The scope of the film discussion is nothing more than the phenomenon of derailment in marriage. The male protagonist is a physical derailment, and the female protagonist is a spiritual derailment that has been accumulated for a long time. In fact, what the movie wants to discuss further is the persistence of love. But I think what we should discuss is the judgment of love. But if all those who have cheated have already been sentenced to death for their feelings, have they regretted afterwards, have their death sentence changed, and finally they have suffered conscience and been acquitted. Until one day it was itchy, and the boring fart-like trial began again and again. The reason was nothing more than to indulge myself again. In the relationship life, who has not secretly asked herself: What if she/he is not the right one?
The Reed couple , who had been married for three years, went home and quarreled after the party. Joanna hysterically began to suspect her husband Michael and Xin. My colleague Laura has an ambiguous relationship. J approached step by step and started some of the moves used by girls, silent, smashed and beaten. M also began to use boys' idioms. Asked if there was anything unhappy about J. See J. When I answered, I started to be silent. I wanted to find a socket to charge my phone. Then the two started a little quarrel over the existence of Laura. The girl still slept on the sofa childishly, and then in the middle of the night, the husband was still reluctant to sleep on the sofa with his wife, so he got up and squatted on the side of the sofa. I apologized to my wife. I always feel that this scene is very warm and lifelike. Whoever has this kind of shadow in her love life, she is always uneasy, he always comes out at this time, don't worry, take your time, there is me. No wonder the first lyrics of Liang Jingru’s Fly Away always give people a sense of peace of mind: "This time I made a decision for myself and I was very careful. You say take your time, don’t be afraid that it’s too late..."
Then it is natural for M to go on a business trip and J at home alone, giving the pseudo-lone men and widows the soil to cheat. M and Laura are on a business trip. Laura is another fantasy of men. Although it is not refined and fresh, it is charming and sexy, with a content body. With the addition of stalkers, the two are still in a strange city, and the result is self-evident. The bar, the swimming pool, and the women's room, all the fragrant elements are there. It's strange that the man's bestiality doesn't come out. On the contrary, when he woke up the next day, M was a little empty, and some panicked expressions gave a very interesting contrast. Laura's calmness seemed to say again: "Yes, that's it, my old lady slept with you." M hurriedly asked for leave and hurried home because he "extracted" his body. Such an infidelity was said to him as a one-off.
J ran into his old lover Alex on the street, and then embarked on a completely mentally derailed journey, bars, restaurants, friends' houses, parties, men's rooms. Under the light and shadow of the night, the emotional tension eventually corrupted the two of them. I have to compliment the French man's acting skills. For the ex-girlfriend in front of him, he is undoubtedly loved, like a delicate statue, he wants to touch it, but he is afraid of breaking it. The expression on his face is the essence of his performance in the whole show. From the beginning of the rigid smile, to the tears of watching J’s previous photos, I believe he really let go, and it’s the most important thing to put her in his heart. The location is then sealed. After returning home, J also leaned on the window and smoked, crying constantly, without the smell of dust, which is really sad, but it is not easy to guess here. Is it regret or regret? I am an English major and I always struggle with the usage of regret, followed by to do and doing, so do I regret not doing something or regret doing something? So I said it was Joanna who really did not come out of the derailment, which is why the last scene ends with a scene where she wants to talk and stop.
Every night is a haunting night, so lone men and widows decide to find a company. Many times we feel that we can settle down, but we can't find someone to settle down. But what if it settles down? It’s really not that the super-high emergence rate of film and television works misleads us. In real life, people who live with us are often not our favorite people. It’s not that we don’t love our partners. It’s just that the splendid feeling of love has long been given. Another person. But then again, we can't live by feeling, as long as you believe, you two can live better.
Speaking of derailment, I really don't recommend to pull this matter into morality. Everyone has a moral bottom line, and this bottom line should never be related to love and being loved.
No feeling, there is weight, this is life. Feeling, super dreamy, this... you just have a dream. It's not pessimistic or helpless, but you said, "Surreal but nice" life like Notting Hill is misleading us? The result of our hard pursuit is to cry again and again with the middle finger raised up and shouting: "F*ck you, Romance Comedy!!!"
Even if we are not splendid together, at least let each other feel at ease. I said, that's enough.
(I hope everything is well for the Reeds.)
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