This movie is the love of many classmates-according to my sister's incomplete observation, these classmates are mainly literary and artistic youths. It’s not difficult to understand, "America is my country and Paris is my hometown", even in the fashion youth film adapted from fast food novels like "The Devil Wearing Prada", the uncle Mantou played by Uncle Mantou is going literary and artistic young women. All the bridges in Paris are to be placed in Paris, and the famous saying of Gertrude Stein is used as bait. It can be seen that in the film coordinates drawn by the Americans, the arrow pointing to the tower is written "literary and artistic" first, followed by "romance". And Woody Allen was called "the only intellectual among American filmmakers" by some French film critics (it can be seen in the minds of these film critics that the main composition of American filmmakers is the second-year student). This film is very natural. It can be used as a radar to discern literary and artistic youths.
Due to the limitation of her growth environment, there are not many literary and artistic youths she usually contacts. So whenever a classmate praised "I love this film" with a 45-degree bright expression, before realizing that Iraq is a literary youth/juvenile, as an ordinary young man living in Paris, the sister's subconscious reaction is to ask "Then you You must also like "Scaring Heart". Such a comparison should be very inappropriate. At this time, the students who felt greatly humiliated and showed a sad expression of 135 degrees, please forgive me. I really know only so much about Mary Su's journey through the drama god horse. But the American male version of Marie Su is still Marie Su-talking, no personality, knowledge, no creativity, success relying on plug-in love gold fingers, set in France (modernist period) wear is still crossing-history without style, details and no surprises The selling point of the whole Facebook is soy sauce. So then we will call the hero Mary directly.
In fact, I don’t know how to look forward to Paris in the early 20th century for Maomai. It's not that Paris at that stage is not worthy of yearning. At that time, there was a surging trend of humanity, liberation, personality, publicity, cultural gathering, and full of vitality, passion, creativity and beauty. But Mary's journey through is definitely not aimed at these.
Mary, who is a mainstream Hollywood screenwriter, and Gao Shuaifu, who has repeatedly corrected the pronunciation of Versailles in bad French, have obviously never seen a mainstream French biopic Camille Claudel starring the French goddess Isbelle Adjani and the French actor Gérard Depardieu. That's it. Rather than going into the museum to find Camille's work and analyzing the differences between it and Rodin's work, the two obviously felt that it was better for the "thinkers" outside the museum to argue whether the female artist was Rodin's lover or his wife. Reflecting their cultural accomplishment, it is too literary, too elegant and too modern!
In this debate about the private life of great artists, Mary not only used herself to fully prove that "the main composition of American filmmakers is secondary and secondary students", but also used her "erudition" to contrast that "the Americans are handsome, handsome, and rich. "Forcing nouveau riche" will certainly make French film critics smile. And in the trivial matters before and after, the noble and plump spiritual world of the second-year secondary student has always been defeated by the nouveau riche's coppery and skinny pretending methods. . At the sound of 12 o'clock, the handsome Hemingway taught father to drive the pumpkin cart with the fairy stick, ding dong ding dong, the gray guy put on the gold finger, and satisfied all the (hidden version) girl feelings.
To say that when Mary just crossed, although the Americans in the scenes were mainly English and lacked the temperament of Paris, the atmosphere of drunken gold fans was still a bit dreamy and charming. Until Gertrude commented on Picasso's paintings-you did not fully show the beauty of the goddess (because it is the male version of Marie Su, and the pair is the goddess), it becomes a nightmare.
At that time, the rise of surrealism (film/painting) and modernism (literature) was after Freud's psychoanalysis became popular, and a lot of talents in the field of literature and art began to pay attention to the subconscious, in other words It is to shift attention from the surrounding environment to human beings, and change the trend of the mainstream afterwards.
My sister said, well, since the emergence of the camera, "presenting the beauty of the object" has long been not the main factor in painting or evaluating paintings. In every still life class, the old lady Matisse must emphasize that painting is not to reproduce the object, but to present the perspective and sensory experience belonging to the painter, and to express the subject's emotion and impression of the object. The third person said to the painter, "I don't think this painting shows the beauty of the object." Are you sure that Mary didn't jump in space at the time and accidentally passed through the classicism period and disappeared? (Picasso is not without "normal" paintings. The portraits he gave to his younger son are more object-oriented.)
And together with his brother, he ran out of wealth and financed his fashion as a painter who was not accepted by mainstream critics. Stein, that's the end of his character. Her criteria and methods for choosing painters (the difference in the choice of the painters she funded was the main reason that caused her to part ways with Leo), even her emotional life was eye-catching at the time (Gertrude's lifelong partner Alice seems Just came out and swayed. The uninformed audience might think this was a nanny.) On the
other side, the Fitzgerald couple's authorship was completely erased, and they became the heroes and heroines in the roaring drama. In particular, Zelda, like Camille, is completely portrayed as a vassal of her male partner. Every night's misunderstanding not only prevents her husband from writing, but also prevents him from engaging with Hemingway. In the end, he committed suicide by jumping into the river. What Mary said when she dissuaded her, oh, "He really loves you", and then the mentally unstable Zelda stopped listening to the outsider who had never seen it twice. Although it is said that Mary, you came across, your "assertion" is just like the assertion that "Shunzhi really became a monk in Mount Wutai" is a self-talk, how did you get from the complicated 8g history of these two people? See "True Love"? (From the perspective of "The Last Waltz", sister can't come to such a firm conclusion)
As for Hemingway’s flattering, Mary did not say why Mao respected him so much. When asking him for advice on her novel, she only had one sentence, the character’s personality, the structure of the work, the background of the times, and the purpose of the theme. Not one sentence. And Hemingway's encouragement is even better-as long as it is brave and sincere, it is a good work. I said that you are really careful to frame your peers, you clearly pay attention to the practice of writing. You have to write a essay about drinking and talking about chickens (harmony). You also want to use it and keep playing. You don't want to see Mary's two-faced face, so just send it casually.
However, no matter how soy Gertrude is, how poor the Fitzgerald couple is, and how well Hemingway's facial makeup is, they are not as cheating as the surrealist trio. The three of them have to drink soy sauce. Dali is also being shaved up by his marital relationship that is considered weird in the art circle. Bunuel is completely out of it... Mary provided him with film inspiration. You Mao, like a female fan of Teresa Teng who traveled to the Song Dynasty and hummed "When will there be a bright moon" to Su Shi, which led to the birth of "Shui Tiao Song Tou". …
It’s not difficult to see from the above plots that for the essence of cultural thoughts in the 1920s and 1930s, the individual images of those painters and writers outside of the wiki description, and the temperament of Paris-although some students like to say, "Without America, there would be no today’s Paris", and it’s true from a certain point of view—just like Paris is not today without Spain/Italy/Germany/UK/China (the urban planning of Paris is based on the Forbidden City), but Paris is really true Has never been represented by the Americans. The famous Gertrude quote at the beginning of this article suffices to show that Mary has no concept at all. His yearning for this era is just the yearning for groupie to chase stars. He and his goddess are indeed a natural match. As for the goddess portrayed as the "most successful groupie in the literary and artistic world", is there any point about our Mary that she is attracted to? There is no need to pursue it. Isn't it the way through dramas has always been this way?
The plot and characterization are just such a glimpse of light, Mary often wears it. As for the picture, WA has never been particular about it.
Finally, Ma Xian set the scene of the French girl on the left bank-if you want to comment on a place where courtship plots occur most in the history of film, it must be here, the standard background of the Paris Tourism Office promotional film. night. The wind was blowing, the Seine was flowing, and the glass roof of the Grand Palace was reflected in the distance. Sister naturally looked forward to it, but before, during, and after the two embraced each other, there was no flashing light on the tower! There is no flashing light! There is no flashing light! ! ! If you weren't waiting for the flashing lights, what would be the meaning of picking such a badly photographed place. Okay to go to Monmarte, at least you can overlook the night view of the city! Or is it more temperament to go to Lachaise Cemetery? Why is this! And this is the only one who can shoot this incomplete picture of Versailles, and there is not even a panoramic view... This mudma is not qualified as a tourist promotion film!
So this fascinating thing to watch... only literary youth can appreciate it.
Well, if you have never been to Paris before, you can still see this as a tourism promotional video for a cultural project.
Finally, welcome to Paris, "If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for all of Paris is a moveable feast." Hemingway, who has not lived in Paris for a long time, writes like this (Sister can’t help but vomit again, how hard do you want to make a sentence so beautiful for your sister? You are ashamed to give Mary that kind of writing advice). My sister is happy to provide free tour guides for ordinary young people who are rare to come. Although the elder sister is just an ordinary young man, she swears with the thinker's little brother that she also knows that Camille is Rodin's lover.
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