Consistent with the personality of similar films in the United States, the heroine has her own circle. While making noise, making fun of, and acting as campus figures in the circle, while facing outsiders sarcasm, sarcasm, and belittle. The high threshold of the circle is the way in which people in the circle maintain their own value. This nihilistic threshold needs to be embodied by mocking, ridiculing, and repelling low-level people. This person who was ridiculed, ridiculed, and ostracized was just a scapegoat, and she was a scapegoat for those in the circle. This pot is not only in shaping the boundaries with humiliation, the boundaries creating the value of the circle, but also in the people in the circle projecting the unacceptable part of themselves on her, and then humiliating her, projection-humiliation-identification-projection-humiliation-identification, This cycle continues unconsciously, maintaining the self-esteem and narcissism of the people in the circle, at the cost of sacrificing the self-esteem of others and the true self. Sam is a man of the school, and he was in love with the school grass, and lived a full and rich, happy and contented life until a sudden accident interrupted all of this. From then on, repeating the same day day after day, looking back on the same day, Sam tried to change the ending, but the destined thing could not be changed even if it was restarted, just like the regrets and regrets in life, letting you deny and fight will not help. But Sam is obviously a person who is favored by God. God interrupted the cycle of her daily life and gave her a new cycle-day after day to return to the day of car accidents and death, the seemingly caged repetition created a Space allows Sam to stop from the rush of adolescence, from the beautiful life in her eyes, to examine this doomed result, and to explore the reason. Before the accident, Sam lived in the popular mainstream circle. After the accident, Sam began to notice the other side of reality. The hearts of people marginalized by their sarcasm, sarcasm, and hatred were filled with them. In Juliet's eyes, they are bitches, in Anna's eyes, they are big bastards. Anna was able to tease herself under the pressure, but Juliet was betrayed by her friends and was overwhelmed by rumors. In the cycle of projected identification, Juliet went to death. Juliet's death woke Sam again. Sam began to be confused about the existence of herself and her friends, whether it was kind or ugly. This doubt made her look at herself and her friends in a new light. When sam discovered that Lindsay was the fifth-grade bedwetting person, she saw the fragility, fear, and softness of Lindsay's strong, domineering, and self-centered mask. At the same time Sam began to notice those people in her life who loved her, in the eyes of these people she possessed beautiful qualities. Kent, the person who always says he knows Sam’s innermost, he sees Sam as brave, righteous, and kind. In Rob’s eyes, Sam is alternative and replaceable. In Kent’s eyes, Sam is the only one, his hero, and him. People who cherish and guard. These discoveries opened the way for Sam to explore himself. During the repeated days, SAM tried various lifestyles and indulged his repressed desires: dressing exposed, molesting the teacher, passionate with ROB, arguing with friends; playing with his sister; reconciling with his mother; and renewing the relationship with the male protagonist. In the continuous action, the desire has an exit, the desire is satisfied, and all the possibilities are exhausted. After trying and experiencing all the possible self, Sam was finally able to be his true self without regrets. Just as the pendulum ball that was hit finally returned to the origin, she returned to the initial relationship in her life to find identification. At first, Sam painted a line with her nails at the door after the argument with her mother. That was the boundary between her mother and Sam. Mother is not allowed to cross. Sam is different from his mother. Mom was not popular when she was young. Sam was popular. His mother hadn't kissed when she was in high school. Sam had to give her first night in high school. This road of rebelling against her mother went to the end and turned back again. The relationship between Sam and her mother slowly improved. Sam asked her mother if she was a good person. Her mother told the story of her childhood. This story allowed Sam to find out what she thinks of her mother. Look like. Sam agreed with this. With a deeper understanding of friends, self, parents, and love, by agreeing with the kind SAM who rides all the horses in the stables in the eyes of mother, only for the kind-hearted SAM who will feel lost without a horse, and agrees with the braveness of Kent who stands up to protect KENT in the eyes of Kent Hero, Sam found the piece of the puzzle that he had lost. Sam became himself on the last day, a multi-faceted, rich, and more complete self. This Sam understands the shortcomings of friends, pays attention to the advantages of friends, pursues his own love, tries to save Juliet's life, and tries to change Juliet's self-concept. The car accident and death in the film are the unchangeable ending, and the seeds of fate have already been planted. Car accidents and deaths are metaphors for the sudden and stormy symptoms of visitors, which were written by fate a long time ago. If a car accident or death means trauma, fortunately, trauma breeds opportunities for growth. Sam repeats that day in the film day after day. This process of finding answers in repetition is much like psychoanalysis. The visitor tells the story of past experience, joys and sorrows to the analyst, time after time, time after time, repeated and repeated, and new discoveries and insights are made in this repeated narration. The process is like a jigsaw puzzle, time and time again. Through the analysis, I found a piece of self and slowly pieced it together into a complete self. This complete process is similar to the process in which Sam finally finds himself through repetition in the film. Sam found himself on the last day and became himself, clear, free, and determined. In reality, a large number of Sams are still trapped in this modern prison, trapped in the eyes of others, trapped in their own unconscious cycle, without knowing it. Unfortunately, we are not God's darling, and the opportunity to interrupt the cycle is not in God's hands. The car accident and death in the film are the unchangeable ending, and the seeds of fate have already been planted. Car accidents and deaths are metaphors for the sudden and stormy symptoms of visitors, which were written by fate a long time ago. If a car accident or death means trauma, fortunately, trauma breeds opportunities for growth. Sam repeats that day in the film day after day. This process of finding answers in repetition is much like psychoanalysis. The visitor tells the story of past experience, joys and sorrows to the analyst, time after time, time after time, repeated and repeated, and new discoveries and insights are made in this repeated narration. The process is like a jigsaw puzzle, time and time again. Through the analysis, I found a piece of self and slowly pieced it together into a complete self. This complete process is similar to the process in which Sam finally finds himself through repetition in the film. Sam found himself on the last day and became himself, clear, free, and determined. In reality, a large number of Sams are still trapped in this modern prison, trapped in the eyes of others, trapped in their own unconscious cycle, without knowing it. Unfortunately, we are not God's darling, and the opportunity to interrupt the cycle is not in God's hands. The car accident and death in the film are the unchangeable ending, and the seeds of fate have already been planted. Car accidents and deaths are metaphors for the sudden and stormy symptoms of visitors, which were written by fate a long time ago. If a car accident or death means trauma, fortunately, trauma breeds opportunities for growth. Sam repeats that day in the film day after day. This process of finding answers in repetition is much like psychoanalysis. The visitor tells the story of past experience, joys and sorrows to the analyst, time after time, time after time, repeated and repeated, and new discoveries and insights are made in this repeated narration. The process is like a jigsaw puzzle, time and time again. Through the analysis, I found a piece of self and slowly pieced it together into a complete self. This complete process is similar to the process in which Sam finally finds himself through repetition in the film. Sam found himself on the last day and became himself, clear, free, and determined. In reality, a large number of Sams are still trapped in this modern prison, trapped in the eyes of others, trapped in their own unconscious cycle, without knowing it. Unfortunately, we are not God's darling, and the opportunity to interrupt the cycle is not in God's hands.
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