The first half of the film is quite bloody. The teenage Huo Yuanjia was brave and fierce. He discounted his arm as if he broke a corn on the cob. With a heart-felt punch, the soul of the other tiger on the mountain of Tianjin Wei returned to his hometown. The result of winning the honorable title of "Tianmen No. 1" was to invite enemies to take revenge on his family and almost wiped out his family, so he went away from home in despair. Menhuo Daxia's life experience does not seem to be so tragic, and the purpose of such a romance may be for the purpose of talking later.
After a very strange life in Miao Village-the creativity comes from Tai Chi Zhang Sanfeng? ——Master Huo reborn and returned to the world, put down his butcher knife and became a Buddha. He used martial arts to win and turned into martial arts to make friends. He was compassionate to my race, and he was angry at those who insulted China. "If you see one, destroy one) or even sacrifice one's life to protect the law (after being poisoned by the Japanese, I still have to go to the ring and die to perfection to protect my Chinese martial arts spirit). In the second half of the film, Huo Yuanjia's acting style is a posture of an accomplished monk. Jet Li's role should not be Fearless, but himself.
The film is not ugly. Although the reasoning is a bit blunt and suspected to be preaching, the Chinese can accept the "martial arts" of "forgiveness and forgiveness" and "stopping"; to say that the film reflects Chinese elements, it is a comparison. "Hero" is much plump, not to mention the "Promise" which almost ruined my chance to continue watching domestic movies. If Chinese film, painting, and photography are to be based on the world, they should trace their roots and find the original things in their own culture to show them. The so-called nation is the world. Jet Li’s "Huo Yuanjia" gives a brief overview. A jerky but acceptable attempt.
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