Vivien Leigh vs Li Huiyun

Burnice 2021-12-08 08:01:38

Vivien Leigh, translated by Hong Kong Li Huiyun. Most of the movie titles translated from Hong Kong are quirky and ingenious, as long as they are not exaggerated to the extreme, they are all in my heart. There is not only one better translation from the mainland. "She is lonelier than fireworks", "Two Lives of Flowers", "Love in June Flowers", the use of a single "flower" is superb. "Boldly Love to Steal Carefully" and "Broken Heart Outside the Pen", such names are enough to make the hand picking discs stop.
I can't agree with Li Huiyun alone. Too boudoir is too Chinese and too detached. Although Vivien Leigh is vulgar, but because of her life experience, she is sad and special. In contrast, Zhang Ailing is equally vulgar and desolate.
Her beauty was dilapidated to the point of uncontrollable speed. Appearing in public with Lawrence Oliver, there is a kind of reluctance in the smile. She is so sensitive and fragile, how could she not feel such an unsuitable match. Lawrence is just the right stage of maturity. He is born with abundance and beauty. He has become accustomed to playing Shakespeare's play and his career success naturally adds brilliance. She is always exhausted and trying to maintain it. Elaborate dressing can't conceal sagging skin and facial swelling probably caused by medication. This is the best state of getting up the spirits, and it makes people think of how unbearable nerve torment she has experienced behind the people. But she is coming to be with him, for him and for herself. She loves him, she is so strong, and she has two fatal injuries to women.
She wants to get better, but the emotional instability and the decline in beauty are more from uncontrollable inheritance, which is destiny. This song should only be in the sky, and it can be heard several times in the world. It's not an exaggeration, but a slogan. She is destined to be destroyed prematurely or that her destructive temperament is too strong. She is like a cat, from the intoxicating and intoxicating eyes to the sweetness, but there is a kind of panic and defensive nervousness in her waywardness. Nervousness is the result of the soul burning too hot, giving her breathtaking acting skills, helping her pursue and achieving the love that everyone admires, but the body is burned prematurely.
Watching her performance in "A Streetcar Named Desire" is really heartbreaking. In the dark room, she secretly fantasized about a man's leaning shoulders and a piece of gentle music, but was interrupted by a rough drink from her brother-in-law, and her good life was almost completely interrupted. Such a role is dangerous for an actor who is a patient. She can't see or she can't escape when she sees it, just like the man who is destined to fall in love with the Apollo idol, he and the drama are the ties that she can't lose. It's like Nicole hides behind a fake nose and sinks to the bottom of the river. She can also escape into the role. But like the end of the forest, there is still a forest. This Blanche was more nervous and sensitive than she was. Such a role is to drink poison to quench thirst, and this kind of performance is that the thorn bird flies into the thorn bush and selects the longest and sharpest one into the chest. Gorgeous and miserable. It amazes the viewer, and at the same time deeply feels that I am powerless and useless. Facing the demise of beauty, she was brutally torn apart, and she couldn't do anything at all. Maybe, I really started to fall in love with this woman. The flames of Atlanta illuminated her green eyes, and started her movie legend and my movie-watching life. Her face has a special meaning to me.
With such a picture, she looked at Oliver from the side, with admiration, nostalgia, and deep sorrow in her eyes. Just as I was looking at her figure on the screen, thinking about what is long and lasting.

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Extended Reading
  • Joannie 2022-03-25 09:01:08

    Ilya Kazan's drama background is too obvious. The scheduling of this film is all staged, and the script is also the drama mode of "Colosseum" - whether it is reasonable or not, a few characters are forced into a small space, Squeeze them and slowly watch as their survival mode begins to derail, and that's what Killing is all about. The only design that can be called cinematic in the whole film is the light that flickers in the mirror and face when Vivien Leigh first appeared (implying her hidden personality and experience), as well as the shadow of her eyes when she is hopelessly married later, but these designs, Too early to expose the character's development trajectory in the movie, too plain. Vivien Leigh's performance is full of hard work, but too fast and violent emotional movements are still in the form of drama. Brando played in his true colors. He has always had the main character of a rogue proletarian in his soul. Taking a streetcar named Desire to the cemetery, Vivien Leigh, who fell into a sex scandal because of her broken marriage, did not find refuge in her sister's animal family. On the surface, it was a collision between the proletarian and the pretentious class, but the middle-class beautiful woman and the proletarian barbarian It was a very matching combination. I don't know what Vivien Leigh and Brando are fighting for.

  • Dangelo 2022-03-26 09:01:05

    Is it greed to live by the kindness of strangers, and whether it is rudeness to the essence of desire. The essence of life is suffering, and people don't take it for granted as they think.

A Streetcar Named Desire quotes

  • Mitch: Oh I don't mind you being older than what I thought. But all the rest of it. That pitch about your ideals being so old-fashioned and all the malarkey that you've been dishin' out all summer. Oh, I knew you weren't sixteen anymore. But I was fool enough to believe you was straight."

  • Blanche: Straight? What's 'straight'? A line can be straight, or a street. But the heart of a human being?