Taking the 15th-century icon painter Andrei Rublev as the main line and using it as a clue, it describes the long history of Russia's internal and external troubles in that era. Andre has repeatedly picked up the paintbrush and put it down, all of which are affected by the re-emergence of the people being oppressed, slaughtered and slaughtered. The large number of magnificent visions and long shots in the film are rich in the director’s deep national complex. The last part of the bell is greatly inspired, and the director and the protagonist of the same name Andre are squeezing the same broad across time and space. His compassionate emotions.
Based on the artist's creation and thinking, reflecting and discussing social reality and religious beliefs, the people are oppressed and resisted, slaughtered and re-emerged, the suffering and struggle of artistic creation have experienced a soul baptism. The epic magnificent lens, the richness from black and white to the color, the profound religious symbols, the long-term life-long deafening, the three-hour masterpiece, really obscure. Sure enough, I still don't do enough.
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Andrei Rublev reviews
