The movie gives me a feeling or illusion that the amount of information in the picture is very large, just like other movie pictures have blank space, and it is full of complexity, which has a certain relationship with the shooting in Osaka, mainly because Lao Lei’s influence on the picture and The color is attentive.
one
Here are my questions about the plot.
The power of the Japanese gang is still large, and it can directly spur the country's foreign affairs department to negotiate the extradition of Sato back to the country.
After coming to Osaka, the plot was lost after a while, and the sculptor was killed. The sculptor was one of those people who pretended to be the Osaka policeman to pick up Sato from the airport, that is, he was Sato's person, so why did Sato kill him? Looking at it later, we know that sato had the motivation to kill the sculptor. The banknote board was carved out by the sculptor. No one else could do it. Killing the sculptor would make the banknote board unique. Sato has a bargaining chip in his hands. Naturally Better achieve the purpose. Then the question becomes, why would this sculptor pick up sato at the airport?
The second question is the sequins on the table. Why are there sequins on women’s clothes in the nightclub on the table of the sato’s den? The woman is sugai on the surface. Every time sugai goes to like her, but in fact, from the fact that she presses to send money, she is also Sato’s. Sato may have inquired a lot of Sugai’s secrets from her, this woman’s It's a bit of a double agent. There are sequins on her clothes on the table. Did she come to this den and accidentally fall on the table, or who tore off her clothes and brought them back to this room?
two
The black rain, raining all over the sky, has nowhere to hide. In the 1980s, before the bubble burst, Japan was at the pinnacle of its own national strength. It was the second capitalist power in the world, and it could even break with the big brother of the United States. The background of the times naturally created the conflict and integration of the culture and values of the United States and Japan. The latter is the theme of the film. It is not difficult to understand. If the theme is candy, then the film is the outer packaging, which is extremely gorgeous and beautiful.
Nick does big things without sticking to the small. He brings this style of behavior from New York all the way to Osaka. Taking a few banknotes from the table is the best example. Even if you can't move stolen goods in New York, in Osaka, you have to operate it quietly under the noses of the police. Another example is when he was caught in a deadlock in solving the case, he found Sugai and wanted to capture Sato by cooperating with Sugai.
Mas originally did everything without overstepping the rules, Charlie was killed, and the gun was returned to Nick due to guilt breaking the bureau's regulations. The Dongchuang incident was punished by the director, and the whole person returned to a state where collectivism was the norm. Inspired by Nick later, after a short period of inner struggle, he stood up and played the bloody duo with Nick at the last moment. Takakura's restrained performance is still very convincing.
Chicago also has its own philosophy of life. It is better to know how to protect yourself in a place like a dark nightclub. But she was also greatly influenced by Nick. She did a lot of things she didn't do before. Although doing these things was somewhat compelling, who would call her and Nick a fellow villager, and fellow villagers can’t help fellow villagers outside. She can be regarded as a key part of promoting the development of the plot. At least she revealed Sugai's whereabouts to nick. Nick went to the indoor golf course to see Sugai and directly promoted the subsequent development of the plot.
Sato is a Japanese. In the film, it is mentioned many times that the Japanese are obedient, honor and collective. The film uses sugai to say that Sato is a person who is corrupted by the United States and is in line with money. Sato's style is indeed quite ghostly, it can be said It's like a crow (a young and Dangerous character). What made people unexpected (heart trembled) was that he cut his own little finger. I thought that when he finally chose to surrender to the boss after being domineering for a whole game, he was better and went straight to the boss. Since you cut it, you can do it backwards, so it's better not to cut your finger.
The same goes for the boss Sugai. The director said a lot about the story of Hei Yu. After sugai finished telling the story, the camera showed nick, and nick had an expression of "so what?" and said directly "Do you want another plate", sugai's profound confession was properly ignored . Seeing this, it's actually quite worthless for the boss. It's obviously a story with a little topic. Why doesn't it impress Nick at all? It's a joke. Sugai also did what she wouldn't do in the past. The gang fights inwardly. It is absolutely impossible for an outsider (or the American that she hates most) to intervene. Adhering to the principle that the enemy's enemy is a friend, he agrees to Nick's proposal and arranges an opportunity for Nick to kill Sato. At first glance, it seems quite ridiculous, but it's actually pretty reliable when you think about it, after all, he got nothing to lose.
three
Hanz's soundtrack is very inflammatory and infectious, which adds to the film very much.
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