The Blade of Ghost Slayer is actually a juvenile manga with routines, simplifications, mixed elements, and generalizations.
The simple narrative structure of a single line is destined to not perfectly tell a high-level story, but the Blade of Ghost Slayer is not high-level.
Because of the excellent production and the exquisite packaging, it does not seem so naive, and the degree of completion does not seem so low. The overall evaluation is worthy of three stars.
If I were asked to rate the animation of Zi Gong Xiang, I might give Ghost Slayer 5 stars. If I were to evaluate commercial visual popcorn, I might give Demon Slayer Blade four stars.
The work of Demon Slayer is like a story that exists only for the purpose of man-made. The protagonist's experience and growth from beginning to end are just to enrich and strengthen his personality.
Even the protagonist has not grown up at all. This is one point different from the classic youth comics. The protagonist is perfect from beginning to end, without growth, and then highlights the protagonist’s personality over and over again as the plot progresses.
Such a plot is not even a qualified "story." I think this kind of work is just the product of the author's self-pleasure. It puts some of his feelings on the protagonist, so that the protagonist can meet his inner needs. Such plots and personal settings are indeed very attractive to some people.
The above is the basis and basis for my evaluation of this work. Here are a few points in detail.
My sister is basically a tool person, an empty tool that exists to satisfy the contradictions of the story and advance the plot. The so-called brother-sister relationship that can be summarized in one episode is also empty and general, just a constant existence similar to "setting".
At the end of the 19th episode, relying on the exquisite foreplay atmosphere creation, sensational bgm, and cliché memory to kill, successfully drove the audience's cheap sensory experience, and then there was a high-level production and visual impact. The audience naturally shouted "nb" "Some people were even moved to cry by this pale emotional expression.
But in fact, the so-called "shenhui", if taken out alone, there is no "god" or "hui" at all. The protagonist simply exploded in a critical moment, and then defeated the enemy, nothing more. This is the inherent routine of juvenile comics.
The so-called "foreshadowing" is similar to Naruto’s deliberately failing to show how Naruto’s multiple shadows can be cloned at the beginning, only to give you some small hints, and then when you hit the Ninja Rebellion teacher, I will give you a big surprise when you are desperate. Equipped with the same performance effect of ufo, eh! God back! (Although the story of Spider Mountain is actually much better than Naruto defeating Mr. Zhong Ren)
The 19th episode is the one that was made to the top. The plot alone is inferior to my Hero Academia, where the Green Valley struggled to defeat the muscle man.
Regarding the "19 episodes plot is the most unsightly part of the important plots of the comics", I have always believed in it, because it is normal at first, and the performance of the comics can be imagined. I think even if the plot is fierce later, ufo will not be able to produce better results than the 19 episodes. Because the production has an upper limit. (Don't even think about surpassing the production of ufo's literary performances)
The combat power system of this work is not very good either. After more than a dozen moves in a row, the audience will know a name, even the name cannot be remembered, and it is completely unclear whether different moves have different effects.
What is the meaning of these names? Is Qiantian Ciyu created by the protagonist or is it by nature?
If it is there, is it designed to make ghosts die happily? What use? What is the purpose?
If the protagonist created his own, it would be even more hanging, and a newcomer has created his own one with the tricks that have been circulating for many years. It also explains the imperfect setting of breathing method.
What's wrong with the abilities of ghosts? Thought you were playing a double? It's okay to bite out superpowers with one bite. Where do superpowers come from? Is it possible to become a ghost awakened by oneself? The human body is really amazing, and this is another blind spot for setting.
Not to mention this, since ghosts are made by Wumai, is it justified that Gui Wang Wumai does not master the abilities of all ghosts? But imagine Wu Mi can control gravity, vectors, hallucinations, bewitched, sneak, stealth, etc., etc. How do the protagonists fight? It must not be done this way. Set bugs.
It is better to explain it than to initially assume that ghosts are naturally occurring.
Forcibly creating a weak contradiction (the contradiction between a ghost king and an ordinary little ghost) cannot reflect speculation and has no real "depth".
It is set as a ghost king to create a ghost, and then highlights the deep memories and tragic experiences of the little ghosts, so that the protagonist can influence, and it also reflects the above-mentioned viewpoints, creating a world view and plot for the sake of personality.
Later, it seemed to become a general pedigree theory. There is nothing to say about this, and it is common for juvenile comics.
In short, this is a young man without a soul, without real growth. But it is indeed an appropriate commercial popcorn, which is indeed in line with current popular culture and attracts ordinary audiences.
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