If we say that from a realistic story, there are no various forms of expression in the movie, and it is simply a story that happened in reality, then the story should be: the heroine is pregnant, and the hero knows that the heroine will be the heroine because of his own pursuit. Killing the child, he could not afford to start a family with the hostess, and had to live his own free life. After he broke up with the hostess, the hostess decided to give birth to a child, but because he couldn't afford it, he decided to give the child to someone else who could afford it. The hostess and the hostess’s brother had an accident on the way to adopt the family together. The hostess, the hostess’s brother and the unborn child all died. The host was because of this incident. Received a huge blow, has been living in remorse, unable to redeem. The location of the accident was on the road in front of the church, and the male protagonist wandered here, unable to redeem.
Since the beginning of the movie is described in advance from the perspective of the heroine, we are unavoidably preconceived, thinking this is the storyline of the heroine, and the subsequent hero seems to be just a participant in the movie.
The male protagonist said that he was very happy to finally see their unborn child. The male protagonist said that he looked like a scumbag, but this does not mean that his nature is like this. The male protagonist told the boy that neither you nor she belonged to this place. He is a trial ground for a person, a hell where a person is struggling. He wants to save his girlfriend and unborn child, and is willing to sacrifice himself in order to realize this redemption. That is his dream and his vision. He went to find the heroine. He came, but he was too late. He hoped that he could meet the heroine who disappeared 2 months ago. In the tall grass, he realized this wish. He stopped the heroine and the heroine. The brother entered the tall grass, they left, and he stayed, because he seemed to know that he could not give the heroine happiness, but he could make the heroine happiness.
The boy’s father is actually a reflection of the male protagonist’s fear. It is the family life he fears to face. It may be what he has experienced in the past, or it may be what he fears about to face. There will be a son or that is his own projection, and then the family life is trivial, boring, indifferent, full of unwillingness, anger, and emotionlessness, but he later learned that the hostess was pregnant with a girl, that kind of surprise, that Kind of happiness. The boy, the boy's father, and the hero himself, all the timelines of the past, present, and future are his own struggles in fear and are his clones.
The church means salvation. It is the salvation that he can never reach, so far away, it can be seen but cannot be reached.
The contradiction between the hero and the heroine’s brother is irreconcilable. The first little boy induces the heroine’s brother to touch the stone, and the second boy prevents the hero from touching the stone. Whether the little boy is a little boy or not, he actually expressed it. A kind of fear and malice of the male protagonist, the incarnation of the male protagonist’s fear and malice towards children, and the female protagonist is pregnant with a girl, which denies all the assumptions of the male protagonist from the side and gives the male protagonist hope. It is this hope. Let the male lead defeat the future self, struggle from death, and let the boy save the female lead and his unborn child. The boy carries both the male lead himself and the image of the male lead’s children.
Perhaps in a parallel world, in the male protagonist's dream, he prevented all tragedies from happening. His lover and children had a hope of life and a happiness that he should have participated in.
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