NC-17 class film Daquan
My body can't move.
There is a smell of opium on this platform,
and the clothes on my body are broken for a long time . The fibers are
green like old moss and red. Like
the time when the girl’s blood is freezing, the flowing language
is faintly light in the black mist,
but through your eyes, you will not be able to see
the withering of the flowers of the world . The
first stop: France’s "Last Tango in Paris"
I don’t Knowing who you are and don't want to know who you are, just like the sunshine of Paris will only appear at the last minute, my love dies with the innocent sun. Stop following me, because the person I love doesn't know who it is or where he went.
Never knew that there is a kind of love that would die of a false name. On the opposite side of the sidewalk in Paris, a man who lost his wife had a brown coat rolled up by the wind; a girl loved by her boyfriend, and the wind attacked her bare legs. An empty house, a lonely monster, the two met here, and the gasp filled every corner of the room. Back and forth, she fell in love with him and began to inquire about his name; he tortured her and humiliated her without saying a word; she struggled with pain, and devoted herself completely, and finally gave up; after a long time, he suddenly appeared, Tell her name, tell her that she loves her, but she chooses to kill him...
Young and beautiful woman, with such a seductive body, with great potential to be opened up, vaguely expecting to be tempted; mature men are the enemy of all boys , Proficient and rich in hunting skills, exuding violent and mysterious control. Maybe people don't know whether they are lonely, but the body knows that they will become extremely greedy. Maybe people need to escape from reality in the pleasure of the body, and they don't want to fall after orgasm. The best way is to love the other person's body, and know nothing about everything else.
"I don't want a name, it's better to use a roar instead." The two naked bodies can roar with the most powerful voice without knowing anything, but can have no scruples. If this continues, the last tango can still be overwhelming, but he broke his own rules of the game, so when the shame of debauchery is no longer mysterious, everything that is not beautiful begins to be exposed. The last tango became the death row dance on the eve of the gallows, showing the sins of life in an extremely unreliable manner, and there is no reason for no one to care about the pain in it.
Love has a name just like a name. Unnamed men and women can lie together to broaden the sky, but once they want to enter each other's lives, the mirage disappears; the fantasy disappears; the desire also disappears. The love of urban people is just soap scum. Every winter in Paris is like this morning, too many people are crazy about desire, and they are tired of desire.
Paris, ah, Paris!
Second stop: The British
ideal of "The Unbearable Feelings in Life" has long been strangled to death by the Nazis' butcher's knife. The coquettish red that bloomed yesterday was replaced by a group of unknown stones. In the Nazi barracks, homosexuality turned out to be lower than Jews. If so, isn't love also lowly?
Like "The Pianist", in the face of the sudden end of the world, how to escape from the Nazis is the only thing Max understands. The originally happy and extravagant gay life has become the first of evil. He watched his lover be beaten to death. In order to survive, he could only say that he did not know each other. In order to prove that he was not homosexual, he betrayed himself and raped a 13-year-old girl. This won him a yellow five-star representing the Jews and escaped. The humiliated gay pink five-star. If he keeps covering up like this, he keeps moving the pile of rocks from the left to the right every day, and his simple wish to live may come true one day. Unfortunately, he ran into Horst in the concentration camp who was as unfortunate as him. Under the eyes of the Nazis and under the work of destroying humanity and spirit, love actually bloomed. They could not talk or hold hands, but they were watching. Without the eyes of the other person and unable to touch the other person's body, he used words, heart, feeling, and imagination to complete an unmoving but thrilling sex.
The awakening of love awakens the awakening of the soul. The body is no longer free, but the soul can be noble. From a life of indulgence to a humble desire to survive, there is no word of love that has power. When Horst could no longer bear the humiliation and fear and chose death, Max finally despaired of humanity, but at this moment he loves love. Full of faith. He calmly took off the Jewish clothes, put on the clothes with the pink logo on the corpse, and walked towards the power grid of the concentration camp.
We saw him as if he wanted to laugh at this moment. He had become emotional before he laughed. He didn't have the courage to understand the present or the future. In this second, he just wanted to fall in love. This kind of spirit toward death inspires a meaning toward life. How can ordinary people appreciate the realm of love to the coexistence of life and death? In a heinous age, instead of surrendering your life to a world where humanity is extinct, it is better to hand it to the purgatory of love.
The third stop: Canadian "Express Desire"
Let's look at a set of data: Since the first car accident in the world in 1889, the total number of deaths in traffic accidents worldwide has reached more than 32 million, which is much higher than the same period. The number of people who died in the war. Today, more than 1 million people die in road traffic accidents in the world every year. On the earth, one person dies in a traffic accident every 50 seconds.
Have you ever thought that if the 50-second story comes to you, will your opponent make you hate or resent? If neither, is it possible to get involved and fall in love with the feeling of a crash?
Have you ever thought about why the wings of a flower can only fly until death? The feeling at the moment of the crash did not make Berald cherish his life more, but found himself and relief in the car accident. Therefore, another member was added to the crashing clan under the night. They played different celebrities at the moment of the crash, looking for the thrill of life and death. A roller coaster will also have that kind of excitement, but knowing that it will not be dangerous, the excitement will inevitably decrease several times; and there is no guarantee for each crash. I don’t know when the king will smash his life and death, so there is no end. Anticipation and adventure.
Speed is connected with death and pleasure. Life can be congested, so sex is even more crazy and disordered. The car accident hits out that Belald and Helen have a tacit desire, although Helen's husband has just been hit and killed by Belald's car. The two had sex in the car, and then had sex with other crashers, and even shared with their loved ones, while they watched from the side, just like sucking on the fear and joy of life to supplement the lost power. The audience also went from being uncomfortable at the beginning to getting used to it slowly, watching how a pair of decent men and women with high incomes gave their lives to their desires.
From cruelty to appreciation, feeling the extreme emptiness of spirit, when people are mad, they are obviously white and black. Reality is like a real express car. Once a car crashes, it has its own rules, and passengers can’t stop the passengers. . When the rules of life have not been found after one death, it is better to violate the rules.
Fourth stop: Spain "Tie Me, Tie Me"
"Tie Me, Tie Me" has a strong sexual suggestion. When a woman is tied up, she is destined to have a forced pleasure. It's just that women have always been able to hide themselves, and they will never admit their unclear desires.
A man like Ricky can be scary. He just came out of the mental hospital and doesn't care about everything in the world; he has a very simple desire to find a woman he loves to marry and have children. But his way is very weird, just like he would take a sheep when he sees something he likes, he tied up the woman he loves, and then said: "I kidnapped you to give you a chance to get to know me, because I dare Sure you will fall in love with me, just as I have fallen in love with you. I am 23 years old and have 50,000 pesetas (Spanish currency unit). I am alone in this world. I am willing to be your good husband and your child’s Good father." Such straightforwardness and simplicity are enough to scare people living in cities accustomed to disguise.
The process of the kidnapped Maria's anger and grievance from the beginning to falling in love with Ricky is what the film wants to convey. The tied rope changes from a rude rope to a comfortable and soft rope, and the psychology of the audience follows Maria's hatred of Ricky to become gentle. All rudeness is for the sake of being considerate. Ricky doesn’t need to say any gentle rhetoric. Although he still keeps stealing and robbing, his vices are all because of the word "love" that has become no longer hateful and has become The strongest evidence of his persistent love. Maria, who had never experienced such a passionate feeling before, was moved. The isolated life gave her a place where her heart had gone through vicissitudes of life, and the simplicity that had never made her tired of the brilliance of the world. So when Ricky had sex with her, she asked her if she still needed to be tied up? She asked to tie herself up. She was afraid of the chance to escape. She wanted to find an excuse to stay with Ricky.
The body yearns for comfort, but the heart has to fantasize. Fantasy makes the eyes full of desire; the body is comforted, but the heart cannot resist. To resist this desire is to betray the dream. The film is romantic enough to be regarded as a romance novel, and the bound psychological hints satisfy the audience's voyeuristic mentality. What's more, it gives us the rare sincere confession and fairy-tale imagination in the adult world.
Fifth stop: "The Boy on the Long Island Highway"
in the United States, under the same sky, wandering all kinds of boys, step by step, walking past their most precious but ever-changing youth. Howie always experiences all the stories and people he has experienced on the Long Island Highway. Since my mother’s accident on this road, it seems that there is mother’s soul here. Howie always wanders here, "This road has taken away a lot of people," he always said, "I hope I can be spared." , Is this solemnly admonishing yourself not to slip into the abyss on the dangerous road towards growth?
Haoyi's side is indeed full of all kinds of temptations and the power that makes him confused. His good friend Gary conquered him with the breath of a rebel. He was willing to steal with Gary. The other two friends often talked about having sex with his sister. The precocity of young people in the 21st century is really worrying. Know the age of these boys as junior high school students. When Gary praised Howie's hair style and body shape, he could clearly see the deep feelings between the two boys. The whole film has always been around the topic of homosexuality. Unlike other such films, the protagonist is a young man who is between mature and naive. His ignorant concept of love is not only about sexual orientation, but involves the entire society. The impact of the environment on him, the environment spoiled them, but they let them go. His father gave him the necessities of life, but he focused on business and women. Although Haoyi lacked everything, his soul was still lonely. , This generation of parents can hardly really give their children the right needs.
When Gary betrayed Howie, he pushed Howie to the peddler John. It was here that Howi's real growth began. Disappointed in his friendship, his father went to jail for corruption, and an old pervert waited for him to automatically send him home. Everything makes Haoyi, who simply yearns for love, wakes up-life can only rely on himself.
The Big John is indeed a very attractive character. He is by no means a bad old man, and he drives a very dazzling sports car, as well as nude photos of a boy who loves him and a lot of boys. His appearance showed that he wanted to get a melancholy and beautiful Haoyi, but in getting along with Haoyi, he not only did not force Haoyi, but also gave him unconditional care and help during Haoyi's most painful days. When Howi wanted to give himself to him because of his touch and desire for care, he shook his head lovingly, "You must leave, I must wait". This is the portrayal of the human nature of this guy who is intertwined with warmth and eccentricity. .
The poem that Haoyi recites should be his best explanation of youth: "The boy said, soul and bird, are you singing to a friend or to me? Because I am a child, and my tongue is like a deep sleep. Now I hear you. I found myself in a moment, I awakened, I no longer lack the cry of insatiable love, I can no longer become a peaceful child."
Sixth stop: Belgium "Man bites a dog"
Violence was thoroughly broken down under the "dv" scenes of three newly graduated film school students. After watching the film, we can't help but start to suspect that some shameless guys around us have killer potential, maybe even ourselves. When there are more and more dead people in the film, we are not accustomed to being surprised, and even stand on the side of the murderers worrying about their life and death. At this time, we have become similar people in their violent world.
The violence in "Man Bites the Dog" does not only exist in the camera, the film simultaneously turns the audience into the abuser and the abuser. The audience has been fooled several times, and there has been no recognizable object in the film, because it is impossible to use the eyes of a murderer to find the photographer. Later, it was discovered that the latter was also an accomplice, and the audience began to find no score. I can only watch people who live as honestly as myself are killed; or follow the strong side like being held by the nose and listen to the short "click" in the microphone. There is a special scene where the camera is aimed at one of the special ones. The photographer of Laza, the audience was immediately fooled, and consciously pointed the gun at the photographer in anticipation. In the end, the people who thought they were in jail were ended, and the nightmare was over, so the audience's hearts turned to the rule of law and policy. The hateful thing is that the guy escaped again, and his relatives and friends were brutally murdered and insulted. The audience would inevitably turn around again, pitying for the internal causes of the cycle of violence. Before it was over, the protagonist and the photographer were shot to death one after another, and everything we tried to understand again was destroyed. The audience once again fell into the trap of violence, showing unprecedented numbness.
From beginning to end, the audience is passive, but knowing that they were raped (and asked to hear groans), the Cannes film judges still awarded the film the supreme honor. Their spirit of sacrificing righteousness is really moving.
Seventh stop: Italy "Midnight Gatekeeper"
I used a needle to stitch our palms together, although there was a little bit of pain, it was sweet; I used another needle to stitch our arms together. As we get closer and closer, we feel happier and happier in our hearts; another needle sews our legs together, although a little blood bleeds, honey flows in our hearts; the last needle sews our bodies together , There is no gap between us, and we are completely integrated. Although it is not convenient to move, we are willing to live like this.
Have you ever heard of such an oath? Is it a bit scary, and a bit evil temptation? I have never seen a hotel attendant like Max, or a woman who doesn't want dignity like Lucia. The two people's bodies and personalities were originally normal, but once they met, they were immediately distorted. How powerful is it to make people abandon comfort and forget death? The Nazis, even if many years have passed, the pain and memories they leave behind are fears of a lifetime. It is the same reason that people cannot fall asleep after experiencing the Tangshan earthquake if they refuse to accept Valium films. What's more, the remnants of the Nazis have not been eliminated, and they are still watching people who want to heal their wounds. Max and Lucia were the most poisoned people. Not only did they fail to show regret and shame for the past, but they also desperately searched for memories in each other, and did not hesitate to abuse those wounds that had long since disappeared. People can't help being angry and helpless for these foolish men and women, the darkness of the past can even invade the light of the future. Maybe what the film tells us is too cruel, but this is exactly the cruelty that penetrates the truth. People are always willing to curl up in an era that they are familiar with and can control. Many sighs come because of this. The sad ones are Max and Lucia. The era should not exist.
Even if love is tainted and misinterpreted, as long as it is worshipped by both parties, it is still love. Do you know: No matter who is in captivity, at least the long night will not be empty anymore, no matter who is punishing anyone, you know who is seriously injured.
Eighth stop: Japanese "Kingdom of the Senses"
is the most normal thing for men and women to attract each other, and it will turn into the most dangerous thing. The male boss and the maid cheating on the back of the hostess has long become the most common form of cheating. The affair between Yoshida and Abe Sada attracts attention because they have an excess of sexual desire beyond ordinary understanding. The two abandoned everything and eloped to the tavern where they could have sex day and night. After being isolated from the outside world, they had sex in various ways, acting as the abuser and the abuser.
Although Sada Abe used to be a prostitute, a geisha, and a concubine, the strange thing is that this is not due to poverty and oppression. There is no shadow of oppression from her. She is just very obsessed with sexual intercourse. People will sympathize with persecuted prostitutes, but they will never forgive bitches who are willing to degenerate because they like sex, let alone a woman who is not ashamed of Abe. Therefore, Abe Sada. The former man played with her while despising her and abandoning her. Unlike Yoshida, he is also hedonistic. His genitals will never become soft when demanded. He will never laugh at Abe who is of the same type as him. Certainly, the two of them can be described romantically as the golden wind and jade dew when they meet, they will win but countless in the world.
Although the two are considered to be licentious in the eyes of others, and their sexual intercourse is indeed carried out in a carnival, Sada Abe believes that this is just a manifestation of excess energy. This surplus brought about the will to not want to cool down from the excitement of the carnival, the stimulus of sex gradually escalated, and gradually fell into a dangerous situation. It was originally a game for Abe to kill a lover. To say that killing is better to say is love death. Obviously, Yoshida thinks that death is not related to their situation. Surprisingly, Abe did not show affection, but cut off Yoshida's penis with a sledge knife. , Which makes the picture of Yoshida's sacrifice due to fate magnificent and solemn like a ceremony.
There is no more startling desire than "The World of Senses". The psychedelic language, intertwined breathing, soft body, narrow space, which should be an extremely depressing space, was created by the two people's carnival. Atmosphere.
Looking at the two happy bodies in the film, we no longer have reason to be ashamed of our desires.
Ninth stop: The Italian "One Hundred and Twenty Days of Sodom"
enters this castle. People no longer have names, no pasts, no futures, and no longer even "people". Human thought is just a child’s game. This film completely shows a ridiculous, stupid, and shameless game by the four powerful representatives (bishop, judge, president, and duke), the highest class of the country, but this game is too cruel, It's too bloody, and the scary thing is that it's not over at all.
Even the demise of the Mesozoic era is not necessarily more hopeless than the story of this castle. Human nature and human thought are more destructive than natural disasters. The film uses Thad’s novels as a material to show dark historical facts during Mussolini’s reign. The "Republic of Salo" is the last bastion of fascism in the last 18 months of World War II, and it is also the Italian people who dare not dare. Recalling history, during this period, the death toll reached about 100,000, and a large number of women or teenagers were raped or sodomized. The director combined this historical atrocities with the abnormal pornographic content in the novel to form this shocking film.
The film almost combines the most nauseating scenes in film history with the sexual intercourse that people can imagine, and it can be surprisingly successful. The atrocities are scary because the good people cannot understand the laws of atrocities, but these people sing the national anthem with stern expression while they raped. This is indeed a shocking and strange scene. There are stricter rules in the castle than in the prison, but what is different from the idea of rejecting people in the prison is that the ruler wants to turn people into obedient beasts, and at the same time enjoys the distortion of thoughts in this process of change. The "Carnival Center" arranges a story every day to achieve this transformation. Maybe people are born again and again like this, and when there is no hope, they will gradually give up resistance, and show their unwillingness and indifferent cruelty. "The excitement waiting for you is the greatest, and I intend to make the greatest dedication." The woman who said these words killed her mother who blocked her.
On the first day of entering Sodom, the film has taught us: listen to these weak people, don’t expect freedom in the outside world. No one knows why you are here at this time. After this incident passes, you already dead.
History carries so many evils, and evils in turn accuse history. This seems to be the eternal process of mankind.
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