"Love" is Gaspar Nou’s most gentle and normal movie, and at the same time, like his predecessor, it’s "unexplainable and endless". Using 3D to shoot sex is to capture the intimacy between lovers. Show the most intimate aspect of the relationship between the sexes. Sex, semen, and tears are all evidence of love. The deeper the love, the more animalistic the way of expressing love, and the more painful it hurts.
The purpose of 3D is to make the audience immersive and live in the same room with the protagonist. For 3D, the photography scheduling has also been greatly changed compared with the past. The camera uses a deep movement in the room, and the room is like an open stage. , Using Steadicam to shoot stable sports shots, due to the weight of the dual-head 3D camera, shoulder photography is a challenge to the photographer's physical strength, so this time there is no long shot that is too long.
This new film is quite normal in terms of photography. It does not have the 360-degree rapid rotation of "Irrevocable", nor the full POV perspective of "Escape into Nothingness", but the aesthetic style is the same as those of the previous films. The black screen is used to switch to disintegrate the montage. The editing logic, a large number of deep focus shots, voice-over narrative, and a non-linear narrative dominated by thoughts. The feelings of these films are the same sickness, depression and wildness. The madness this time comes from the sex scale of real guns and live ammunition, which directly makes this film be classified as X grade, which means almost the same as pornography.
How should we watch movies, how should we watch art movies? Some movies, especially mainstream movies, tend to watch the story itself; in other movies, especially some art movies, their focus is not the story itself, but the way the director tells the story and guides the story. If you change the same story to a different director, you will get a different movie. This is the saying that "a thousand people have a thousand Hamlet". This is the truth. Everyone is familiar with "Hamlet". The focus is on how to shape it so that everything becomes different, more personal, and a version that belongs to one person alone.
There will definitely be people criticizing the story of "Love". The protagonist Murphy relies on voice-over narratives to tell how painful he is. With the black screen and the editing of the stream of consciousness, you should not expect such a filming method to be so profound and able to carry the family, Themes such as life and death, jealousy, and nothingness are understandable if the story is too thin because of the formality. But the goodness of "Love" is not in the story, but in how the director uses the camera to paint. He is so good in color narration, editing of the stream of consciousness, and creation of a sense of form that I think this film can be part of mine. Top ten of the year.
The story of the film is simple. On a rainy New Year's Day, Murphy received a call from the mother of her ex-girlfriend Electra. After they broke up, she became an addict and has disappeared for several months. The current married life is like a cage. Murphy, who has never forgotten his ex-girlfriend, suffers from lovesickness and begins to recall their two-year love life. The director is very good in the architectural structure, props and colors of Murphy's house, especially the color. The art director is a psychology major in this aspect, and he has a lot of research on the manipulation of color on the human subconscious mind. Let's use screenshots to analyze briefly.
This is Murphy's home, the real part, the background sound has always been the sound of rain.
Pale. It's like a faded memory, low, and it makes people unable to lift emotions.
This is the memory part.
Dark red. Anger, a sense of depression.
Different areas in the same room have different main colors.
First up is the son's room, orange dominates. The color composition of orange is the color of children, subconsciously giving people a sense of active, active, and innocent, but orange is also a bittersweet color, and its other side is arrogant, selfish, and childish.
The wall of the bathroom is yellow-green. When Murphy wants to make a phone call, this yellow-green will appear. The yellow-green is here to give people a sense of run-down and sickness. Sophia Coppola’s "The Virgin The girl’s room in "Dead" uses this color.
When Murphy turned from the bathroom, the light on the back porch was amber. The light here was set deliberately. The director has been manipulating the colors in the picture according to the needs of the narrative. Yellow is an obsessive color and a contradictory color.