Always Be My Maybe "Two Big No Guess" (Puff, what is this broken translation name), as an American movie with all Asian male and female protagonists, is destined to be compared with Crazy Rich Asian "Golden Romance". After watching two films, I like this one better. Compared with Prince Charming who hides his wealthy identity to test the heroine, the childhood sweethearts of the hero and heroine of this movie have seen each other in the most embarrassing moments, have a common laugh, and can relax and be themselves in front of each other. That's why it hurts the other party the most when quarreling. Sure enough, the ones closest to you can hurt you. Your love is to give others a handle. After a 16-year absence, the heroine did not experience a blank paper, an innocent white rabbit, and a weak vase. The male protagonist is not a golden bachelor with a distinguished family background, but just an ordinary person with a good figure, playing on a team, and still doing physical work. After the two met again, they rolled the sheets. The heroine commented on the technical progress of the hero, whether it was a lot of practice. The hero took the sentence "don't slut shame me", which really laughed at me. I especially like the scene where the two quarreled. The differences in the lives and concepts of the two have been revealed through various events. Boys, I suggest you watch it. The male lead demonstrated how to incite his girlfriend's anger to the highest level and die on the spot: 1. So when are you planning on coming back? When do you plan to come back?
When Sasha invited him to New York twice, he evasively asked this sentence. Note that the heroine was taken aback at this time. Because when they met again for the first time, she had made it very clear that she would only stay in San Francisco for two months and then go to New York to open a restaurant. Ask this sentence first, it means that the other party's words you are not at all concerned. Secondly, because of their own appearance, they think that the other party will completely change their long-term overall career plan, which is a self-centered performance. Of course, if the two love each other, it is okay for the other to sacrifice. But when you encounter a female protagonist who has an independent personality and a strong entrepreneurial spirit, you will be blinded.
But at this time, the heroine was still relatively calm, and reminded the hero of his plan. 2. So you are a Celerity Chef
Note that the voice and intonation of this sentence is ironic, which is undoubtedly a provocation. 3. Pretentious pretentious, pretentious
Then he threw this very derogatory term to describe the star chef and further devalue Sasha's career. This is equivalent to a personal attack. At this time she still avoided her edge and didn't want to argue with it.
The protagonist picks up something and says you know what else I hate? (Do you know what else I hate?) 4. Elevated Asian cuisine VS authetic Asian food Elevated Asian cuisine and real Asian food
This is the fundamental difference between the male protagonist and the female protagonist regarding food. In fact, it is not impossible to have different opinions, but a conversation like this kind of total negation of the other party's concept requires a lot of preparation beforehand. In a good environment and a good atmosphere, softly suggest, instead of repeatedly ridiculing and belittling the other party. 5. I don't know why you're doing this kinda stuff now.
Notice! Notice! Notice! Any time this sentence is said to your girlfriend/wife, it is a big death. Criticize condescendingly and completely deny all the efforts of the other party. 6. A sellout VS A regular guy
The male protagonist further criticized the female protagonist’s restaurant for catering to white tastes. The hostess said that since you think I am a traitor, why are you with me. And the male protagonist retorted, if you think I'm an ordinary person, why be with me.
The pinpoint quarreled with Maimang for a while, chasing his wife in the crematorium.
It can be seen here that the male protagonist really minds that the female protagonist tells reporters that her boyfriend is an ordinary person when she walks on the red carpet. But he never thought that as a celebrity, the heroine, one ex-boyfriend is a food tycoon, and the other is a famous movie star. At this time, he unabashedly introduces him to everyone and tells everyone that this is my boyfriend. He obviously loves him very much. At this time, both men and women were irrational, and began to verbally abuse each other to harm each other, and there were a number of usual shortcomings. 7. -God forbid someone relax in Sasha's presence. -Don't Shame me for going after things. -God forbids people to take a break in Sasha's presence. -Don't blame me for pursuing a career.
This is the difference between the two in life. The female protagonist is determined to forge ahead, and the male protagonist is content with the status quo. Unless one party compromises, it's a deadlock. 8. -I don't want to be some dude in your arm so that you don't have to show up places alone. -What's wrong with that? What's wrong with you supporting me? No one would question if it's the other way around. -I don't want to be the man behind you. -What's wrong with that? What's wrong with you supporting me? If the situation is reversed, no one will ask questions. Under the prevailing male chauvinism in Asia, it is really difficult to be accepted by men to be the man behind successful women. In the context of the ever-increasing affirmative movement, it is also a kind of progress to see the happy ending of this kind of male concession first appeared in the film and television. 8. Sorry if it isn't elavated enough for you. Sorry if it isn't elavated enough for you. Saying this sentence in a quarrel is a kind of self-giving up anger. I feel like I don't want to be rescued anymore. I like this passage from the hostess: "I love you Marcus. I've loved you since we were kids. I don't need you to live my life, but I need you to understand that this is my life. I want to be with you. I want to come home to you even when you're being an asshole." "I love you. I have loved you since we were kids. I don't need you to live my life, but I need you to understand that this is my life. I want to be with you. I want to go home and watch To you, even if you are a bastard." The lover must first love yourself. Upper decision decided by the economic background. So wealthy and attractive female protagonists can support the male protagonist to play the team, and open "real Asian food" restaurants (everybody knows that high-end restaurants are more profitable than cheap restaurants). The female protagonist is really spending money to favor the male protagonist. Affirmative men are also beneficiaries. There is no need to carry the banner of raising the family anymore. Men and women are the same, whoever does it will support the family.
View more about Always Be My Maybe reviews
