Mom, why don't you love me?

Kendall 2021-12-22 08:01:12

Perspective speakers

The porn thief Marni returned home and her relationship with her mother became more tense during the conversation. At this time Marni shouted: "Mom, why don't you love me." When she said this, she used a overhead shot. Close-up. Hitchcock said that close-ups are like "horns" in a symphony. They are a sudden increase in the volume of the perspective. At this time, the characters in the film seem to suddenly raise the volume and shout to the audience.

"Yan Thief" is so similar to "Victorius", and even the music style is very similar. Hitchcock once said that the second half of "Victorius" is the process of Scottie watching Judy take off her clothes one by one, and the same is true for the first part of "Big Thief". Knowing that Marnie was a thief, how Ruderan saw her thief behavior was discovered, just like how a well-dressed woman stripped naked in front of him. This is also the suspense and suspense in the first half of the film. Source of tension.

Do we talk about life in bed?

After Marnie's clothes were stripped off one by one, but she couldn't have a relationship with Rudland, are they lying in bed and chatting about life? Rudlan's purpose is to find out why she rejects men in this way and finally possesses her. Hitchcock said this is also the suspense in the second half of the film. The theme of the film returns to the routine of "Doctor Edward". How does a person's childhood experience affect his/her life? Freud's theory is played in the film again, which starts from the concept. On the contrary, the movie seems too deliberate, not as simple and free as in Hitchcock’s early movies.

Why did the shoes fall off the third time?

The use of various techniques in this film can be described as dazzling, as if Hitchcock took out the reserves from his early arsenal to show it again. In the opening shots of the yellow handbag, including Marnie's appearance after a series of close-ups, were all wonderful. And the most exciting is the money-stealing scene in the first half. On one side, Marnie is stealing money, and on the other side is the danger that keeps on pushing-the cleaner keeps approaching, the audience will get nervous when they know the danger, just like when the murderer comes home in "Rear Window" The same, the audience will worry about Grace Kelly in the room. When Marnie stole the money and was about to leave, Marnie put her high heels in her jacket pocket for fear of being discovered by the cleaning worker, but the shoes accidentally fell out of the pocket. Throughout the clip, Hitchcock used three shots to cut the shoes off. This editing method has appeared many times in Hitchcock movies. The wine in the wine cellar in "Beauty" also uses three split shots to show its fall, and "Victorius" begins with Scott Tie was the third one to fall. Although there was no editing, the principles in these clips are the same: the first time the audience discovered the danger, the second time the audience began to worry about the danger, and the third time the audience was really aware of the danger. 's arrival If you compare suspense to a riddle, it means hiding riddles, guessing and solving riddles. Through the delay in time, the tension of the whole clip is fuller.

View more about Marnie reviews

Extended Reading
  • Lyla 2022-04-23 07:02:33

    The part about stealing the safe is cool, but I have no love for the heroine

  • Keyshawn 2022-03-26 09:01:07

    After all, this person is actually the director of the most works I have watched. In today's era of all kinds of horror news, such stories are no longer fresh, and the actor's personality is not full enough.

Marnie quotes

  • Mark Rutland: Before I was drafted into Rutland's Mrs Taylor, I had notions of being a zoologist. I still try to keep up with my field.

    Marnie Edgar: Zoos?

    Mark Rutland: Instinctual behavior.

    Marnie Edgar: Oh. Does zoology include people, Mr Rutland?

    Mark Rutland: Well, in a way. It includes all the animal ancestors from whom man derived his instincts.

    Marnie Edgar: A lady's instinct too?

    Mark Rutland: Well, that paper deals with the instincts of predators. What you might call the criminal class of the animal world. Lady animals figure very largely as predators.

  • Marnie Edgar: If you don't want to go to bed, please get out.

    Mark Rutland: But I do want to go to bed, Marnie. I very much want to go to bed.

    Marnie Edgar: No!