But then again, I deeply feel Peter Jackson's neutrality and pertinent standpoint. Almost all his energy has been used to vividly show Pauline's psychological world. As a 14-year-old girl, her life is being dazzled. Occupied by the dazzling reality, the temptation from the boarder at home, the infection from Juliet's family life, the pain of separation from the sisters, all the seemingly normal things piled up but produced a change in Pauline's life, too emotional. His inner world leads to a fragile tolerance, which can cause a young girl to cry or scream for joy in the small things, too much and unmeasured to obsess over one thing and attract the restriction of adults, no The girls with psychological mediation ability felt the fear of the arrival of the end, and the unnamed pain made the audience feel chilly. You have all seen the final result. If you read it, mother-killing is just a result. It's just a solution for the girls who are isolated and helpless and have nowhere to vent. So I think the reason for finding mother-killing is only from human beings. Instinctive psychological demands come to find a psychological answer, but it is meaningless to the individual case.
One of Peter Jackson’s major contributions I like is to link the two people’s love and compassion for each other with their shared love of drama. Pauline and Juliet transformed themselves into the heroes and heroines of the works they wrote. In the play The development of the relationship between the characters is produced by the correspondence between the two, so in the hearts of Pauline and Juliet, we can always see the inescapable situation that makes us feel uncomfortable, we call out another self in our heart, an extremely powerful self to provide help In order to escape the troubles of reality, every wonderful and creative connection is a unique design.
Compared to the previous "Braindead", I can hardly tell that it is a director's work.
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