Most of the film reviews focus on the film's rhythm and soundtrack. I always feel that Uncle Nuo's acting skills are good, and he has no research on the film director itself. It is not judged whether the film is long and slow. But from the perspective of personal viewing, I didn't feel bored.
Points touched:
1. Idealists (typically such as Moses and other brothers, generally such as committee directors, heroines, promises, etc.) often have unsatisfactory or lack of control in their lives (mostly derived from certain obsessions of idealists, compared to realism Those who achieve their goals do everything they can to achieve their goals. Their methods and methods on the road to the goal are often a bit of their own paranoia, methods and methods are lackluster and relatively stiff), but their own beliefs often give them a certain vitality. , It seems that under the inevitable tragedy of life, there is also something awe-inspiring.
2. The power of power. Moses is a typical person who is swayed by power, and at the same time he uses power to sway others. From the strong not shaking hands at the beginning, forcing the mayor to sign, dominating free public bath swimming, to the status of the demolition captain in the plot, the subordinates used by him, and the final confession of power. The pleasure that power brings to people is always difficult to extricate, and it can be seen everywhere in any society and any group. The desire for power is difficult for people in society to avoid, but people who desire power often know better than anyone else about the destructive impact of power on human nature, but this not only does not affect their pursuit of power, they often pursue it more carefully and hold firmly. In hand.
3. The true connection between people. It may not have much to do with the core idea of the film, it is a derivative feeling. Novo himself, Novo Frank, Novo Laura. Frank and his wife are an explicit relationship, husband and wife, but Frank did not remember her when he died, and she had no feelings at all when she learned of the death and complained about the soy sauce clips in the detective office, so they are people who have no real contact. The relationship with people. Including the state of the remaining three people after Frank's death, they were all just ordinary people-to-people relationships, not deeply related. But since Frank's death, Nou has been wearing his hat, keenly aware of the relationship between Tony and Julia, and seeking the truth for Frank's obsession, all stemming from the true connection between him and Frank. The same is true for Novo Laura. Laura is not beautiful or a person of color or an illegitimate daughter. In the society at the time, she was disadvantaged and discriminated against.) It seems that it is related to the case, but it also seems that it is because they have nothing to do with each other. I walked closer, but in fact the details in the film (Nuo talked about his mother stroking the nape to comfort him when he was a child, and Laura patted him on the back to comfort him in dancing and at the end) all reflect the inner nature of people and people. The generation of association comes from the spiritual mutual comfort, in popular psychological terms, the flow and acceptance of emotions. Therefore, the snuggling of the two in the last scene of the film is very natural and real, and it can be regarded as the warmth scene of this "black" film. Even the cats that appear in the film feel that there is an internal communication with Nuo, warmth, but most people do not, including brothers, because of the huge difference in values, there has been no family affection for people. The connection with people. In fact, the true relationship that a person can have with other people or even animals in his life is very rare and precious. So this point of Uncle Nuo was also touched.
Above, after watching, chattering.
View more about Motherless Brooklyn reviews
