The Swedish version of Isabeth is an independent European woman, with old and cunning expressions in her eyes, playing with the male protagonist in the palm of her hand, a bit like a white snake and Xu Xian or a middle-aged woman pretending to be tender.
The American version of Lolita is mature in appearance, always panicked, and needs Uncle James Bond (weird)'s hand to always be in her clothes.
After the same first push down, the Swedish version was smoking cigarettes with a big heart, and Ma Pingchuan’s pillow was overwhelmed with regrets, and the old lady was so happy to take care of you to die; the United States was a female superior pushback, but this is not feminism, it is small. The ultimate weapon for Mimi women to grow bigger. In other words, the Swedish version was filmed for Gothic men and women and Gothic non-male and female, while the American version was still filmed for men (or David Fincher himself). If you don’t believe me, please compare the casting of several girls fifty years ago in the two editions. They are all Swedish!
The most classic difference is the ending (I know that the US version only shot one, but according to the box office, they will never shoot the second two): The
Swedish version is where the male protagonist goes to Isabeth and was rejected like an old shoe Outside the door.
In the United States, it was snowy Christmas Eve, in exactly the same but very different Stockholm. Isabeth went to find the protagonist and brought a piece of clothing!
David Fincher, you filthy and disgusting corpse smasher, turned out to be a deeply hidden Qiong Yao fan...
PS: I gave this film three stars mainly out of the loyalty of smokers. I watched the movie for a year. This movie dared to let the protagonist smoke, and also said the brand: "Hong Wan".
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