Suspense, horror, dark, and horror movies have always been my favorites. The full lens language and character dialogue in this type of competition, coupled with ulterior motives of the soundtrack, always mobilize the audience’s senses and firmly attract the audience Attention.
So I also want to try to analyze the effects of lens language, dialogue, and soundtrack in film and television.
I think the difference between film and television works is that through the use of lenses, a story can be shaped from a new perspective. If you just follow the text to build a scene that is constantly changing, please come in and recite the lines. , It's just an audiobook with illustrations and concretization. Good works should guide the audience through the capture of the lens, and present the story they want to express with an immersive experience.
My first choice was the first season of "Carnival Murder" produced by Amazon. I have found enough highlights in the drama I watched recently, so I plan to do an analysis of the entire eight episodes, trying to maximize the audience The angle of view restores the good intentions of every scene and every shot.
Of course I am not a professional. I don’t know how long I can stick to it. I’m not a professional. I don’t know how long I can stick to it.
A melodious or bleak string with deep drum roar is the opening tone. The gilded carnival row and golden winged people are the first to appear. Is the carnival row a street or another meaning "dispute"? What is the meaning of a person with wings? It all started here. The soundtrack continued, and an introduction appeared after a brief producer information.
The scattered white smoke and statues suggest desolation and misery, and the winged elves are in dire straits because of human beings.
Finally, from a statue to reality, a pair of low-hanging blood-stained hands and wings seem to tell the tragic sacrifice of the elves, making the audience wonder what kind of story the show will tell when the soundtrack suddenly ushered in an explosion. Close-up of the corpse
The upside-down elf, lips cracked, clothes shattered, eyes white, neck severely wounded, all the information suddenly appeared.
As the camera lights up again, several people jump into the camera and start to escape
A set of fast-edited shots showing the hell depicted in the text, unarmed, dark blue wings on the back of the elves were knocked down by gunfire in the fog
The soldiers appearing in the fog seem to be holding flintlocks and old-fashioned bolt-action guns. They seem to be old. Together with the monster that looks like a wild boar tied to the rope, it shows that this worldview seems to be in ancient times as well as various gods. Ghost.
After some struggle, this seemingly heroine solved the beast
Finally flew into the sailboat on the sea
The next main shot came to the cabin. The waves outside the ship were turbulent, thunder and heavy rain poured down. Someone in the ship played a flute. The melodious flute sound contrasted sharply with the roar outside. This is the influence of the soundtrack. The camera moves. , The surviving character in front is reading a book in the shaking cabin!
It turned out to be Bloom's handsome face
Coupled with the action of touching the braids, how will the story of this elf and this man unfold? So the suspense is drawn. The following dialogue mentions that the man is a Borg soldier
In the end, the sailing boat was battered with holes and flooded with water. I didn’t expect this character to be submerged like this.
A slow-motion underwater shot with a female groaning voice seems to imply the death of everyone
Then transferred to the real world with a frontal close-up of that photo. It was obvious that the woman said that the soldier was dead, but he was sitting in the car safe and sound. This makes the audience wonder
The gradually zoomed out lens allows us to see the full picture of the Victorian city of Borg, and it seems that the story will unfold here
The camera follows the man who got out of the car, and the details in the city are gradually perfected and unfolded. There are carriages, people's traditional costumes, muddy roads, mixed with people with horns, and even centaur. It seems that this is an extraordinary vision. world.
Winged elves also appeared on this road, but the identity was like a prostitute?
The croissant woman selling meat on the street was being made things difficult by two sheriff-like roles, and a pig's head fell to the ground. This shot moved to the right by the way, and the man just now appeared
After a conversation, I learned that this is an inspector
Through this incident, the basic contradiction has been established. This is a dirty and messy street. In addition to traditionally dressed humans, there are various orcs. The shofars are low in status and despised by the sheriff, but this seemingly male lead inspector is relatively close to these people. The reason for coming to Row was a case, and the story gradually became more detailed.
The next shot is very interesting. It’s taken to the right. It’s a crowded and chaotic place, but a few little kid elves with dark blue wings on their backs ran out happily, moving to the left dynamically, and the camera moved to the left. Feller It also appeared in the background, and then the camera followed the forward moving Feller back, allowing Feller into the room, and then moved to the right with the moving Feller camera, turning to a bedridden survivor or witness.
This can be regarded as a mirror to the end, from right to left and then to the right, all in one go, I really like it.
The next dialogue is very interesting. The bedridden woman mentioned the murderer Jack, which seemed to be talking about the infamous Jack the Ripper, and also said that Jack would not attack people like you. It seemed to confirm the sights he saw on the street. Refers to the orcs and elves inferior to humans, and also used the term clawhammer to point out the murder weapon. Feller mentioned that the murder was a serial murder, with very few survivors. After a period of silence, the camera moved from Feile's profile to a painting on the wall
This is something like ink and wash landscape painting. Feller stated that he was indeed a soldier, stationed at Tenannis, where he was in the painting, and that he missed it very much. After some emotions, Feller expressed that he understood the woman's painful experience, but the murderer was still steadily assassinating the elves and visually detecting that there would be new dead. He hoped that the woman would provide more information. This is also the classic way of advancing dialogue. The other party has unspeakable concealment, borrowing other events to draw the distance, putting himself in sympathy with the other party, and once again expressing his expectations.
In the end, the woman uttered the characteristics of the other party: a uniform with a bald head, a beard, and a snake-shaped tattoo on the forearm.
Use details again to enrich Feiler's image. The other party said all the information he knew, thanked him, and sat on the edge of the bed and stretched out his hands to hold the other party's eyes to show sincerity.
This sentence by the woman can be regarded as a hint and foreshadowing. There must be something unforgettable for Feile during the war, so be prepared for the story of Feile’s past, not just the unfolding of this case.
The camera cuts open and moving down from a lighthouse, several children found the wrecked ship wreck and the remains of the elves
It turned out that the woman was not dead, and the lines did not wait for the end of this scene. Swarm is like a group of flies and wasps, used to describe critch, it can be seen that the speaker's contempt for critch is contemptuous.
The camera switch, it turned out to be a kind of hall. In the composition of this angle, the tall red-painted building in the distance occupies the upper half. The green dome in the upper left corner makes the tone not single, and the sky further away complements the light blue. , The sunlight blocked by the building sheds on the roads, carriages, and benches in the close view. The clothes of the pedestrians on the left are reminiscent of gentlemen and ladies, and there are multi-level stairs, grass, and fountains on the right. This scene only appears In just three and a half seconds, a single sentence outlines the serene and noble exterior of this hall. The audience has just remembered the entire scene, and the slowly moving scene from top to bottom has been cut away.
Familiar actor, Detective Sherlock Holmes 2 Professor James Moriarty This scene should be a dispute between parties, surrounded by councilors or nobles, it makes people wonder why they are all sitting, but the person who entered the camera first Walked around in a bored manner and sat back in his chair. The content of this dialogue is a bit disturbing. The prime minister supported the continued existence of the Elves in Borg, but his opponent Langerbane Langerbane did not. First, there are three kinds of people, fae critch critch (untranslated) pix Pixar, combined with dialogue and pix whore, we can see that they should all refer to the same kind of people with different degrees of contempt. Ge, as a cheap labor, they grabbed their jobs, brought drugs called lixer, and worshipped evil gods. These three points made Langerben and many congressmen or nobles very dissatisfied.
Digression, reflection at the end of the play, Chinese workers, opium, Buddhism,,,,,,,, one-to-one correspondence)
Lange raised his mouth at the end, suggesting that the minister's house actually had sex with an elf prostitute.
The wife and children of the Prime Minister appeared on the scene. (Another familiar face, the wife of King Dorn in the Game of Thrones, was killed by the Queen of Thrones. See what the role of this drama is.) The wife cares about the future of her son, but the son seems to have no breasts. Big ambition.
After the son said that his future was as clearly visible as yellow daffodils and rainbow after rain, he deliberately angered his mother and turned around and gave the mother a close-up shot. In about four and a half seconds, the actor used subtle facial expressions to capture the mother's heart. Anxious and helpless to show it vividly: lips slightly, blinking, shrugging, inhaling, sighing, turning, eyeballs, and lower jaw moving slightly, it is a hatred for my son, making myself anxious and helpless.
The next scene is the conversation between Tourmaline Tourmaline and Feiler. This sentence good to see you too is very interesting. Tourmaline just asked him anxiously if he found Jack. He directly said good to see you too, indicating that He didn't want to share the details of the case with ordinary people. What's more, the murderer didn't identify who it was. The later dialogue pointed out that the murderer who killed the elves made the police helpless. The fae people felt that the police were incompetent, just like fae. The pact coalition forces who have left their homes are the same.
The other side asked the person’s name in the police station, so Winnie for short, it seems that she is indeed the protagonist.
The camera cut again and introduced two new characters. Brother and sister. The brother was the owner of the ship that was in the accident. He took Winnie home as a servant. The sister noticed that a new neighbor came, who was very rich. I bought a luxurious house, but the owner is a puck with horns that should have been humble
Winnie, who served as a servant, obviously couldn’t do well enough, and the braid behind her once again attracted attention and didn’t want to be cut off.
(Digression, this reminds me again... Manchu pigtail)
On the other side, Filler did not hesitate to suspect his own colleague in order to find the murderer. This colleague with a beard and uniform and tattoos wanted to find the murderer because the fae on the battlefield were as vital as they were. sympathy for fae
After the camera was cut again, Feile returned to the rented room and had a conversation with the owner’s widowed wife Mrs. Fyfe. His wife saw the scar on Feile’s back, which was another hint.
Winnie played a trick here and poured out the hostess’s perfume, using this as an excuse to go to carnival row to help buy a new one
Coming to the carnival area, Winnie found Tourmaline through the name of the hotel provided by a boatman in her hand. It turns out that the two are old acquaintances, even Lala lesbian.
Winnie’s behavior is completely different from that of the noble lady. Seeing her old love completely relaxes her and releases her feelings.
The dreadlocks that have been repeatedly laid before finally have been answered. The customary woman of the fae tribe is widowed. The side shows that Phil and Winnie have indeed fallen in love, and Tourmaline also directly told the truth. At this time, the increasingly high-pitched string rang and exploded. The scene shifted to Phile
After being scolded by his boss, Feiler suddenly reacted outside the office. In addition to the police and sailors in uniform, the sailors also went ashore and returned home once every three weeks, which was consistent with the murderer’s frequency of crimes.
The noble lady has a name, a touch of gold Imogen, and she comes to her new neighbor's house to find the owner. Unexpectedly, she has the stereotype of a sheep-headed black man, sordid and dirty. A touch of gold is just the standard stagnant smile, surprised and embarrassed
The prime minister’s son has a name, Jonah, came to the elf brothel in the carnival area to find a woman to start a business, went out naked at night and was kidnapped.
The Phile line continued, and he and his subordinates came to the Sailor Wine Store, and they found someone who fit the description. The chase begins
The chase scene at night must first have a dim background and pure black. The light is mainly the white light of the moon and the yellow light of oil lamps and flames. The lens sometimes moves backwards in front of the moving people and sometimes follows the shot from the side. Take a overhead shot in the sky. The soundtrack starts to create an atmosphere with increasingly dense drum sounds, and the wind music drives the rhythm. As the chase progresses, the soundtrack gradually turns from weird to intense, setting off a tense and focused mood.
In the end, the runaway was forced to commit suicide. The bright bald head reflected moonlight, so that the tone of this lens was not too dark. The yellow light on the left also balanced the blue light on the right and the distant lights to make the whole picture more coordinated. Before this person died, what dark god wakes were needed, and the story continued to develop before the end of the branch. Otherwise, the audience will find it very strange, why the whole episode of the serial murderer who has been talking about for a long time is gone.
In the attic of Jin’s house, Winnie spread her wings, cut off the widow’s braids, hid the knife, pushed aside the glass, the sound of rain outside melted into the rhythmic and compact violin, every section was exciting, and finally The resolute expression spread its wings and flew away. The second one is also a standard composition, with the line of sight to the left and left blank, and the yellow light strikes the front of the character to balance the cool tone.
Winnie asked Fyfe to settle the account. This time Fyfe returned to the room. Mrs. Fyfe was still waiting for him on the bed. He bought another foreshadowing here. The doctor was very opposed to it.
Not long after the wife left, Winnie went straight to bed and put the dagger on Feller’s neck.
During this climax, Bloom's acting skills were great. Seven years after the war, Winnie was unsure of her life and death. Now she suddenly jumped on the bed and claws her teeth and claws, recalling that she had deceived her, and she knew that she was alive, and tears flowed straight down. The hostess's expression is also great, the kind of sadness that is not joyful but hate at the moment when I was told that I was deceived, the depressed emotions burst out on the fierce face at the moment when I saw Feile is the most true portrayal of my heart. I originally thought it would be great to be able to cry and burst into tears, but when I think about it again, I don’t know how many times I have cried for the "dead" Phile in the past seven years, and how painful my heart is. At the moment of meeting again, it is All the tears were thrown away, and only the anger was left, so it was more real without tears and more suited to the state of the character, which was great.
In the end, Winnie left Feller with her life (nonsense) and flew away alone.
In suspense horror films, making the audience more anxious than the characters in the play, and more worried about the situation of the characters in the play is a smarter way to deal with it. No, the woman picked up the flute by the river and played it with interest. The melodious and brisk flute sounded against the danger of the situation.
This shot is gradually zoomed out, a sewer exit, shooting the victim from the perpetrator’s point of view, before doing this, it’s better to show that the woman is doomed and has already been targeted by the devil.
The camera retreats directly to a bunch of tentacles before stopping, confirming the dark god in the mouth of the murderer who committed suicide.
With more and more weird and appalling gongs and drums colliding, the camera started not far behind the woman to shoot the woman looking up into the dark sewer, and then gradually zoomed in behind the woman (the inside is still pitch black)
Then show the face, panting, frowning, opening the mouth, and helpless and desperate in the eyes. This set of shots fully interprets the suspense.
Unexpectedly, it is also a fae, and the monster actually has a lot of spikes
In the end, the camera shot the still dark sewer from the front, but the woman had been dragged in and screamed. The scene of horror seemed to have never happened. Can the secret swallowed by darkness be seen again? Our second episode continues
There's more here than you can fathom and while you go about your little life, so sure that this world still belongs to you, some dark god wakes.
The opening of the second episode showed the respective moods of Winnie and Feiler. Feiler went to work, and his subordinates ran to report on the discovery of the new body, which is the one at the end of the first episode. But what I pay attention to is the posture of his cigarette lighter.
A little handsome
Next is the live photo, starting with the broken intestines, and taking them back to the front of the corpse. It is noticed that the chest cavity is broken open and the spine can be directly seen. The Ripper is a ripped one. Could it be that the real Jack died in the last episode? However, Feller explained at the scene of the investigation that someone else did the case because the murderer in the previous episode only knocked his head and did not open his mouth.
The centaur's supporting role reappears, and the deceased is called Aisling
This interior layout can tell that the deceased is by no means ordinary people, the interior is exquisite, curtains, foundation, phonograph, robe, diorama
The closet hides a down-to-earth friend, not a murderer, and learns that Essling is the most famous elf singer in Borg. He was a smash hit, and then fell lonely.
Close-up of a wing-like porcelain plate, which is probably meaningful
The guard of the minister of the carnival district came to find his son Jonah, only to realize that something was wrong. It turned out that a sheephead named Quill was supposed to stare at his son Jonah at night and ran to hide from the rain.
This sentence once again confirms that critch does refer to puck, which may also include the elf fae.
The friend of Essling unfolded further. It turned out to be a busker who acted by kughead, just outside the house of the noble lady.
The frequent rain caught a touch of gold off guard and was forced to hide under the umbrella of the "gentleman"'s sheep-head neighbor. Obviously this is a shame for the noble lady, but in order not to be "committed" under the umbrella, the tangled expression of half-open mouth, the sight of nowhere to rest, and the smile at the head of the sheep show the contradictions in the lady’s heart. come out
In the police station, Feller asked his boss why his request for an autopsy was rejected. The boss’s answer once again confirmed critch’s inferiority.
No way, Feller had to go to the carnival area to find someone who was once in the old city of Puyang who was skilled in autopsy, but now in Borg City, he can only do the autopsy of the sheep heads who can only do the butcher business.
New foreshadowing, I don't know if the child is alive. The corpse had no liver, and the sternum was directly incised, which is the same as the situation I judged in the live photo just now.
In the Dark Castle Prison, Feller found another old acquaintance, and it seemed that Feller was imprisoned for the reason.
In the aristocratic mansion, the elder brother was drunk and thought about the servants. After a fierce conflict, Winnie was forced to flee and came to the carnival area to find Tourmaline to find another way out.
For the first time I noticed that fae’s ears are different from ordinary people. Tourmaline pointed out an organization called Black Crow, all critch, which specializes in illegal activities, smuggling, gambling, and drug trafficking. It can be regarded as an account of Winnie’s whereabouts.
The important role of the Prime Minister's family appeared. The old witch has always been the adviser of the wife's family, she told her that she will marry a minister in the future, and their son will be better than the minister.
The two shots appearing alternately in this dialogue are the standard composition of a three-person scene. The minister strongly repels witches, so when the minister speaks in the first picture, the minister is given the front of the minister and the wife and the back of the witch. As compensation, the minister is placed in the background of the screen. By the way, the rain is pouring outside again, and the blue is gloomy. The color tone is disturbing, and the witch in the middle of the station is the closest to the camera. The witch is silent from beginning to end but stands in the front to show the importance of the role. In the middle of the station, the lady tries to persuade the minister to accept the witch’s witchcraft help, acting as a link; The second picture is used for the wife to speak, and in turn gives the minister a profile of the wife and the witch's front. The warm yellow and red color of the background and the flame of the candlelight contrast the state of mind of the minister and the wife. The minister felt like the rain outside the window, restless, but the wife felt that the witch's method was reassuring and worth trying, just as the warm color behind it made people feel.
After talking about the composition and the action, the minister walked into the room from the drying stand outside the door. The original intention was to emphasize his position and approach the lady to prompt the lady to change the superstition method of deciding to abandon the witch, but from the role position In the above, the minister happened to move from the rainy outdoor into the warm indoor, which is also the silent expression of the camera.
In the final shot, the minister is on the left and the wife is on the right. The warm and cold tones on the left and right are the embodiment of the mood of the two, and the whole picture is also coordinated and balanced.
Then, when the situation was set, the witch spoke, and there must be a life sacrifice, referring to the minister’s pet bear. The minister turned to look at the bear, half-opened his mouth, and took a step back.
Turning to look at the lady again, frowning, and then at the witch
The fear in the heart was helplessly revealed. With the bleak music, the tragedy has already been staged. The bear and the beast were killed, and the minister could not help.
Later, the witch told the minister that his son was in the hands of the political enemy Lange, and the scene ended.
The picture lights up again. It is Winnie looking for the black crow group. This paragraph can be omitted, but this shot is better. The standard Gothic towering and thin minaret is generally used in religion as a symbol of being close to heaven. The clusters of yellow flames in the middle did not bring any warmth, but made the whole picture more gloomy. The moonlight on the left casts a dark shadow on the building on the right. The unnatural shooting angle makes the moving character more dangerous. The bungalow and the haze of smoke contrast the towering terrace in the middle of the picture, plus the dull thunder-like background music, all elements are showing the ferocity of this black crow group, Winnie just ran out of the arrogant and fussy noble family, and willingly Falling into such a group makes the audience worry about the prospects of this role
Phile, the noble family, just went to redeem Winnie's expenses. Unexpectedly, this seemingly affluent family had already experienced a financial crisis. My sister can spend too much money to make ends meet, and conflicts between brothers and sisters have intensified
The scene again comes to the kidnapped Jonah, which is actually a scene directed by the wife and the witch, deliberately tempting the minister to intensify the conflict with his political opponent Langerben
By the way, kill the bear, hahaha, the cold green-gray scene in this scene also complements the sinister intentions of the lady
The story of the Sheep Head Noble continued to advance, and a touch of gold invited him to come to his home as a guest. .
Feller had an elf queen at the police station who came to do for the dead Esling. He mentioned that the singer was killed by dark magic, an ancient summoning technique.
This shot is a bit interesting. Two women with fancy dresses pass by. How can a drunk man not stare at him?
I don’t think there are any highlights in the remaining shots, the next episode
The setting at the beginning of the third episode is very fond of tirnanese highland and Tenanese Highland Anon. It seems to be about the war seven years ago. Snow-covered mountains, steep exposed rock walls, double-layer wooden row houses (with wings without stairs)
When a bunch of winged people fell from the air to the ground, my imagination wandered between two extremes: swarms of flies flying wildly, messy, no wonder it is described as swarm; angels with angelic faces fly Immortal comes to the world, the ultimate beauty
But in this scene there is only a frightened fae, staring at the Borg soldier with hostile eyes.
This kind of scene is really great
The next set of shots tells how Feller ran into the cave where Winnie manages the books. First, the two cameras alternately edited before and after Feller to show that Feller found a hole and kept facing each other when entering the tunnel. Feller’s shooting is more like from Winnie’s point of view, entering the stone room and then holding the camera from the side to rotate with it, to show that this is a closed room without more passages, and the place where the flame illuminates is what the audience can Seeing the place clearly, and then as the torch is raised, the audience knows that this is a vertical structure design, because the fae can fly, so there is no need for a ladder. Jingge and other places), and finally lifted up with the overhead shot of the Feller to indicate the size of the entire space.
Then Winnie flew down from the shadow above
fuck is really used
Very interesting design, Winnie was originally a librarian, but Feller likes to read books, even at breakfast.
"The Moon Kingdom" is about an inventor who was launched to the moon in a capsule spacecraft, and found that someone on it also fell in love with a tribal princess. Turns out, the storyteller is their daughter, and the latter part is about how she finds her father.
My first reaction thought it was "Moon Jewel" by Collins. Later I thought it was a bit similar to "The Little Prince" by Saint Exupéry.
Anyway, this book has brought the two closer together, Winnie also invited Feiler to the library to have a look, but Winnie also found the first Tennock human story in the book, which is very similar to the Moon Kingdom. In the end, it actually means that the difference between humans and fae is not that big. In fact, many movies like to use various stories to reduce the narrative workload, a legend has, a fairytale goes, etc.
Another beautiful view
The receiver reported that blood was needed on the front line, and the Fae tribe voluntarily asked for it. The officer also mobilized all soldiers to prepare for blood transfusion, but Feile ran away mysteriously, accompanied by the uneasy sound of the piano, and walked forward nervously. I thought that something terrible was going to happen, but it turned out to be another sex scene. This is so designed to look around and be frightened for fear that others will find out
After another contribution to the beauty of the distant view, the camera cuts back to the bed, and the scar on Feller's back is mentioned again. If you have a bold guess. . This is very similar to the appearance of the wings being cut off by the roots, but it is hard to say that Feile is actually the fae clan. So I think this is foreshadowing, but the truth is about to come out.
Later, the dialogue between Feller and his comrades was mine again. The first episode said that critch seized the cheap labor market and brought drugs and cults. It also points out that they have existed longer than us (human beings), but the industry is far behind us, which can only be understood as different pursuits. Idol worship, alcoholism, adultery and incest.
Feller disagrees with this view, and he is more hesitant, but Feller does not have any lines anymore, which requires camera and body language to express
Feller first took a breath. The white mist was easy to see in the cold air. Then he turned his eyes and looked at the direction his comrades left, then turned around, switched the camera to the side, and then the camera returned to the front after the turn. The actor once again ignored the line. Close your eyes slightly to show that your heart is complicated, then raise your eyes and grin to the sky and the fae on the second floor
The fae who went to deliver the blood were attacked, and then Tourmaline talked to Winnie and revealed something again
From the perspective of the elves, the Borg and the coalition are both imperialists, persecuting the fae and bringing back the spoils. Pact is a treaty, directly translated as a metaphor for coalition forces plus opium. Isn't this referring to China's tragic history of the end of the 19th century, and Borg is not the United States that reaped the benefits of the fishermen? Coupled with the dual meanings of the neighborhoods and disputes between Chinatown and row, the deeper things in this drama are inextricably linked with historical events, and it is extremely scary to think carefully.
The last highlight of this episode is naturally that the Borg people had to withdraw their troops, and Feiler made himself suspended animation. Winnie reacted when other fae conveyed the message that Feiler had died in the coalition bombing. Let’s take a look at the actors’ acting skills and the composition of the shots.
The sad string music rang, and the mournful female voice murmured. In the first shot, Winnie looked up at the sky. Here I think it would be better to write a close-up close-up. The second one looked up from Winnie’s point of view. Two fae fell from the sky. There are also airships being bombed by the coalition forces in the sky. Looking up is full of depression
The line of sight is lowered with the falling fae, and the mouth is opened and closed, because there is no need to ask for an exit
Fae, who came to the front, leaned close to his ears. There were no lines but only mouth shapes. The shot started from Winnie’s back, allowing the audience to imagine Winnie’s expression, and then cut into close-ups of the blood-stained hands on the back, and focus on the sorrowful face to the left. companion. At this time, I took a picture of Winnie's front from the perspective of her companion. There were tears in her eyes but they did not flow. She blinked and choked and cut away from the camera, indicating that Feller was not dead. She cut back to the small panorama. Winnie fell down without being able to support it. Stood up again and ran towards the bombing area and was forcibly stopped
Give Winnie a close-up of her face again, the whole face is rubbed together, fae forcibly turned her face over to aim at his own face, and made her give up with a solemn expression
Finally, switch back to the small panorama and follow the three people who were taken away and shake the camera to face up
The final vision is really sad, and there is a small black spot far away from the bombing area, enough detail.
Feller, who turned his head to the left and looked back, turned back to the reality Feller in the carnival area, and his expressions were so similar. If the transition scene is to borrow a character image, the front and rear shots are usually overlapped, just like Feller's avatar conversion at the beginning of the first episode, but it is also feasible to separate the two shots like the picture above.
At the beginning of the fourth episode, the scene was set in an orphanage with a melodious violin. I thought I wanted to elicit the story of which orphan, but in the sound of peaceful music, the director was killed by a monster, and the director chose to use the toilet. The children came as witnesses.
The yellow light supplemented by the oil lamp is very important, just like the previous Gothic building, it serves as a light source and maintains the balance of tones. More importantly, the warm lighting and soft soundtrack make the dean’s room safe and beautiful. In contrast, the outdoors where the child is standing is cold, humid and dark, which makes the audience think that the incident will happen when the child goes to the bathroom or on the way, clinker
The camera keeps walking behind the child. This is also the standard design for someone to follow behind. This lens also answers the audience with a dimming yellow light hitting the child’s back. As the child goes farther and farther, it seems dangerous. It will come when the yellow light disappears. Sure enough, when the light in the second picture completely disappeared, there was a sound of glass cracking. It turned out that the child was not affected but the dean. Dean’s desperate shouts rang together
The child turned his head, the camera cut back and forth between the close-up of his face and the dean’s office. The soundtrack immediately turned into a deep piano monophonic and weird flute sound, the bass horn sounded, and the dean’s situation was getting worse and worse. Silence. At this time, it becomes an elongated ringtone, which makes people very uncomfortable. The child’s expression is very good. He and the audience have known things through hearing, but he dared not speak out. He stared at the office with slightly raised eyes and slightly opened mouth. This is an anxious expression from fear as a whole. Processing It's great. There is also a detail that the warm light source in the third picture has disappeared. From the composition, the reflection on the right is moonlight. The face is in the middle and to the right, the left is blank, the background is blurred, and the focus of the child is highlighted. It's just the reflected light of the moon, which further shows that the situation in the office is terrible. The child slowly approached the quiet office step by step, and the camera shot over the child’s shoulder, which not only allowed the audience and the child to have a unified perspective, but also covered more terrifying things.
It can be inferred here that the indoor light source was sufficient. The monster came in and broke some of the lights in the chaos, making the overall environment dimmer than at first. This shot allows the child to cover other places, leaving only the blood-stained arm and cutting away
Only filming the urine that the child frightened and drained out of the toilet, and then it was turned into darkness, the scene ended. Great shot!
After the movie, the dull thunder sounded again, accompanied by horses hissing and drizzling, a carriage ran to the orphanage amidst the low sound of trumpets.
Close-up of the second corpse, with broken sternum, heart, liver and intestines, but the limbs and head are intact
The next few minutes of advancing is the classic method of suspense shooting. Filer enters from the well until he meets the monster and analyzes a series of shots one by one.
First, look up from the well and shoot Feller into the well. The sound of pattering rain and the sound of rolling thunder create an atmosphere, and the uncomfortable angle intensifies the tension
After entering the well, first take photos of Filer and the surrounding environment from a short distance to explain the general situation of the underground. The second picture is to point the flashlight to the lens after hearing the abnormal noise.
I took another shot from Feller’s point of view, and the patio that appeared at intervals illuminates a bunch of octopus tentacles with long antlers on his head.
The penetrating plucked strings sounded, and the camera turned back to the side of Feller. For the normal composition, Feller should be on the right side of the screen and left blank, but before the suspenseful and thrilling climax, the character should be placed on the left, plus the extension With the yellow flashlight light source held by the straight arm, the audience has just learned that the dangerous monster is not far away. The composition of this shot can invisibly shorten the distance between the character and the monster, but it adds a sense of tension. The left side is blank. In fact, it implies that there is still a way to escape. There is plenty of room for retreat. The moonlight from the patio also prevents the right side from being completely dark and losing the color of the picture.
Face Feller again from the strange angle of view. With each shot of the monster, the camera shakes and retreats a bit, and then approaches Feller step by step.
After all, monsters are also made of meat, so they can’t resist a few shots and have to run away.
The scene transition, the Gothic building that once felt terrifying at night, shot from the same angle under the sunlight, actually has a little medieval beauty.
It’s another good vista, but the low dark clouds in the sky seem to hint at the abyss hidden under the peace.
The next set of classic shots comes from the wife of the prime minister. The minister was misled by the witch and imprisoned his political opponent Langerben, while the wife continued to contribute to the implementation of his plan.
The disorganized Langerben was lying next to the stone steps. His wife Piety walked over and offered him a glass of water. With an anxious and serious expression, Langerben begged Langerben to tell his son Jonah where he was.
When he was distracted by his speech, water entered Langerben’s stomach and began to vomit blood.
Let me ask and answer again: I’ll say it again, didn’t you hear me clearly, is it in the bath?
Let go of the fallen Langerben, and leave amidst the horrifying sound of music. Perfect composition
After passing the darkness, Piety had returned to the role of a heartbroken loving mother when the light hit her face again. This change of face deserves full marks
The details are in place, holding on to the wall, bowing his head and choking with half-closed eyes, telling the husband where the minister detained his son.
This flashback was handled well. The mother came from behind her son, but the footsteps were exactly the same as what she heard when she was imprisoned. The mother’s unreal smile and the son’s inner doubts were both bright spots.
Two more good prospects. In the second picture, the sky is divided into two sides by cumulus clouds and sunrise, and the houses in the lower half are sprinkled with a layer of brilliance. The fourth episode of the female vocals ends, which seems to indicate that the situation will get better in the future.
In order to reduce the narrative pressure in film and television, in addition to relying on book stories, drama is also one of the choices. It is also a good choice to allow actors to watch performances in film and television as the audience to supplement the main line description and promote the development of the plot.
Here is a bad taste. In order to prove that the God of Darkness can indeed come back to life, Feller brought a mole cub and a river catfish to the witch. It was the witch whom the minister’s wife had been relying on, and she did bring the two corpses. Reorganized
The next set of shots relies on the overall performance of the actors. The scene is in the home of the noble brother and sister where Winnie once served. The young lady invites several noble friends and neighbors, the Sheepshead to be guests. Winnie must show her friends that she fully accepts this supposedly humble sheephead. The sheephead has to behave like an ordinary nobleman, but his friends who do not know in advance have a noble sheephead. You must be very restrained. Their deep-rooted prejudices surprised them very much, but their deep-rooted hospitality forced them to chat with the sheep-head nobles one after another. And the lady's touch of gold must play a role as a bridge in the middle-
This kind of scene requires the camera to switch continuously between the various roles, and the embarrassment from the inside to the outside can be accurately conveyed to the audience. It is the best state to make the audience embarrassed along with it. The black man wanted to instruct this "servant" to bring a stool for himself, but the Sheephead did it humorously. At this time, the camera was still cutting back and forth in the half-length position of the four people. After sitting down, she gave a close-up of gold. The lady with a false smile said lines. The sheep head bought the opposite house and cut the three shots again. The sheep head is located. The foreground looked at the left side and blurred, focusing on the two people behind. The young lady kept looking at the black man in the same motion. The black man responded with only two words and praised, staring straight at the sheep’s head with no expression on her face. Still very serious
The camera was shot from the side of the lady again, the Sheephead realized the other two people, and the black man was sandwiched between the left, middle and right seats. The counterattack of the lines is also very beautiful, it is amazing that it does not describe anything, so he replied that the house is amazing, and it responded powerfully to the blacks.
Cut back to the half-length scene of the three people again. The lady smiled awkwardly. The black face didn't change his face. The function of the half-length scene was to extend the psychological distance of the audience and re-examine the situation. At this time the doorbell rang, as if to resolve embarrassment. Miss also answered
There are indeed two guests, cut back to the lady's close-up
The four of them stood up together and returned to the half-length view, which is the angle that the incoming guests will see
The two newcomers seem to be very good at controlling their own behavior. The man shook hands and gave an introduction, while the woman deliberately changed the subject and mentioned the cake on the table, completely ignoring the sheep head. The man continued acting, pretending to care about him, and wanted to ask him his opinion about the city of Borg. But in fact, the more hurriedly, the easier it is to make troubles. A few lines are uncomfortable by the sheep's head. The man mentioned Langerben, the minister's political enemy who had just been framed and died, and guessed that the Sheephead was very happy because his hatred of the critch tribe was unreasonable. The original intention was to help him speak from the standpoint of the sheep head, but the sheep head asked the men who were unemployed because critch's low wages seized the market if they agreed. The other party who said this was silent. In order to maintain the atmosphere, the witty man quickly admitted that some sacrifices are necessary for an inclusive society. These words are already very clever. They unify their positions and do not insist on the harsh words of the other party.
The camera switches between the
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