The Sinner 7.5

Marshall 2022-03-23 09:02:33

D / On the one hand, it is necessary to finally abandon various external factors to present the psychological world of the protagonist, on the other hand, it has to lead the audience's thinking to the imagination space outside the painting. The off-screen space points to the dramatic plots of unreliable narratives, and all the settings are functional. Therefore, there is always insufficient resonance inside and outside the painting. The final effect can only be a tear on both sides of the delicate and the rough, the closed and the open. And the comparison between this one and "On the Internet" at least proves the difference between looking at a person's face and watching a mouse, and disproves why "On the Internet" has to force us to look at the face. I'm a little curious about how this story will work out in one shot.

Garth 2022-03-26 09:01:09

Victims can also become perpetrators, and suspects can also be guardians. In the cramped room, an immersive on-site space is constructed. A woman's panic comes from others or herself, and a child's fear comes from imagination or reality. Flashing red lights and glowing screens are extremely deceptive, and personal experience and character weaknesses are easily misjudged. Swallowing sedatives, putting on a Band-Aid, raising the gun, raising the knife, is there a snake circling?