There is still a sense of loss, because the first half is too exciting and exciting, exciting enough to instigate a race war, my heart is throbbing, and the tension in the second half (for an hour) is actually slowly decreasing. , It is slowly soothing the audience's irritated and ignited emotions. It's fucking weird, right? For filmmakers who are ambitious at the box office, this is a draw from the bottom. In my opinion, "Detroit" is the "non-fiction writing" of the film. If real events and real characters are not respected, it can provide the audience with a more shocking and sleek ending, and it can easily make you "refreshing from scratch". "To the end", no matter if it points in a darker or more just direction, it will violate the basic narrative ethics of "non-fiction writing" and will turn this film whose purpose is to restore the truth into perjury to a submerged history. , Then it’s not Catherine Bigelow, a socialist author who looks at reality calmly. The ending is a great one. It uses an individual's weakest and most passive resistance in fact to show the most distinctive attitude: the person who knows the truth will never forget it.
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