This movie is the most cerebral palsy movie I have seen recently, none of them. Next, I will demonstrate how unlimited this movie is from multiple perspectives such as setting, plot, and emotional lines.
First of all, the setting of the movie is very outrageous. It's ridiculous enough to be full of sharks in the tornado, and it's ridiculous to fall from the sky without being smashed to pieces. If the setting of the shark involved in the tornado is still in the director's mind, the setting of the shark crawling on the land and attacking unabated is contrary to common sense. Oh, yes, there is also a setting in which the male protagonist can accurately kill the sharks in the tornado with a pistol on the ground. This setting is similar to the pistol in the anti-Japanese drama. From a setting point of view, this movie has zero points.
Then we look at his outrageous plot. The whole movie tells the story of a group of people saving themselves and trying to stop the tornado after a storm hit. The plot transition of the whole story is even more daunting. From the hero's desire to go home to save his relatives to the inexplicable beginning to want to save the world, the transition of the entire plot has no explanation, and the sudden and sudden transition is really incomprehensible and inexplicable. accept.
Apart from the outrageous plot, his emotional line is also outrageous. The female protagonist loves the male protagonist, and she has always been a male protagonist in the early stage. Even if the male protagonist has already had a failed marriage, she is still infatuated with the male protagonist. But in the latter part of the plot, when the male protagonist receives his young son, the female protagonist instantly falls in love with the male protagonist's son, and the sudden change is unacceptable. The emotional line between the male protagonist and his ex-wife is also incomprehensible. The ex-wife already had new love, and the impression of the male protagonist was already bad. The divorce from the male protagonist was also because he felt that the male protagonist cared more about others than his family. That being the case, under the circumstance that there is no change in the male protagonist's image and the tragic death of her lover, her sudden embrace of the male protagonist is really jaw-dropping. The director also handled the change in the relationship between the male protagonist and his own child.
Finally, let’s take a look at the special effects. The director of the whole movie is working hard to create some spectacular scenes to add points to the movie. But it has to be said that a large section of 50 cents special effects will only make the movie look cheaper, and will only make the audience more spurned. The core of a movie should always be the story. It does not mean that the grand special effects scenes cannot add points to the movie, but since the director does not have the ability to make good special effects, shouldn't the director find another way to make up for the lack of special effects by telling a good story NS?
In fact, after watching the whole movie, I can clearly understand the spiritual core-stand up in danger and be a hero without fear of life and death. This theme has been expounded in countless disaster movies and countless blockbusters, but people with the same theme and different people can deduce different stories and have different effects. But in this film, the interpretation of this theme can only be described as embarrassment. It did not touch me at all, nor did it bring me half a thought. It only made me waste the precious two hours of my life. Let my eyes be permanently polluted,
Such movies are sad and worthy of reflection. To some extent, working hard to pile special effects has become the first choice in the current movie market. It is true that the advancement of technology is driving the development of special effects, and more and more macro special effects can shock us. But behind these shocking special effects, should we think about what is the core of a movie and what needs to be achieved most by a movie. Only by truly grasping the essence of film can we regain those long-lost touches and re-immerse ourselves in the world of film.
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