Love with reporters always seems colorful. It is necessary to respond to each other as naturally as possible, and to hide their true identity like a spy, which adds a lot of fun. But this identity is not very popular in most cases, because when people want to hide something, it is not so easy. The following three films show the reporter's Aventure Road vividly and thoroughly.
"Philadelphia Story", although the reporter is not the protagonist here, and ultimately did not embrace the beauty, but at the beginning of the story, the heroine and the family can toss the two reporters into the house enough to toss. The reporter finally tried to be interviewed to the point where there was nothing to say, which was really funny. I almost made people haggard for Yixiao, but I still found my own reality.
In fact, this movie requires a certain amount of patience to watch. It is not interesting enough to highlight the fast pace and the future and find the laughter has transitioned to the next link. The blockbuster looks like a philosophical line. People watching it are sleepy, but it is undeniable that Catherine Hepburn's innate temperament is eye-catching, and her rivalry with Gary Grant is really cute. Love comes and loves, still the one who knows himself best. The so-called love is nothing more than tolerance + responsibility.
"Roman Holiday", when the reporter encounters the second big news that he will never encounter in this life, the responsibilities and conscience are intertwined and bite the softest part of the heart. Isn’t it true that the happy time together, why not It is the most correct end of this life to draw a not very satisfactory. This feeling can be regarded as a remembrance, but it was already in a daze at the time.
It was amazing for Audrey Hepburn, and she played the rebellious princess with her innocent and natural cuteness, and the sincere love of the reporter played by Grant after an adventure with the princess is even more memorable. Finally, the reporter That look back grabbed the heart of each of us, we seemed to be the hidden peepers, spying on this secret journey but couldn't bear to expose them. In the end, only the poem in the memory was left: "Even though I am dead, your voice still wakes me up from under the nine springs."
"A Night in Love", the reporter originally only wanted to make a big press release, but could not even dream of marrying Miss Mengzhongfu. Putting aside all sorts of class concepts and personal struggles, isn't this ending exactly what we hoped for. Dreamy and unreal, so what? That person is already in the dim light, why is there any reason not to work hard towards all this?
It is really enjoyable to see comedy, especially Clark Gable's ruffian and Claude's stubborn face. Many classic fragments in the film, from the thrilling jump at the beginning of the film to the collapse of the Jericho wall at the end of the story Full of surprises are waiting for us to continue to discover, whether it is the earliest beautiful legs hook car show or the scenes of deceiving couples are absolute classics. I really don't understand why Clark Gable and Claudia hate this work which is hailed as a classic by later generations...
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