For so many years, developed countries such as Europe, America, Japan, etc., whether it is animation, TV series, or movies, have been imagining the future return of mankind. This sends out a strong warning signal, anxiety and anxiety about the fate of mankind. Examining human beings' own inflated desires, over-development, exhaustion of resources, and population growth have inflicted severe punishments on the world and the earth, and throwing into the ultimate question of where mankind is ultimately headed and how to redeem it.
But the setting of this play is unique. It is not a collapse of natural disasters, nor is it a cyberpunk where machines replace humans, but a punishment that deprives an important component, a key ability (vision), and degrades it (but not enough to be fatal). The curse-like loss of vision has led to coping with the many limitations of the physical environment and the inability to consult books to obtain the crystallization of human wisdom. After centuries of evolution, knowledge and cultural degradation and faults, the entire industry has stopped allowing humans to return to primitive tribes.
Only three people in the play have good eyesight, which seems to be a kind of "god" existence to those who have been cursed for losing their eyesight. The queen also preached in the play as long as Geramareel returns, I can give up the gods. (Convenient for the Queen to centralize power) But this "god" with perfect eyesight is unintentionally a huge threat to those in power, and has the power to subvert their corrupt regime. Therefore, witch hunters have been sent to hunt down the two brothers and sisters, demonizing them into "infidels" and "evil forces", communicating them to their people and believers, and eliminating existing threats together. The queen uses a morbid way of masturbation to communicate with God, punish dissidents, levy taxes, kill purposefully, and unify thoughts to build her own kingdom of licentiousness and evil.
After watching the fourth episode, the two brothers and sisters in the play are undoubtedly children of the Stark family in "Game of Thrones", who have special abilities to shoulder the protagonist on the road to revival. Although they are brothers and sisters, they have different personalities. Boys are more advocating benevolence, and girls are advocating bravery. It has laid a deep foreshadowing for the future development and needs of the plot, and it is also an infinite possibility that will arise under the collision.
Of course, I also watched this drama at Jason Momoa, full of the heroic sense of primitive power. Dare to face your past crimes, and bravely admit and make up, and not show the cruel and murderous aspects of the world in front of children. This is an incomparable heroic feat and leadership spirit. The third episode of the dark and silent fight with the slave trader is a violent romance that a man must shoulder responsibility!
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