes of time. Raymonde's face was radiant. She has just completed a career, proudly launching herself in front of her daughter, but secretly confirms the hidden mother's thoughts.
The army’s position did not obliterate the weight of time; when they were accompanied by them, they would pass through the white windmill array like the gates of hell and return to ("volver") the hometown that only blows east wind and is prone to mental illness, Aunt Bao Na In the house, receive his own memories, including the part of the memory about mutilation and death. On the contrary, the mentally disordered Aunt Pona is the easiest to accept the fact that CARMEN MAURA is not dead. On the occasion of life and death, Blanca Portillo saw her mother kill her enemy (she already knew it in her heart), but she saw her close relatives—this It is extreme and marginal, knowing that everything is inclusive. The ghost mother said that her miracle of survival was because the people in the village were too superstitious. During the funeral, I was also dizzy about the little black fan in the hands of those women, thinking it was a curse, but in fact it was a curse for protection.
What is really hurting is the uniformed-faced viewers who follow the instructions, and the TV stations threatened by medical treatment.
After the six female characters in a set of movies have been filmed, if it is not a confession, it is judged that they have been completely conquered by the female legion-that is, the fictional atmosphere and context of the film-and they are considered to be the same, fundamentally female. Mother and aunt are sisters, neighbors are your dead relatives, but they are all different, so they cannot be represented by one person.
"Floating Flowers" spread all over the city, and I was in time for the last train. When visiting the bookstore with friends, he said that he was tired of the word "empowerment", but after reading "Floating Flower", he burst into laughter and tears, and his heart came and went, all with energy endowed by other people's stories. . Roll up your sleeves and do something big! Remember to buy fruit on the way.
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