I don't think this work is super god, after all, the rhythm and depth are a bit short.
If it weren't for the bottom line, many people would have abandoned it inexplicably in the first ten episodes. The plot is the more nervous you watch, the more moving you watch.
But the essence is still a gal game, so the hero runs in the world line to save his own harem instead of the world. World wars or dystopias do not touch the characters in the play much.
Many bgm and character poses in the animation should be borrowed from games (I haven't played games). The bgm cooperates well, and a few paragraphs are very touching.
The settings inside are very good. Of course, Mayuri is my favorite, a kind, good boy. You can imagine how Xiujin's heart broke when he watched her die again and again. Chris's calmness and persistence, Ruka's shyness, Phyllis' second two, if it's not a gal game, I really don't want them to like the hero, but this is a gal game after all!
Mamo used a mature voice this time, and he could hardly hear it anymore. It was Xiao Guansang who couldn't tell! Fatty depends on you!
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