Seriously, I really hate this movie.
This is an era when everyone wants to "improve film language" and "invent film language". Yes, this is an extraordinary achievement that all filmmakers dream of, from the edited Porter, Eisenstein, and Pudovkin, to the unedited Sayeji mine, to the low-angle Ozu, to the shoulder shot of Gundam. , By the time the men of the sixties who used zoom lenses, such as Fassbender, even anamorphic lenses, ultra-wide screens, and David even, to use stabilizer photography equipment, and a library of ultra-high-sensitivity negatives. Blick, you can count it, count it all.
On this mighty road, how many people will come forward?
Everyone wants to be a great person who "starts a new chapter" in film history.
From the beginning of such and such, the language of the film turned a brand new page.
Cache, of course, is also one of them. I guess, of course, it's just my guess. I guess he wants to "improve the movie language" again. Hmm, this is a brand-new text, a brand-new narrative technique, a brand-new movie viewing angle, and I should be named after me. Starting today, Mark_Sizhu_yi, when he came to me, he changed his name to Lie_Ningzhu_yi, and then, waiting for another Star_linzhu_yi, followed by xxx thought, xxx theory, a One lined up, all waiting to enter the history books.
Of course, the movie cache, at best, I can only say that it is an "improvement" of the film language, because it has not reached the level of "inventing the film language". I believe that the director himself would not dare to be high. To say "invention", it has to be a whole new structure with something behind it. In a new generation or something, if you want to "invent" the language of movies, you must have that height.
I believe that this director should also know his own burdens, right?
Because the cache I saw is really nothing extraordinary. Although he wanted to. I really thought, I was crazy about it, and I made the movie very deadly, but I think that this cache, not to mention the word invention, even the improvement is difficult to calculate. This film is so "submissive". On the surface, he doesn't care about giving you a complete narrative. He pretends not to care, but in fact, he can't help but remind you in the film.
This is submission.
The inability to tell the story is not an improvement in the language of the film, but a degradation. Darwin told us long ago that species will degenerate and may not progress endlessly. Sometimes, they will degenerate to their previous low-level state. I really don't understand why some people think that cache is a new development of movie text. This thing is not at all, it is too fucking.
Just say a little bit.
The actor's child ran away all night, ok, and came back the next day. Binox, who played his mother, asked his son, what's going on, you have to say, don't tell, how do I know. The child said, go ask Pierre, he knows better than me.
Who is this Pierre? Right in front, Binoche made an anonymous fire with her husband. In the small coffee shop, the man lying on each other’s shoulder crying, yes, this Pierre has always appeared in the protagonist’s house, but, the real, and Binox’s The act of intimacy, the whole film is this scene.
In this scene, no one else was present. (But our audience saw it, didn't we?)
This is the lowest-level Hollywood standard grammar, using the omniscient third person to remind you that there is a second person in the film.
The audience saw it. In the film, the child also said, ok, we can deduce that it must be the scene, the scene where Binoche and Pierre acted intimately, and there were other people there.
Who is this person who witnessed the scene? Who is this man who has seen Binoche and Pierre close together like the audience?
It doesn't matter who it is, but this who, may be an Algerian man, may be his son, perhaps Binox's own son, there is always a channel for information circulation among these people.
Do you understand what I mean? What I mean is that, on the surface, the director wants you to fail to understand and ask you to guess, but he is still worried and afraid, secretly guarding the measure, and on the surface it makes you unable to understand. In fact, he wants you to figure it out. . Just like the protagonist’s son ran away from home, he misunderstood that his mother Hong Xing went out of the wall. This Hong Xing went out of the wall, and the audience must see it. This saw it, plus the son’s behavior, the secret connection between the characters outside the camera, and Was established.
For some reason, we can be sure that the protagonist’s son was involved in this event, echoing the last scene at the end of the film. Don't forget the end of the film, isn't everyone looking for someone on the screen? Everyone said, yo, in the last scene of the film, the protagonist's son, and the son of an Algeria man, are talking together.
This is submission.
The so-called submission is also manifested in some small places.
For example, there is a lie in the film. During the dinner night, someone said a very boring joke and said it for a long time. The whole one was a lie. Where is the theme of this lie strengthened? When the protagonist presides over the program and enters the editing room, the bad speeches of the guests are also chopped off. Where is the subject of this lie strengthened? Between the actor and the heroine, between the actor and his mother, between the actor and the boss, in many places, using some very low-level techniques, most of which rely on the performance of speech , And was strengthened.
In the final analysis, this director didn’t deliberately not tell the story, he just said it crookedly, and said it was not good, the layout was not clear, but he was powerless, but he was afraid that you would not understand it. One point, leave a bunch of clues for you to have the pleasure of "discovering".
He made it clear that he wants you to associate and solve mysteries. Just like the last shot, he just wants you to write articles of thousands or hundreds of words. You write, you discover, you ask questions, and he wins.
How could there be such a fucking movie?
This kind of fucking stuff, starting with the damn funny ninety five in the 1990s, is basically the mainstream of today's film industry. In every film exhibition, there must be such a meaningless attempt to promote such a work with the head. After the death of the horse, a new theory of "jumping text film" came up. The two words theory, how can they be created in such a simple way?
The theory is that there is a lot of intelligence in action. Where is the intelligence in the cache? Please don't tell me, on that "I don't know who took the video." Because the director desperately tried to imply that you were indeed taken by the son of an Algerian.
Why do Algerians commit suicide? Why did you cry in the car when you were taken to the police station that night? Of course he had a reason. He blamed his poor life on the hero, and the biggest mistake he made was that he told his son and planted hatred on his son. He knew all these things his son had done, so he would cry, cry in the police car, and cry at home.
He saw the picture taken by the actor, and when he looked at it, it was finished, and he thumped, softened, and sat weakly on the chair.
These are all details. In order to fear that the audience will not understand, there will be a big scene later. After the Algerian is dead, his son goes to the company of the protagonist and talks a lot of bullshit. Of course, there is an element of lying. Because there are people lying everywhere in the film, the Algerian son said that he didn't make the film, and 80% of it was a lie.
In the last scene, it’s not to explain that the sons of the two families are connected. No, it’s in a horrible game. Tell you, actor, go to sleep, don’t worry about it, our Algerian son. , The revenge plan has not stopped, he is hitting your son's idea...
After talking a lot, my tongue is knotted.
Actually, this is also a movie. Originally, I wanted to make a horror-type movie, and I wanted to follow the beauty of "sex, lies, and video tapes." appearance.
And because of this, there will be a group of European experts who are following the Mobbling Road, and a group of European experts who are following the ridiculous nine-five years, who will follow this thing and become a masterpiece of the year.
That's enough.
Masterpiece a ball.
View more about Caché (Hidden) reviews
