Ang Lee's "Sense and Emotion" is really a three-good movie-a good script, a good actor, and a good director. Adapted films of famous works, with the most attention to detail. It’s not too close, nor is it too far away. Emma Thompson really has two brushes for tailoring the main and branch lines so steadily, focusing on the focus, and taking care of both inside and outside. In addition, Sister Austin’s work is very dramatic and suitable for imaging, and the content of this film is good enough. The actor's performance can be said to be very appropriate, and the performance is just right. It must be in line with the original character's temperament, and the other is not to bring out a strong sense of the stage, and you can't go out of the way in the play. Hugh Grant originally brought some restraints, but Winslet's passion and unrestrainedness has continued, and there is some self-shadow in shaping the role. The performance of the whole play is like an excellent classic of the BBC, the characters are lively and the world is vivid. For Li Ang, the general idea is how he sympathizes with the British classical culture. In fact, we can see at a glance that these hesitations, beginning chaos and end abandonment, good and evil retribution, are all familiar to China. content. This is the beauty of Li An, the bones and cotton palms, the breeze is blowing, the accumulation of these oriental cultures in his bones can be cleverly nested in various forms of shells at any time. This is true from "Sense and Emotion" and "Ice Storm" to "The Hulk" and "Broken Arm Mountain". This is the Chinese internal martial arts, four or two strokes of a thousand catties, in the final analysis, it is to talk about feelings. Think about it, all people on earth are the same. In terms of technique, Ang Lee’s lens feels like I have always liked it. The vision is broad, the lens composition is meticulous, it is the elegant style of the oriental meticulous style, the colors and shadows are gentle and gentle, and the atmosphere is peaceful and never arrogant. There is also flexible scene scheduling, some tricks are exciting to play. There was a shot, Winslet walked out from the front of the camera, disappeared outside the door of the distant view, and then moved slightly to the right. The old woman walked in towards the close shot and walked out from the left, then the camera moved up a little bit, and the eldest sister appeared in the distance on the second floor. The figure disappeared from the close shot looking downstairs. A scene, a continuous shot, the camera moves lightly and confesses the actions of the three people from three angles. The time is continuous and just staggered. The plot is exactly the three people's own minds. One shot is clearly explained but there is no trace. It's so exquisite. From the narrative point of view, Ang Lee's set is an old Chinese novel with chapter style, clear structure, smoothness and simplicity. The various subtleties of this are nothing but old poems that add color to the novel.
View more about Sense and Sensibility reviews
