Also, my taste for buying youth films and watching youth films is really not elegant. It is natural to be laughed at,
but Veronica Mars is not another Orange County or One Tree Hill.
The script is very cleverly written, interlocking,
nervous but not violent, dangerous but not bloody, with a good sense of rhythm and scale, and often a little black humor.
It is a pity that the story is set to take place among a group of high school students and is of course classified as a youth film.
So although many mainstream media critics say it is good, it is still ignored by most viewers.
Veronica's friend died mysteriously, and her mother disappeared for no reason.
The police chief's father was forced to resign because he suspected that the dead friend's father was the murderer behind the scenes. Her
boyfriend was inexplicably abandoned, and then he was raped at a party.
All the astonishing changes were explained one by one in the first 10 minutes of the first episode,
and then they were stunned and slowly reasoned out the truth, only to find that all the events were connected.
Yes, unlike most episodes, the screenwriter did not stingy to put the answer to the next year.
All questions were answered at the end of Season 1.
Of course there must be a cliffhanger, but it has nothing to do with the case.
In each episode, while looking for the real murderer of her friend, Veronica will also take over one or two small cases in the private detective run by her father.
In fact, they are even more interesting than the main story.
The series tirelessly show the various methods Veronica used in the investigation,
from tracking, secretly filming, to making phone calls and compiling messages, many of them are practical and seemingly effective techniques in real life.
News practitioners may wish to take a look when they are free, maybe there are some lessons to be learned.
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