Above the wilderness, the fight between wolves.

Newell 2021-10-18 09:30:29

Among the many films released from 2015 to September, there are quite a few good ones, but Sicario is the only one that really shines. In the North American Electric Academy, there are some bad films dumping ground from January to March, April to August. The month is a summer game for the five major companies to make money by drawing cakes, and the films that are really aimed at major film awards and can compete are usually selected from October to December. Looking at the major films in the remaining four months of 2015, Sicario's leading forward has gained the upper hand in each other's competition.

The film was released with the aura of the director. Canadian director Dennis Villeneuve's trilogy, if you use color to describe it-Prisoners is repressive blue, Enemy is confused yellow, and Sicario is desperate gray. The greatest feature of Dennis's film is the atmosphere. The director and photography partner Roger Deakins used unusual shots and presentations to make the audience feel the urgency of not daring to breathe or closing their eyes. Aside from Prisoner's overpreparation and Enemy's emphasis on atmosphere rendering, Sicario inherited the strengths of the two, allowing the development of the story and the atmosphere to complement each other and integrate into one, without detecting deliberate side policies, everything will come naturally. Deakins presents the lurking crisis in the wilderness from the perspective of looking down on Mexico from top to bottom. The 15-minute journey in and out of Mexico explains from the front that the Mexican drug lord is no longer a secret cruelty. In such a land, no rules and authority are required. Follow again, the wolves are fighting, and only life and death are winning or losing.

The reason I like director Dennis is his trust in the audience. If the film is a medium that over-understands many things, it will lose the ability of the audience to imagine independently. The film Sicario gave the audience a big background, the Mexican drug trafficking dispute, an access point, the role of EB, the role of FBI regional criminal police, a kind of emotion, and the anxiety of being unable to trust anything in it, everything after this is just The audience's own thinking is like the EB character involved in a confused area, the audience can only rely on their own eyes to find the theme and reason.

The deputy line of the Mexican police cleverly sublimated the theme at the end of the film. The EB character’s obsession with the truth and the use of justice to try the so-called “bad guys” for evil acts are typical of justice in American real society, and there is no ash between black and white. However, when the fog spreads, I really want to be so embarrassed that I can’t wait for my father to return to play football in Mexico. The child who is terrified by the gunshots is just a victim of this wilderness dispute, the United States. The intervention, the grand-sounding rescue plan makes the protagonist’s initial determination to eradicate the poison even more pathetic. It’s not so much anti-American, but it’s truthful-American, The truth? America is not as glamorous and righteous as we want to believe. In

terms of actors, Emily Blunt is as good as ever, although she has the most tender eyes. But there was a hard breath all over the body. What really surprised me was the performance of Benecio Del Toro. The role of Benecio in the film is not much but the most attractive. The mystery of the role itself and the final reveal give Benecio a lot of room for development. Such a comparison with EB's role is too monotonous, and the acting skills are impeccable but few. A breakthrough interpretation of some roles.

After watching this film, I think of "True Detective" again. The perfection and atmosphere of the first season of True Detective are very similar to this film. In my heart, I have silently brought me the unpleasant and unpleasant plot of the second season of "True Detective". All the memories are erased, yes, this film is the true follow-up of Zhentan.

Original PO: http://www.mikasproject.com/blog1/2015/9/22/-sicario

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Extended Reading
  • Emelie 2022-03-24 09:01:15

    Villeneuve once again proved his ability to extract twisted desires from gloom and violence. After the second brush, he was caught in Uncle Benny's deep eyes and couldn't help himself. . . . The 16siff three screens are too bright, and I cut my favorite long shot into the hole, bad review. Uncle said, this is a personal grievance. The last look back is also hoping for relief. Great compassion. 丨This is my most rewatched movie. The observer is present. pattern. Ecology. woman. become.

  • Milan 2022-03-25 09:01:05

    I have been waiting for Villeneuve to come to this point, that is, to come up with a technically impeccable bad film, and finally waited~

Sicario quotes

  • Phil Coopers: [assuring Kate] Advisors like Matt come in, they stir the pot, they cause the criminals to react and make mistakes. That's how we build cases against the individuals that actually make a difference in this fight. It's when they're nervous, when they stop trusting their crews, when they move their money. These are all opportunities to strike. And that's the purpose of people like Matt.

    Dave Jennings: Kate, this isn't something that I dreamed up myself. I don't have the authority to hire advisors, or authorize joint agency missions, or fly agents from Air Force bases. Are you understanding me? These decisions are made far from here, by officials elected to office, not appointed to them. So, if your fear is operating out of bounds, I am telling you, you are not. The boundary's been moved.

  • Reggie Wayne: [sitting in a bar] Look at you. Your eyebrows are a mess.

    Kate Macer: [hiding her face] No, they're not!

    Reggie Wayne: They're like caterpillars, like wild beasts. You're losing weight.

    Kate Macer: I'm eating.

    Reggie Wayne: Look at you. What is it, one T-shirt a week? At least work on your personal hygiene, huh?

    Kate Macer: You sound like my mother.

    Reggie Wayne: Maybe I *am* your mother. First we work on personal hygiene, then we move on to the shopping.