It feels very cordial. It is a film with meticulous intentions but poor completion. It is almost like a finished novel that I can't read after all my outlines have been written. The reason for the male protagonist to wait for his ex-wife appeared too late, resulting in the women who were stalker and move on in the first eighty minutes. There was no detail to explain their feelings. They were very single arrows. I could see my hair standing upside down and all unilateral stubbornness. , Following, staring, have nothing to do with romance. kink is called kink for a reason. The truth is a little better after opening, but it is too late. The movie is about to end, and the return of the heroine is also very abrupt. It is like fast-tracking all the entanglements for everyone's joy, there is no foreshadowing! But I really like the concept of "two people line up together, I'll leave for a while and you will help me occupy a seat": Unlike love, making marriage unbreakable is waiting; waiting makes marriage unbreakable.
The outlines of the son and the first love are not touching enough, and all the plots are like brief instructions, without paying attention to the details. One detail is okay, that is, the sentence IT at the end of the letter made me cry. I naturally put an image in the previous situation at the right time, and then put this image together with the scene that it first appeared in the back (first Level) and its own meaning (the second level) are pointed out together. I just saw an example of doing this very well recently. It is S105 of "News Room". Rudy's line is buried smoothly and touchingly. I have seen the use of detailed imagery particularly good (Suojin Niubi).
Instead, the memorable plots are all on the daughter, which is relatively good with her boyfriend and mother (just relative). In addition, I really hate movies about writers, famous writers hate them, and unknown writers do not know how to become famous and hate them, all hate them.
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