The little boy who manages the keys in the film

Kaleigh 2021-12-27 08:01:22

It is assumed that the reader has already watched the movie, so the outline and analysis of the content of the movie will not be written.

Picture 1, Picture 2. The little boy looks out the door. Two children (the older one is about 5 years old and the younger one is about 3 years old) are playing by the water without any adult guarding them; next is picture 3, the adults are discussing How to spend the three-day holiday, no one noticed or thought about where the child is at this time; Figure 4 shows the little boy looking at the adults discussing in the room with a stern look.

Picture 5, Yili avoided everyone and went out to make a call, but no one paid attention to where she went. Goshfei went out to find Yili and ran into the little boy. The little boy told Goshfei that there was no signal in the room and Yili went to call. NS.

Figures 6 and 7, after a child fell into the water, the little boy took off his shirt while struggling to run and jumped into the water to swim into the sea. From Figure 7 you can see that the little boy has drifted far away from the coast, which is already seen in this picture. Not to the coast anymore.

Except for the short close-up of Figure 4, these shots have all been flashed, but as long as you pay attention to these shots, after watching the movie, the intention of these shots in the movie will be relatively obvious, and the attention is only relatively obvious. , Here is also no analysis, because the analysis will become verbose and complicated, and often to no avail.

Through these simple comparisons, the film can be summarized into two points: 1. If you were a director, how would you behave; 2. If you were a character in the play, what would you do.

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Extended Reading
  • Glenna 2021-12-27 08:01:22

    Other than just talking about group play scheduling, it can be described as a super high level. Although it is somewhat staged, it can be so clear that seven or eight people can be scheduled in a small space. Fahati's level is not low. Although it was not made into a social drama, the two magic weapons of the strong drama tension and the story logic established only in Iran are very handy. Looking back at the 59th Berlin, although [Sad Milk] (Golden Bear + Fabisi) and [Crush Love] (Jury Prize + Ball) were strong at the time, it is a pity that the director flopped very strongly later, only Marlen Adler He and Fahadi later became wrists, but they also took the promotion route from Berlin to Cannes...

  • Alana 2022-03-28 09:01:06

    To be honest, I guessed at the beginning that the child would fall into the water (because I was worried when I saw the scene), and then after it happened, I felt that this arrangement was a bit deliberate. And I don't understand the customs of Iran (it seems that they have been more highly Westernized) because I don't know the story of being unmarried for three years for Mao and trying to marry him, so the film does not explain it carefully. Just watching the performance is very comfortable, and it feels like there will be a lot of improvisation.

Darbareye Elly quotes

  • Ahmad: A bitter ending is better than an endless bitterness.

  • Sepideh: Now, what does he think about Elly?