A glimpse of humanistic care

Nedra 2021-12-25 08:01:15

The movie was recommended by others, and I have never dared to watch it. It feels very strange. After watching the movie, I have a new understanding of this profession.

The frustrated cellist returned to his childhood home with his wife, and went into the funeral business by mistake. Just like people who are in contact with this industry for the first time, they are afraid of rejection, do not understand and are reluctant to do it, but live in embarrassment and bow their heads to high salaries. He was moved when he saw the president perform pre-mortem cleaning and make-up for the people who died for various reasons, with a gentle and friendly smile on his face, gentle and neat technique, like a grand performance. . It turns out that the enchanter represents the last respect for the deceased, and it also represents the respect for life.

When the perception becomes compassionate and spiritual, the sound of the piano will also become different. The unique sadness and sob of the cello penetrated the rivers and mountains to reach farther places. Every sound is comforting, wishing, and praying.

His wife had misunderstood him, and even felt that this profession was not decent. In the future, his children would be ridiculed by classmates because of his father's profession. Until the neighbor’s aunt in the town passed away, the husband personally cleaned the makeup for him, completed the ritual of enshrinement, gradually understood her husband, and slowly supported him.

The most tearful scene in the film is the death of his father, whom he had not seen for many years. The man slowly carried out an incarnation ceremony for his father. The father's appearance in his mind gradually became clear. The pebbles held by the father was placed on his wife's abdomen to let the little life in the belly feel, the light and shadow outside the window were hazy, the sunlight was drenched, and the air was silently moved.

Japan’s aging phenomenon is very serious. The elderly account for the majority of the total population in the country. Such a film demonstrates a kind of humanistic care in Japan and expresses respect and gratitude for life. The farewell before death is like a ceremony to commemorate a lifetime. It turns out that you don't have to face death, you can only cry and cry, but you can still cry so softly and forbearingly, smiling and blessing.

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Extended Reading
  • Kelsie 2022-03-27 09:01:12

    Revisiting it on the big screen after 12 years is still touching, but this time I saw some flaws. For example, the role of Ryoko Hirosue is too instrumental, and I can't see the male protagonist's love for her at all. It seems that she only came back for the sake of her children. Forgive the hero, so humble. But about death education, about farewells, there is no better film than this one. Those burial ceremonies are so beautiful and gentle. The grandfather of the funeral home said it philosophically: people in the funeral industry are gatekeepers, helping everyone to get through this door to another world, and telling them: be careful on the road, there will be a future.

  • Name 2022-03-29 09:01:04

    Far-fetched, long-winded, emotionally unfounded, and the story doesn't look good. Those cases are to provide emotional credibility, so it is mainly white-haired people who send black-haired people. Even among middle-aged and elderly people, except for the lonely old people who are the protagonists in the induction ceremony, the others are all people whose age of death is lower than their life expectancy. Only for the families of the deceased, the industry of entrepreneurs is a little small. worth it? It was nothing more than a ceremony to give some empty comfort to the deeply regretful family members. However, just like the Chinese folk saying about the so-called filial piety in the funeral of the so-called "unfilial in life, nonsense in death", it is even more so for the children and spouses who died before they reached the age of life. Afterwards, it was beautiful, but it was just another tossing around the victimized deceased, so that the victimized living could buy psychological comfort. The so-called reconciliation at the end is even more ridiculous. A scumbag who dies alone is a self-inflicted sin. He doesn't even have the courage to apologize and make amends. What is there to be moved by holding a stone to death. Even if he has not let go after 30 years, he is still just a frivolous narcissism of a scumbag.

Departures quotes

  • Daigo Kobayashi: There are many kinds of coffins.

    Yuriko Kamimura: 50000, 100000, 300000 yen.

    Daigo Kobayashi: They differ by that much?

    Yuriko Kamimura: The left one is plywood, the next one has metal fittings and carvings on both sides. And the most expensive one is solid cypress wood.

    Daigo Kobayashi: Oh, the difference is in material and decoration.

    Yuriko Kamimura: Yes, they all burn the same way.

    Daigo Kobayashi: Same ashes.

    Yuriko Kamimura: The last shopping of your life is done by others.

    Daigo Kobayashi: Kind of ironic.

  • Shokichi Hirata: Salmon?

    Daigo Kobayashi: [Watching the river] Ah, yes. They're right by the rocks... over there.

    Shokichi Hirata: [to the salmons swimming against the stream] Oh! Go for it!

    Daigo Kobayashi: It's kind of sad... to climb only to die. Why work so hard if you're going to die.

    Shokichi Hirata: I'm sure they want to go back... to their birthplace.