Compared with the dramas of Hitchcock and Asimodo, which are currently rampant, Shaon’s pure world drama lacks suspense and tension.
In the era he wrote about, the young guy who triumphed after the war and the
innocent girl in her boudoir who were waiting for marriage would fall in love after staring at the noise of the crowd for a moment. The innocent male protagonist would credulously believe in the instigation of the wicked, and shake his resolve to misunderstand his lover. It bother and hurt.
Romantic and beautiful love must go through some twists and turns, so there is a night of lightning and thunder, and the villain who is full of resentment towards the gentleman is brewing dirty tricks in the secret room.
Fortunately, Shakespeare also wrote a kind of cute characters, always drunk, glib, but able to promote the change of the plot in a way that stuns his appetite,
riding a fantasy pony, and a sentry with a fake and serious ridiculous etiquette. In order to accidentally hear the bad guys leaking the plot.
Then as it should be, the male protagonist and the female protagonist let go of their previous suspicions, forgive each other's stupidity, talk to each other about the suffering of lovesickness, and finally join hands in the marriage palace.
The pair of benedick and Beatrice are more interesting. They have been joking and arguing with each other for more than ten years, and they have become married under the catalysis of the outside world.
Perhaps it is precisely the charm of drama. Benedict's monologue is externalized into self-talk, which is entangled, stubborn and cute.
This kind of comedy that is sure to reverse after 1/4, just smile after watching it.
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