Cobb sneaks into Paul's dream

Wyatt 2022-07-29 20:16:57

People are limited in life, and there are things they want to do but cannot do. In the dream, people will construct a relaxed world for themselves to do those things. But dreams are easily disturbed and awakened. Abnormal tolerance can easily arouse people's vigilance, and then there will be an explanation and correction to bring the dream back to the right track. Sometimes it is rational consciousness that inhibits subconscious desires. All emotions and demands will be manifested concretely.

Interpret the movie according to the structure of the dream space of Pirates.

Throughout the night, Paul would be blocked from doing anything. It was the self-antagonism in his dreams, and the events of the characters in the dreams were somewhat symbolic.

It can be assumed that Paul in reality wants an affair, but working 996 hours is not allowed, and this kind of thing is unacceptable, and this kind of thing is also risky. If you accidentally put a hat on someone and get caught, you will be cool, and Paul Also take into account your own identity and face.

In the dream, Paul’s deep desire is to fire a gun, and the allowance is that everything goes smoothly. If it is too smooth, it will interfere, and then the dream will make corrections and explanations. Progressive advancement will not cause interference, but the closer you are to the desire, the more it will trigger the resistance of rational consciousness. Reason tells him that this is risky and this should not be done. You are a decent person.

Paul started to dream. After get off work, he went to the restaurant to read erotic novels and seek an affair. Then he gave himself a lot of grace, so that this wish can continue to advance. There happened to be a beautiful woman in the restaurant, and the beautiful woman took the initiative to talk, and she came over to the table with him, and made a request to him, and left the phone. This is what Paul wants, but the process seems very unreal. Marcy’s weird tone and expression, and the operation of the plaster sculpture paperweight are all common unreal performances in dreams. If you want to add one, there is really this. Is it cheap to plant for nothing? It was also because things went too smoothly, something beyond common sense, the dream was disturbed and made a protective adjustment, Marcy talked gibberish (don’t be a translation problem...), Martha bid farewell to Paul and told him that it’s not possible now and later. Contact, Paul remembers that the phone can’t find paper and pen. These obstacles slow down the dating process and make the dream more stable and reasonable.

After returning home, Paul continued to operate, dialed the phone and was invited. Things changed a little bit next, the closer he got to this date, the more Paul reminded himself of the risk of an affair. If it is in reality, this consciousness will turn into action, allowing him to think more or act cautiously. But in the dream, on the one hand, he was still anxious to go to the appointment, on the other hand, the risk consciousness was displayed in the form of external obstacles. In the middle of the night, the taxi fare was lost, the house number that was altered, and Marcy, who was not at home, seemed to persuade him to get back when he was lost, but he rose to the challenge. As a result, Paul met Marcy's roommate first, and wanted to operate a wave, but the result was nothing. There was still a period of grace and interference. At the same time, it only showed Paul's thoughts and wanted to shoot. It was very simple. Marcy came back when Paul was about to bugger. It was a game of self-guilt. In the future, Yue Mengjing still operates under this system, with fluctuations advancing. But the resistance in Paul's heart became more and more obvious. Martha revealed to him his personal relationships and experiences, which meant that she was reminding herself not to do stupid things. This vigilance even evolved into fear, so he became more and more aware that Martha might have skin. Burns, and my childhood was shadowed by skin burns. The rational consciousness allowed Paul to escape from Martha by throwing fear into it.

The interpretation of constructing dreams stopped here, because the following plots could not be explained with this, and could not be edited.

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Extended Reading

After Hours quotes

  • Julie: Look, I had trouble figuring out the tax on checks. So what! I mean, eight per cent is a bitch! So, I make a few mistakes! So, I make a few mistakes! So, sue me!

  • Tom the Bartender: How about a drink? You look like you could use one.

    Paul Hackett: You don't happen to have any powerful aphrodisiacs back there, do you?

    Tom the Bartender: She won't put out, huh?

    Paul Hackett: No, it's not for her. It's for me. I seem to have gotten myself involved with one of your cocktail waitresses.

    Tom the Bartender: Miss Bee Hive 1965.

    Paul Hackett: Yes. Don't even ask me how.

    Tom the Bartender: So, take off. What's she gonna do? Kill herself?