Courage, Justice, Freedom

Clarissa 2021-12-25 08:01:06

The story takes place in the United States during the prevalence of McCarthyism. The protagonist Peter is just an ordinary young playwright, but he was investigated by American agents for entering a "communist meeting place" by mistake on a date. Not only did he lose his girlfriend, he also faced being accused of entering The risk of prison. The male protagonist who suffered multiple blows decided to leave the city and start life again in a new place. However, he suffered a car accident on the road, severely injured his head and lost his memory. Fortunately, a kind old gentleman passed by and took him to a small town. This is a utopian-like town, and the residents are kind-hearted. With their help, the male protagonist can "resurrected from the dead." At this time, after an old man saw him, he mistakenly thought he was his son Luke, who had died in World War II. He felt ecstatic about this and let the male lead stay in the town to live. Since then, people in the town think he is their hero Luke, and the male protagonist has slowly accepted this new identity. He helped "father" reopen the movie theater, and let the people in the small town gradually get out of the shadow of World War II. Not long after, Luke's former girlfriend Adele also appeared, and the two soon fell in love. Unfortunately, the good times didn't last long. The agents quickly found the male lead, revealed his identity, and asked him to appear in court for trial. The people in the small town exploded in an instant, and the truth made it hard for them to accept. Faced with such a predicament, the male protagonist feels desperate. A letter from Adele and the U.S. Constitution became a turning point in the plot. It was a letter written by Luke to Adele during his lifetime. The letter fully demonstrated Luke’s patriotism. The hero was deeply impressed by Luke’s courage and patriotism. Impressed. In the court, facing the extortion of a confession from leftists, the male protagonist remembered the letter, took out the U.S. Constitution, read the contents of the core American values ​​such as democracy and freedom, and confronted the "underworld forces" in court. He walked out of the court dashingly, won the applause of most of the people present, and regained the respect of the people in the small town. So far, he chose to stay in the small town and continue to operate the "father" movie theater.

The plot of the movie seems to be satirizing the distress of society at the time (just like the American version of Cultural Revolution), in fact, the screenwriter is on the fifth floor, and through self-deprecating and "re-stringing" it well promoted the core values ​​of democracy and freedom in the United States. And ordinary people do not fear the spirit of power. The many warm, touching and impassioned plots interspersed in it are even more pleasing to the eye (especially in the environment of centralization of authority).

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Extended Reading

The Majestic quotes

  • Peter Appleton: I'm sorry... but it occurs to me that there is a bigger issue today than whether or not I'm a Communist.

    Elvin Clyde: Bigger issue? Mr. Appleton, there 'is' no bigger issue.

    Peter Appleton: Actually, not to be contrary, I think there is... Gosh, I don't quite know what to say.

    [Peter takes a drink of water]

    Peter Appleton: The fact is I... I've never been a man of great conviction. I never saw the percentage in it... and quite frankly, I suppose I, uh... lacked the courage. See, I'm not like Luke Trimble. He had the market cornered on those things. I never met the guy, but I feel like I've gotten to know him. The thing is, I can't help wondering what he'd say... if he were standing here right now. You know, I think what I think he'd probably tell you: the America represented in this room... is not the America he died defending.

    [the crowd noise in the background rises]

    Peter Appleton: I think he'd tell you your America is bitter...

    [Congressman Doyle begins banging his gavel]

    Peter Appleton: and cruel... and small.

    Congressman Doyle: The chamber will come to order!

    Peter Appleton: I know for a fact that his America was big... bigger than you could imagine... with a wide open heart

    [Congressman Doyle bangs the gavel again]

    Peter Appleton: ... where every person...

    Congressman Doyle: Mr. Appleton! You are out of order!

    Peter Appleton: [Speaking over Congressman Doyle] ... has a voice! Even if you don't like what they have to say.

    Congressman Doyle: Enough, Sir! You are out of order!

    Peter Appleton: If he 'were' here, I wonder how you'd respond... if you could explain to him what happened to his America.

    Congressman Doyle: Mr. Appleton, you are skating on the very thin edge of contempt.

    Peter Appleton: Well that's the first thing I've heard today that I completely agree with!

    Kevin Bannerman: Mr. Chairman... Mr. Chairman... Mr. Chairman... Mr. Chairman, my client is clearly under an enormous strain as a direct result of the belligerent questioning of Mr. Clyde, and he is therefore not responsible for his comments. At this time, we wish to invoke the Fifth Amendment.

    Peter Appleton: No, no we don't.

    Kevin Bannerman: Yes, Pete, we do.

    Peter Appleton: No, Kevin, we don't, so knock it off!

    [pounds his fist on the table for punctuation, quieting the crowd]

    Peter Appleton: [in a quieter voice] Just shut the hell up and let me get through this.

  • [first lines]

    Studio Executive: What about the kid?

    Studio Executive: What kid?

    Studio Executive: You know, the kid who rings the bell.

    Studio Executive: What kid? What bell? What are you talking about?

    Studio Executive: The kid. After the mine caves in. The kid. He runs up the hill. He rings the bell to alert the town.

    Studio Executive: Is that in the script? What page are we on?

    Studio Executive: What if we gave the kid - a disease.

    Studio Executive: A disease?

    Studio Executive: A *disease*. Braces on the legs, that sort of thing.

    Studio Executive: But he runs up the hill.

    Studio Executive: He could hobble.

    Studio Executive: Hobble is good.