Picture version: https://www.toutiao.com/i6491909722390659598/ Alfred Hitchcock, who has filmed 53 films in his life, is particularly obsessed with blondes. It is rumored that this originated from the murder of a blonde girl near her home when Hish was a kid. He frankly confessed the reason for his obsession with blondes: "Blond women are most suitable for murder! Imagine how beautiful the bright red blood flowing from her snow-white skin and the shiny blonde hair is!" But it is not just a blonde beauty. He can catch his eye. He said that Brigitte Bardot was "a turkey that was served to a Christmas dinner" and that Teresa Wright was "a future without a sexy taste." Adult girls". When preparing for "North by Northwest", Cary Grant strongly recommended Sophia Loren (Sophia Loren), who is in love with him, as the heroine, but Hitchcun rejected it: "Miss Roland is not suitable. Blonde girl." So, what kind of blonde beauty can be favored by Hitchell? According to Hitchell’s own statement, there are three criteria for him to choose a blonde: 1. Have extraordinary beauty and youth 2. Should not exceed a medium height 3. Easy to guide and sculpt the three most important blondes in Greek life: Ingrid Bergman, Grace Kelly and Tippi Hedren. Speaking of it, Ingrid Bowman is not a typical "Greek girl". She is tall and has a large frame. "Having extraordinary beauty and youth" is 100% consistent. Bergman's beauty is natural and dazzling. However, what Hitchcock is most attracted to is Bergman's temperament that combines noble indifference and worldly passion. In fact, Bergman, who is noble and glamorous in appearance, is bold and unrestrained in private, and has many sexual partners. The first film that Hitchcock and Bergman collaborated on was "Doctor Edward" (Spellbound). Bergman was already popular with "Casablanca" and "For Whom the Bell Tolls" (For Whom the Bell Tolls), and with his superb performance in "Gaslight" (Gaslight) won the first in his life Oscar for best actress. She didn't want to take this film. First, she didn't believe in this love story. Second, the most important thing was that there were many rumors that Hitchcock was not easy to get along with on the set (mainly the saying that "actors are animals") . But I was forced to cooperate with the producer David O. Selznick (David O. Selznick's contract had to be reluctantly agreed. However, when the filming started, Bergman found that it was not the same thing at all. The Hitchell, who took pleasure in torturing actors, came to Bergman and immediately became a gentle and considerate fat man. "He will sit patiently and listen to different opinions. Whether it is at work or in life, he is a person I can talk to." On the set, Hitchcock spoke to everyone except Bergman. Very cold, and Gregory Peck, who was still a rookie at the time, couldn't get the slightest look on Hitchcock's face. Hitchc devoted all his interest and attention to this beauty, and even had a strained relationship with his wife Oma. In the filming scene, Hitchell deliberately abandoned the low-brightness lighting method used by female stars, and instead used strong light to place Bergman’s face clearly in the center of the screen. His explanation was: “Berman doesn’t need the help of lights at all. (cover)". As we all know, Hitchcock's love for blondes does not just stop at the spiritual level. There are many rumors in the market that Hitchcock once made physical demands to actresses. Bergman once recalled to her friend: "It is a terrible thing to film with Hitchcock, because he often ran into the locker room to do some provocative actions." However, Bergman was a girl with a strong personality, and the old driver wanted The lewd prestige will not work on her at all. Therefore, Hitchcock can only continue to be obsessed with Bergman's spirit. In their next film "Beauty", he deliberately chose Gary Grant as the actor. Grant's tall and handsome appearance is simply the opposite of Hitchcock. Hitchcock designed an unprecedented kiss scene, challenging the "Hays Code" stipulation that "kiss should not exceed 3 seconds". They kissed, talked, and got up to do something for three minutes. Later, when Hitchcock was interviewed, he bluntly admitted that Grant was his stand-in, and his idea of kissing Bergman was realized through Grant. "Under Capricorn" (Under Capricorn, also translated as "The Lady of the Tribulation") is the last film they collaborated with. During the time Bergman met the famous Italian guide Roberto Rossellini (Roberto Rossellini), and soon fell into Love River, abandoned their respective families and came together. This was the biggest entertainment incident and scandal in Hollywood in the late 1940s, and it broke the fat director's heart. Hitchcock believed that Bergman had betrayed him, not only because he liked to work with Bergman, but also because she left him to find another director. Rossellini), soon fell in love, abandoned their respective families and came together. This was the biggest entertainment incident and scandal in Hollywood in the late 1940s, and it broke the fat director's heart. Hitchcock believed that Bergman had betrayed him, not only because he liked to work with Bergman, but also because she left him to find another director. Rossellini), soon fell in love, abandoned their respective families and came together. This was the biggest entertainment incident and scandal in Hollywood in the late 1940s, and it broke the fat director's heart. Hitchcock believed that Bergman had betrayed him, not only because he liked to work with Bergman, but also because she left him to find another director. Rossellini), soon fell in love, abandoned their respective families and came together. This was the biggest entertainment incident and scandal in Hollywood in the late 1940s, and it broke the fat director's heart. Hitchcock believed that Bergman had betrayed him, not only because he liked to work with Bergman, but also because she left him to find another director. Rossellini), soon fell in love, abandoned their respective families and came together. This was the biggest entertainment incident and scandal in Hollywood in the late 1940s, and it broke the fat director's heart. Hitchcock believed that Bergman had betrayed him, not only because he liked to work with Bergman, but also because she left him to find another director.
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