Blooming and picturesque——[Frida]

Jeanne 2022-04-22 06:01:02

Originally, the title I wanted to put on was "Blooming like a flower", but when I make a mistake, it becomes "painting." On another thought, this mistake is quite meaningful, unintentional and obviously more suitable for this movie.
For frida herself, she is a woman who belongs only to Mexico all her life. Even though she can wear a white wedding dress like everyone in the world, she prefers to wear a dark green dress with a bright red shawl. At that moment, her appearance was not so much a bold color collocation that surprised everyone, but rather the confident national style that overshadowed all the style and taste.
real. I have never seen a woman who can have such a splendid, powerful and unruly temperament. In front of her, even the Mexican painter Diego, who is known for his romantic style, must sigh. When this woman drags the lame legs left behind from the aftermath of a car accident, drinks like a man, and dances tango with the mistress of amorous feelings, when there is no one beside them to give each other kisses and kisses, the world All the orders in the country are declared broken. It was from then that Diego looked at frida's eyes completely differently.
He was her enlightenment tutor for painting, and it was she who sprang up when he watched him intimately with the model. They can become mentors and apprentices, helpful friends, and comrades. They respect and respect each other. If it only ends here, it might be a good thing for them to each other; but in the end, they have to become lovers. So Diego's romance is destined to hurt frida's heart, and the controversial relationship between frida and Trosky did not make Diego feel much better.
However, I still stubbornly believe that, just like frida's unquestionably deep love for Diego, no matter how many times Diego has betrayed physically, he only has the name of frida in his heart. This is not a stunning woman, she is full of talent, she has no concealment. Her talent is higher than others, including Diego himself, because she can transform all the injuries, pains, dreams, shocks and fears in life into strong colors. Picture. In almost all of her portrait paintings in her life, there were no regular sketches, and most of them turned out to be images. Her perception of life, control of color, and dissolution of art are all cultivated in the deep-rooted nationality. We have always been accustomed to saying that "the national is the world". In frida, it has a real meaning of existence.
For movies, the best expression lies in two places-color and music.
The color performance is just as brilliant as frida's paintings, dazzling and bright. An artist who has only lived for more than forty years and has been suffering from illness for almost her entire life is the greatest misfortune for her; however, it is this kind of language that is indescribable in case of pain and glows. Her unprecedented charm. Therefore, the tragedy of short life is almost impossible to experience in the movie, and even the final cremation of frida has a poetic effect. When she and Diego came to the United States, the scene was drawn with black and white cartoons. On the one hand, it was a metaphor for the trough period of her and her husband's life, and on the other hand, it pointed out the exaggeration and sensation of the outside world. But the depressing contrast effect.
The soil and water effects in South America have produced a large number of the best cigars and coffee in the world, and it has also produced a clear rhythm of passionate music and dance. It is conceivable that these are indispensable existences in frida's life. It is her unique talent and publicity as a Mexican that allows her to hold her head high in the aristocratic circle of big countries such as Europe and the United States, and accept the worship of others. From the moment she picked up the paintbrush, she has been passionate about butterflies, and her entire life history has emerged like a butterfly, even if it is only a moment, it is so gorgeous that it cannot be ignored. In front of her, even if she is noble as a crown prince, and tastes as unique as Chanel, she is afraid that she will be inferior to herself.
Any woman in this world should find something worth learning from frida, even if it is only a reference. She never bowed her head because of her destiny, and even when she couldn't get up, she would still dress herself up like a queen in her painting exhibition. She has always been direct and not flinching in love, and her paintings made with vivid power and her open and blooming posture won Diego's final steadfastness. When she finally could only become a person in a wheelchair, Diego half-kneeled on the ground and proposed to her again, not giving up the company to the end. She has always adhered to her pedigree as a nation. Even if the outside world is tempted, she is unmoved and only seeks to return to the country. She knows that her roots are inseparable for life. This woman, just like the sunshine in Mexico, must burn herself in the brightest moment, and can't tolerate the slightest reservation.
When a period of life turns into a cloud of smoke, frida splashes ink to complete a picture that no one can fault. Her voice is not old, and the world will remember it.

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Extended Reading

Frida quotes

  • Tina Modotti: I don't believe in marriage.

    [crowd laughs]

    Tina Modotti: No, I really don't. Let me be clear about that. I think at worst it's a hostile political act, a way for small-minded men to keep women in the house and out of the way, wrapped up in the guise of tradition and conservative religious nonsense. At best, it's a happy delusion - these two people who truly love each other and have no idea how truly miserable they're about to make each other. But, but, when two people know that, and they decide with eyes wide open to face each other and get married anyway, then I don't think it's conservative or delusional. I think it's radical and courageous and very romantic. To Diego and Frida.

  • Diego Rivera: You know, I don't believe in God... but I thank him every day that he kept you safe for me.

    Frida Kahlo: Oh really?... I tell you he's got a lot of explaining to do.