My biggest question is not what people live for, but what certain women want, what is the state of a person's loss, I have read such a passage in "Literary Memoirs":
Minotaur, a symbol of desire. The architect Daedalus, the creator of the lost, symbolizes the formulation of ethics, systems, morals, and regulations. The lost building symbolizes the society, the prisoner is not available to people, including marriage, law, and contract. In society, people enter the store and cannot get the food when they see it. Because they have no money, it is illegal to get it. Animals eat when they see food. The architect can't come out, and he will kill himself.
The only way is to fly. Fly out of the lost building. Artists, geniuses, just want to fly. However, he flew high and died madly. Young artists don’t understand, like Icarus, flying high to death, his father is an old artist, he understands.
I have written Nietzsche, Tolstoy, and Byron as the flying Icarus. But the character of Icarus would rather fly high than fall to death.
Must fly out of the lost building, relying on the wings of art. Would rather fall to death.
Desire is to be locked up. Modern mazes are harder to fly out and require bigger wings.
In Rousseau's "On the Origin and Foundation of Human Inequality", there is a description of the state before people enter the lost building. He called it the natural state, which is different from the social state after civilization. In the natural state, people are born "unequal". At that time, human beings were lonely but healthy, happy and kind, and free.
Some "lost" are precisely where the true form of life is found in the lost building. People with artistic talent can wave the wings of art and rush out of the lost building. For those without artistic talent, they should be able to quietly be a bystander. . The most uncomfortable thing is to get lost in the fetters that keep dropping and picking up.
The man finally cried with a headache in the bathroom. I think it was guilt for his current wife and children, because he was about to find a woman. Obviously the man died in this kind of uncomfortable loss. I don't know what a woman's death is like. I only have a weak but existential feeling in my heart.
Women are dead, so I don't know what some women want, because I think the desperation and disappointment of women in the second half of the film is very real. Xiami makes me feel that this exists in reality. It's just that after the woman was hysterical because the man had upset the neighbor's belly, she broke up with him and was a little puzzled because she knew a lot of things before and had quarreled with each other. In fact, men and women can accept various forms of sex with anyone else in the presence of both of them, but neither can accept that each other has sex with others behind their backs. The tragedy is that both of them will often do that. This is very interesting.
I don't know what some women want, and I don't know what Xiami wants. I still think about myself. Long told me that people’s support should be found from the inside, and Amei told me, take care of yourself and find that there is nothing you can't live on.
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