I admit that I am very interested in this boring science fiction, adventure, action, suspense, and fantasy subject matter.
That's how Godsend fooled me back then.
The more I watch the scriptwriters of these two films, the more they resemble the same person. The plot structure, the dialogue between the characters, and even the smashing mouths between the characters are exactly the same. Especially in the eighty-ninth episode of the first season, Adina babbled and pretended to be angry, grinding my patience like a curse.
Take a look, the beginning: the case, the suspense, the conflict between the teams, the distrust, a long period of nonsense and the process of Balabala in the middle, ah, it is possible to investigate the fork in the road, and then Balabala is in a long period of nonsense, over there for 2 minutes The explosion, here is still slow to solve the problem and talk a lot of nonsense lines. It turned out that everything was fine, everything was OK, and then another baggage was tossed. . . . . . .
Let me wipe it. As expected, a country less than 300 years old is so barren. Don’t expect your screenwriter to be Shakespeare’s Bah. At the very least, I can make do with some in-depth results?
I would rather watch the new Sherlock Holmes three episodes a year than let you do so.
But having said that, after looking back at the domestic screenwriters, I turned my head around: The man who wrote about Warehouse No. 13, I called you wrong. Feel sorry. . . . . .
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