"Unforgivable" is a film with a red flag against the red flag. It criticizes the unethical behavior of abuse of violence by revealing the "myth" background of Western films. Western films are based on the legends of chivalry and gratitude, and violence is indispensable to accompany them. Stories often take place between good and evil camps. When we see the good side being hurt, we feel like a knife. When we see the evil side dying in droves, we feel happy. Violence is only a means of resolving conflicts in the dualistic relationship between good and evil, and people who are the subjects of conflicts and victims of violence are ignored. "Unforgivable" is a western film that explores violence as its own element, and therefore has become an "anti-genre film." The spirit of irony in the film runs through. The reason for the whole story is not that "a bully does evil and the local people don't have a living", but a prostitute laughs at the cowboy's penis is too small, and the cowboy is angry and disfigured his face. Little Bill, the local police chief, appeared and ordered the criminal cowboy and his accomplices to bring six horses back in the spring of the coming year as compensation. This matter will no longer be pursued. The madam thinks that this punishment is not enough to calm the anger of the prostitutes, so she has brought all the whips, at least give them a beating before letting them go. But little Bill did not do so. Little Bill did not resort to violence when dealing with this dispute, which was a foreshadowing. Immediately afterwards, the camera cuts to a pigsty, and an embarrassed old man is hogging the pig. It turned out he was William Monet, a murderer. An ambitious young cowboy wanted to ask him to kill two people together and reward him with a thousand gold coins. It turned out that the prostitutes were unwilling to let it go, pooled money and more diligently picked up a thousand gold coins to hire a bounty hunter to take the lives of the two cowboys. Looking at the growing sickness of the pigs and his two growing children, Will gritted his teeth and stomped his feet, decided to return to his old business, and also took the same old friend Ned along the way. From then on until the "Three Musketeers" entered Big Whiskey Town, the story has been double-threaded, constantly enriching the images of the many characters on the two clues, but they have not been portrayed as two factions of good and evil. For a while, I almost believed that the domineering, consciously superior English Bob was the target of the whole story. Each character is a three-dimensional image of flesh and blood. For example, the young cowboy who was first killed by the Three Musketeers wanted to pay the injured prostitute a good horse to make up for his (companion's) sins. How young and young And simple. The success of characterization makes us think about the death of each character, which in turn makes the film’s condemnation of violence convincing. Sergeant Bill Jr. is undoubtedly a person who believes in the effects of violence. The film shows the four things he handles, three of which are He resorted to violence the second time: the first time was to deal with the dispute between the two cowboys and the prostitute, and the plan to avoid violence was adopted, but the result was more violence, which was the fuse of the whole story; the second time was pain. England’s Bob, in order to follow the example, played a role (but also caused little Bill to "the next time I see you in self-defense, I will kill you" situation); the third time is painful Will; the last time is internal Desperate torture to extract a confession, Ned confessed before his death, violence once again worked, but it also eventually brought on the murder of Little Bill. Little Bill, as a law enforcement officer, used violence as a powerful and effective means of law enforcement, but in the end he used violence to control violence. For Will, his wife helped him get rid of the bad qualities of alcoholism and bloodthirsty, but the poverty and revenge of friends after retiring evoked the killing again. Once it starts with violence, there will be endless violence in the end. There is a special character in the film, the biographer WW Busia. The scene of the three men at the police station is the finishing touch to the whole scene. Little Bill read the biography "The Duke of Death" written by Bouxia for Bob of England, mocking Bob of England as a "death duck" and telling the true face of the events written by the author. Not only was it not chic, thrilling, but even full of accidents. And confusion. It's like the death of a violent cowboy, squatting in the toilet and being shot three times in a row by a highly myopic novice. The Kuffy kid is indeed invincible, but then again, the five-step back-to-back fair duel, and the story that justice will eventually defeat evil, only exists in those myths that have been exaggerated. This is also a hero of the west. The famous Eastwood reflects on this type of film. We recall the glorious achievements of Will and Ned in the past, and the truth of those things is self-evident. It's like the lie of the Kuffy kid who claimed to have killed five people. When Will recovered from his illness, he saw the disfigured prostitute and recognized her, indicating that he did not believe in the rumors of "digging out his eyes, cutting off his fingers, and cutting off his nipples." In addition, the few minutes when Little Bill handed the gun to WW Bouxia and instigated him to pull the trigger was also very thrilling. Of course, we can all vaguely feel that Little Bill will not die like this. This has once again confirmed the view that "killing is not easy". In Will's own words, killing means "taking away everything and the future of others", which may also be the reason why he always gets himself drunk before committing a murder. The image of the prostitutes in the film is similar to the peasant in "Seven Samurai", pitiful and hateful. The prostitutes exclaimed after seeing the corpse of one of the cowboys. They didn't expect that they would actually die. At the end of the film, WW
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