David Cronenberg's "Naked Lunch" = original film-William Burroughs "Nude Lunch" + Burroughs personal experience + Orpheus mythological structure + Burroughs literary view + "anal universe "+ Cronenberg's private goods.
1. The original movie-"Naked Lunch" by William Burroughs:
American writer and representative of the Beats William S. Burroughs (William S. Burroughs, 1914-1997) published a novel in 1959. The film just uses many elements from the original novel: such as Interzone, Dr. Benway, Black Meat, Brazilian Aquatic Centipede, aliens, etc., without copying the plot (the novel basically has no plot at all). Burroughs' novels are mostly autobiographical, and the protagonist is usually called Lee, so the protagonist in the movie is also called Lee, which alludes to Burroughs himself.
2. Burroughs’ personal experience:
Burroughs himself worked as an exterminator and wrote a book called "Exterminator! "(Exterminator!) novel. In 1951, Burroughs shot and killed his wife Joan Vollmer (Joan Vollmer) after being drunk in Mexico, then went to Morocco, settled in Tangier City (Tangier corresponds to Interzone in the film and novel), and wrote in Tangier Many episodes of "Naked Lunch" are included. Two other representatives of the Beat faction, Jack Kerouac (Jack Kerouac, 1922-1969) and Allen Ginsberg (1926-1997), and Burrough’s former One of her boyfriends Qi Qi (KiKi).
3. The structure of Orpheus mythology:
Ancient Greek mythology. The protagonist is the god Orpheus (Orpheus), the son of Apollo and the muse Calliopa, who is good at playing the golden harp.
Orpheus's beloved wife Euridice died after being bitten by a poisonous snake. The broken-hearted Orpheus went to Hades alone and asked him to let Euridice return the sun. Hades was moved by Orpheus and agreed to his request, but made one condition: While Orpheus was leading his wife out of the underworld, he must not look back at her, otherwise Eurydice would be forever. Can't return to the world. Orpheus resisted the desire to look back all the way, but when he saw the glimmer of the world, Eurydice could no longer resist her husband's cold reception and complained behind him. When Orpheus heard this, he forgot Hades's instructions, and turned around to embrace Eurydice. At this time, the long arms of death rose from the abyss and pulled Eurydice back to the underworld. Orpheus fell short and returned to the world alone.
In this structure, Burroughs, as a writer, is equivalent to Orpheus (a good at writing, a good at playing, both creative artists); Interzone in the film corresponds to hell (Orpheus found here For Eurydice, the movie protagonist Lee found his dead wife here), and it also corresponds to the city of Tangier where Burroughs wrote "Nude Lunch". At the end of the movie, the plot where Lee once again killed his wife corresponds to the myth that Eurydice fell to hell again.
4. Burroughs's literary view:
Burroughs invented the cut-up method, because he believed that language is equal to a virus (Word Virus). Only by disrupting the word order by cutting and allowing the text to exert its potential can people be freed from the control of language. Come out and enter a "new universe" (somewhat similar to Gnosticism). The discussion on tailoring can also be found in Deleuze's book "Capitalism and Schizophrenia".
To pliage one text into another one—this constitutes a plural, even indeterminate root (such as a cutting), which means one for the text under consideration. A dimension supplementaire (dimension supplementaire). It is in this superimposed substitute dimension that unity continues its spiritual work. It is in this sense that the most fragmented works can also be regarded as "Complete Works" or "Grand Opus" (le Grand Opus). -"Introduction: Rhizome", Deleuze: "Capitalism and Schizophrenia", Jiang Yuhui's translation.
5. "Anus Universe":
The "anal universe" theory proposed by the psychoanalyst Janine Chasseguet-Smirgel in the book "Creativity and perversion" in 1985 has no Chinese translation. The theory states that the anal universe symbolized by fecal babies is sufficient as a means to overthrow the penis universe symbolizing patriarchy. If the production of speech is equated with the production of excrement, human beings have infinite creativity. Corresponds to the literary view of the Palestine language virus. So the bugs turned into by the typewriter in the film speak with their anus (words = feces).
6. Cronenberg's private goods:
Mechanical alienation into organic matter. Bugs, bugs, bugs. Tentacles, tentacles, tentacles. Flesh, flesh, flesh. Mucus, mucus, mucus.
Probably you can see the above, and there are some metaphors about sex. There is no need to mention too much. Since the thesis is doing research on Burroughs, let's talk about this movie by the way. In fact, the ending of the film is very sad. If Orpheus can hold back that look back, he might really be able to reunite with his wife Eurydice. Although the death of Joan Volmer made Burroughs a writer and achieved his fame and status, Burroughs did not get out of the shadow of his wife's death in his life.
Added again on January 27, 2021: I watched it again, with the 1986 documentary "Burroughs: The Movie", and I feel the sadness of the ending even more. Obviously Burroughs and Walmer love each other deeply, maybe he will never find a person who knows him better than Walmer in his life. And Volmo also trusts Burroughs so much that she can completely hand over her life to him, or she wants to use Burroughs to find some real relief to escape the mistakes and endless mistakes she has made in her life. A sense of guilt (as Ginsberg said). Because maybe Burroughs did not miss the shot when he was drunk in 1951, or when he said, "Let's play the game of William Tell", he was already prepared to miss the shot. Or he asked to play this game just to "shoot off the track". He already wanted to help Volmo get rid of it. The ending of the film shows: Burroughs does not regret it. Although this was a shadow he lingered all his life, or the shooting of his wife did ruin his life, if he could do it again, he would still pick up the 38-caliber revolver and hit it impartially. Middle the eyebrows of his wife, because this is what she wants. From this perspective, Joan Volmer got what he wanted. She could die under the gun of someone she loved and loved her. Such a death is much better than suicide.
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