But those smiling faces and bulging fronts always distracted me, ignoring the slender hands-unless they were playing the piano, their fingers fell like rain, and the sound was like pearls like jade-at this time, Even if it is the hand of a madman, I can sink my heart and appreciate it.
There is a movie in which there is a man with long and crazy hands.
"Shine", the Chinese is "shining demeanor", tells the self-struggle and redemption of a piano genius.
Sometimes, the music is too beautiful, it will become the master of the plot.
For example, "The Spring of the Cow Herding Class", if it weren't for the beautiful childish voice of Meilun, this film would be dull. There is also "The Pianist on the Sea", the music deceived our eyes; when 1900 played those natural songs, our ears were broken and our minds were rippling, how could we pay attention to his naive plot?
But "shine" is handled very well, the music promotes the plot, and it is full of it, reflecting the change of personality.
The madness of genius has its own origin-on the surface, it is because of challenging frenzied music; behind the music is the stern and cruel father, and the threatening and distorted possession he expects. So the genius is destined to be mad, like a phoenix nirvana, after self-exiled mentally and physically, thus getting rid of the curse of patriarchy and gaining absolute freedom like a madman.
Love and hate are intertwined, time goes by, these heavy origins, entangled erotic desires, make it have a charm that can be experienced over and over again. It also allows us to resonate and experience in watching, just like facing a friend's hesitation or self-experience.
However, these heavy and realistic keynotes, intertwined and flowing character, can form a good movie, but it also makes the movie no longer good-looking and no longer romantic. Films like "shine" are suitable for watching alone, and then feeling unspeakable.
In "The Pianist on the Sea" is 1900, who is also a genius. His genius and character have no origin, no change, as simple and clear as a fairy tale or Qiong Yao. In this way, we can put aside reality, enjoy the simple ups and downs of hours, and get the pleasure of watching and romance.
I remember that at the end of the film, I was pinched by mm who was emotionally out of control with his slender hands, asking me to think about getting 1900 off the ship.
I am not a director, of course there is no way. But isn't being pinched by a slender hand is the pursuit of an obscene stick?
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