First of all, this is a personal point of view.
After eating raw meat in the name of Luc Besson, most of the Russian language in the play is also blyat...
As one of the few female protagonist spy war movies in recent years, what the audience has to do is to accept the director's setting, just like accepting that John Wick's suit lining can be bulletproof.
After reading some film reviews, many people say that the male agents in Anna’s opponent scenes are too weak. Although the action scenes do need to be improved, if she is set as the first sister of the kgb, then she must have the skills of a widow sister (laughs), and Anna serves After military service, the foundation is there, and he also receives special training in the system. It is better to be a ballerina halfway through than his elder cousin.
The second is the plot. Once you accept Luc Besson’s narrative technique, you will feel more comfortable, and you will even wait for him to flash back to supplement. I personally think that this continuous retrospective technique is not improper, as a supplement to the main line. , Enriching the viewing experience. In movies of the same type, it is not surprising that Mission Impossible or even the Emperor’s Mission Impossible, the most important thing is how the agents are able to operate in a multi-agent organization. This is the highlight of the movie.
Compared with the flashbacks in "Cold City", the overall plot of "Anna" is still narrative. Unlike the emperor who slowly said to you with a cigarette in his mouth, an old lady has not become stronger, but has always been very strong. Strong, Anna's personal design ability is constantly growing.
From being forced to join the organization, to trading with the Scarecrow to work for the CIA, to the py trading after being discovered by Queen Elizabeth, she has always been passive. It is a miracle that so many handles have not been killed, but she has been secretly changing her fate. , Backhanded to the boss together, could not help but remind people of the refreshing scene of the big cousin selling her uncle.
As a commercial film, Anna is undoubtedly of high quality. The narrative is smooth and the core is clear. The heroine has been fighting for freedom, and the intensity of the play is slightly insufficient, but the flaws are not covered up. The goal that can be solved with silencer Beretta is definitely not close. Hand-to-hand combat, even if you fist to the flesh, is still a favorite part of the audience, "Cold City" is still the smoothest movie of the same type that combines narrative and fighting.
There are always people who say that the reversal is very deliberate, of course deliberately, otherwise the movie will not be played, accept the setting, accept the setting, or accept the setting! ! The director has laid a trap for you in the snow, and you’re done stepping on it. Anyway, you won’t be really lame. Once you enter this so-called setting that everyone is stupid and Anna’s unique wisdom, you will feel that everything will come naturally.
Finally, there are still a lot of slots in this film. Here are a few to talk about why, why and why, in order to create a hard-line queen temperament, the heroine always has to be more profitable, ah no, all right, ahem, Raiders so An innocent female partner then throws away no female boxing (funny). The next door is the two agents who are engaged in a game of work. You can throw it away when you run out, but it does not rule out that Anna will go back and take it with you. The possibility of her wandering around the world.
The male characters in the whole movie are very simple, conscientious about their work, and have nothing to think about. The final "how many lovers do you have" really amused me. As expected, men are creatures of lower body thinking (pseudo) , On the contrary, the little abacus in the female boss's heart crackled. Anna's hand was used to get rid of the boss to get to the position. When the queen told Anna's secret but did not stop it, she could actually guess three points.
When the film is about two-thirds, it is easy to speculate about the end. It can be seen that Luc Besson's work is always suspected of being hot 2333. The protagonist is impossible to get a lunch box. Every time HE always makes me wonder if the director is too optimistic, or the routine of this type of film is like this. If director Pui can write Anna as TE, then it may be free from stereotypes. After all, it is still difficult for a person to interact. A country contends, let alone the current superpower and the former superpower.
Make a summary, accept the setting, and it will be done.
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