Long-lost good movie

Randi 2021-12-19 08:01:22

This article deals with the plot.

The movie is a good movie, but this title translates into a two-thorn ape taste, completely destroying the texture that it should have. "Gifted" means both a gift and a gift. One word sums up the two clues of the movie: one is the little girl's talent; the other is still the family.

1. Long-lost good lines

It's been a long time since this film's lines are so interesting. For example, my grandmother said: I won't leave if I don't take the child, and my uncle said: Then you are welcome to settle in Florida. Another example is to tease Lego when reasoning with your niece. Such all kinds will be mentioned later.

2. The long-lost plot full of wisdom and humanity

I really like the scene of the uncle and niece discussing God in the middle of the movie. In the silhouette, the child is climbing around like a monkey on the uncle, but the two are discussing a very philosophical issue with skepticism. . The atmosphere is calm, warm and mysterious. I really like the interaction between two people. Mary likes to stick to her uncle, using her uncle’s chest as a chair or his thigh as a bed. Such a strong adult is so safe and intimate for her. Once when Mary stayed with her uncle, it was like a boat entering a port, and this kind of safety is often only given to the child by the mother.

The highlight of the film is that in the second half of the film, the uncle takes his niece to the delivery room to see the families who are desperate and waiting for the results. Uncle used such an unpretentious method to let the child regain his confidence in the family, and regained the emotion of "I am loved", and turned the question of his biological father over. This idea is really the most moving and golden passage in the whole film. After the stupid changes in the past few years, some people in Hollywood movies finally return their perspective to the most vivid life. Against the backdrop of a melodious and touching background, the little girl was infected by the simple thing of "life", full of happiness, and wanted to see another family celebration to welcome the new life, and even pulled her good friend and neighbor aunt and these Strangers who have never met celebrate together. Here little Mary has learned a very precious spirit of mankind: "empathy". This is an important criterion to distinguish between high and low mentality.

In the end, the climax of the whole film is the protagonist revealing the truth to his mother: the sister not only proved the equation but also wrote the formal paper, but just to retaliate for the mother's control, she chose to wait for the old lady to die before publishing. Such a cruel contradiction was repaired by the male protagonist in a very gentle way: he gave the old lady the right to publish and told her the truth. This is not only to correct the sister's hatred, but also to correct the old lady's dictatorship and paranoia. He built a bridge of reconciliation between the two.

3. The film finally showed me a trace of the correct opening method that is politically correct

The film's use of politically correct elements finally has a sense of humor and calmness that Americans originally had.

1. The design of the trial lawyer is very interesting. On one side is a white gold lawyer who is heavily hired and speaks WASP's unique politician accent. On the other side is a black lawyer who likes to talk jokes and looks unreliable in his accent and appearance. But the two played well against each other, and they were witty words.

2. At the end of the film, the actor and the neighboring black aunt broke into the attic of the foster family. The actor took away his niece. The aunt stood in front of his grandmother and a group of brawny men: "Come hit me, see if you dare!" Everyone in American politics knows that this is a joke, which is to ridicule the political climate in which black Americans and whites are sure to win.

I finally saw a little bit about "life" in the disgusting and suffocating political atmosphere of the past few years. And it was not filmed by Disney, which is really fucking "politically correct".

Four, long-lost comfort

Everyone worships genius, because "everyone" is a mortal and always forgets the happiness and beauty of being a mortal. Although the "tiger mother" lady in the film is also gifted with intelligence, she also has a heart that admires talents like a mortal. The content of the old lady defending herself in this film does not impress me. She just understands things from her standpoint and her vision. She is plausible, but it does not mean that her point of view is correct, so the judge just ended up just He remained silent with an expression of "it is difficult for an upright official to break housework" and did not give a clear judgment.

This is indeed the case. The daughter who committed suicide really hates her mother, but she is very kind and has not been killed by her own children like those parents who forced their children to become Caesars in reality. (People who know the news should know who I am talking about. There are actually many examples of this.)

Everyone thinks it is "good" for a child to help him madly when he shows a little talent. There is even a sense of sublime: we have cultivated a talent for the advancement of mankind. However, a talented person who has really experienced this kind of situation may not like to undertake a great cause. As Mu Xin said: "People often say that experiencing hardship can make a person stronger... But who wants to suffer that sin?" Physical and mental health sounds like a matter of course, but it is actually difficult to do. . People who have been expected and arranged since birth, basically don't expect any mental health. Although they have made all kinds of great deeds, everyone ignores their mental illness, such as Beethoven. Because in the eyes of mortals, heroes and geniuses can cope with everything, no one will feel that these mortal weaknesses have an impact on supermen and geniuses. In my opinion, I would rather never hear "Pastoral" than "Destiny" or Bei Nine. I also hope that a man named Beethoven in that era in Europe can spend his life in an ordinary life. "People are forced out" always have a sense of tragic grandeur, but no one has thought that as long as they are forced out, the basic spirit is unhealthy. I am not opposed to genius, but I am opposed to making genius, because that is actually stifling.

And this film tells the truth: not all geniuses enjoy genius as people think, and mortals have the precious happiness of mortals.

Hollywood, as well as China, should make more movies like this that can provide insight into the beauty of life.

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To put it aside, from the point of view of values, the two cultural systems of Confucianism and Europe and the United States are really always 180 degrees of conceptual differences. Take the appellation issue, for example. It would be extremely disrespectful for the Chinese to let their children use their names directly, but in the eyes of Americans, using names without appellations is an expression of intimacy. But I will always be a traditional Chinese. Apart from the issue of respect and inferiority, I understand this way: "Liu Chang", "Anna" and "Li Wei" are everywhere in the world, but these "Liu Chang", "Anna" and "Li Wei" "There is only one person, you can call him (her) with a unique name, and that is the real kiss. To have such a person you can call her "mother", or call him "uncle", or call her "teacher", it is really extremely happy and worthy of cherishment. The principles of Confucian culture always have to turn a corner to understand the mystery.

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Extended Reading

Gifted quotes

  • Mary Adler: Is there a God?

    Frank Adler: I don't know.

    Mary Adler: Just tell me.

    Frank Adler: I would if I could. But I don't know. Neither does anybody else.

    Mary Adler: Roberta knows.

    Frank Adler: No. Roberta has faith. And that's a great thing to have. But faith's about what you think, feel; not what you know.

    Mary Adler: What about Jesus?

    Frank Adler: Love that guy. Do what he says. I tell you what though - one way or the other we all end up back together in the end.

  • [first lines]

    Frank Adler: [through the door] Hey! Hey, come on. Let's move!

    Mary Adler: No!

    Frank Adler: Let me see.

    Mary Adler: No.

    Frank Adler: Come on, I made you special breakfast.

    Mary Adler: You can't cook.

    Frank Adler: Hey, Mary, open up.

    [as she emerges]

    Frank Adler: You look beautiful.

    Mary Adler: I look like Disney character...