Don't talk about mother killing

Laurie 2022-01-02 08:01:17

Two children from different backgrounds, one was born noble, but had never been cared for by his family; the other was born ordinary, with a sense of inferiority, and introverted. But the same love for Mario Lanza, love for literature, love for pictures, and clay sculptures has established a deep friendship between them, and even developed beyond friendship. Pauline, who was born in an ordinary background, even wrote in his diary. To: "We are like a saint." As a real case, fortunately, we have Pauline's diary as a basis, so that we will not completely speculate about the situation of the parties, but this does not mean that we have a completely fair position and qualifications, because we are in the director's Get all the information under the narrative attitude and performance techniques.

But then again, I deeply feel Peter Jackson's neutrality and pertinent standpoint. Almost all his energy has been used to vividly show Pauline's psychological world. As a 14-year-old girl, her life is being dazzled. Occupied by the dazzling reality, the temptation from the boarder at home, the infection from Juliet's family life, the pain of separation from the sisters, all the seemingly normal things piled up but produced a change in Pauline's life, too emotional. His inner world leads to a fragile tolerance, which can cause a young girl to cry or scream for joy in the small things, too much and unmeasured to obsess over one thing and attract the restriction of adults, no The girls with psychological mediation ability felt the fear of the arrival of the end, and the unnamed pain made the audience feel chilly. You have all seen the final result. If you read it, mother-killing is just a result. It's just a solution for the girls who are isolated and helpless and have nowhere to vent. So I think the reason for finding mother-killing is only from human beings. Instinctive psychological demands come to find a psychological answer, but it is meaningless to the individual case.

One of Peter Jackson’s major contributions I like is to link the two people’s love and compassion for each other with their shared love of drama. Pauline and Juliet transformed themselves into the heroes and heroines of the works they wrote. In the play The development of the relationship between the characters is produced by the correspondence between the two, so in the hearts of Pauline and Juliet, we can always see the inescapable situation that makes us feel uncomfortable, we call out another self in our heart, an extremely powerful self to provide help In order to escape the troubles of reality, every wonderful and creative connection is a unique design.

Compared to the previous "Braindead", I can hardly tell that it is a director's work.

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Extended Reading
  • Herminio 2022-01-02 08:01:17

    The City of Rubber People, the magic of "The Third Man". At first I thought it was Peter Jackson’s bizarre teenage girl film, but in the end I realized that it was actually an extremely dark and cruel adaptation of reality, with mixed feelings.

  • Zachary 2022-01-02 08:01:17

    This film is based on real events in Christ Church, New Zealand in the 1950s. It is the last film Peter Jackson filmed in New Zealand before entering Hollywood and won the Silver Lion Award for Best Picture at the Venice Film Festival. Kate Winslet made her debut in this film and won the New Zealand Film and Television Awards for Best Foreign Actress and Toronto Film Festival Best Actress, laying the foundation for her future starring in "Sense and Sentiment" and "Titanic" .

Heavenly Creatures quotes

  • Pauline Parker: I felt thoroughly depressed and even quite seriously considered committing suicide. Life seemed so much not worth the living and death such an easy way out.

    Honorah Parker Rieper: Love, you can still write to each other.

    Pauline Parker: Anger against Mother boiled up inside me, as it is she who is one of the main obstacles in my path. Suddenly a means of ridding myself of this obstacle occurred to me. If she were to die...

  • [to Pauline]

    John: You can call me anything you like.