It’s time to stay up late to write film reviews, which is the fixed project of the film festival qwq. This year my private film festival started a bit late. This Macbeth was the first one I did. After watching it, my first instinct was that I slept for five hours. Got up. The director’s extremely realistic and poetic style and lens language at least I like, and the soundtrack can only be described as stunning (I won’t tell you that there is a sense of burn the witch several times, probably more loops) . Strings and drum beats complement a lot of slow motion and montage seamlessly, making the whole film almost like a music video. (From watching the movie to the present, I am most convinced of the use of string music in the soundtrack. One is Hans Zimmer’s Batman theme song, and the other is this film. Uncle Lonely’s string music restores the sound of galloping through the dark tunnel. ——When I was a child, I often took the tunnel bus. I once regarded the whimpering sound as the turbulent flow of the river above the concrete, and later imagined it as a whale song. The soundtrack of this part is like a rough, rough, desolate plateau. The heavy, depressive, treacherous and inexplicable wind-the wind of fate, poured directly into my ears.) So I came back to check and found that the director and the composer were originally a pair of brothers. The director of the film, Justin Kurzel, is 41 this year, two years older than his brother, Jed Kurzel, the composer of the film. The brothers were born in a small quiet place in Ao Village. They have a good relationship when they were young and are also very competitive, because they have been playing tennis and rugby together. After he got older, my brother went to town [crossed out] to study in Sydney to study set design, and my younger brother went to Sydney to form a band called The Mess Hall (restaurant... true punk). At first, my elder brother served as bass player in the group (self-taught, everyone knows), but he felt that the playing team had no way out and left the group. The Mess Hall was left with guitar and drummers, but later it became popular. My elder brother feels very uncomfortable. My younger brother succeeded, but he was still doing nothing. But it was because of his younger brother that he embarked on the road of directorship, who asked him to shoot the MV for the band. Justin just caught the duck on the shelf, the original sentence is "I had no idea; I just got a camera and shot something. Jed just trusted me completely. s Creed. By the way, he also wrote the soundtrack of Slow West, so the Kursel brothers and Farshark have collaborated three times. . . Although he pushed his elder brother to the direction of the director (Snowtown was also persuaded by his elder brother to take it), and the brothers performed their duties, they were able to share inspirations and benefit each other. In Jed's words, "I can send things to Justin and he can fill in the blanks. I can send him a piece of music that is completely unfinished and rough, and he can fill in what's missing." . When I saw this paragraph, I started to sprout in secret. . . (艸) I really like this mode of supporting each other inspire! When his elder brother was down, Jed was supporting him, "it seems like he is the older one"; when the younger brother is not confident about his work, he will fully trust his affirmation. Of course, the two brothers would disagree with "FUCK YOU", but the disputes over the works are benign. The above content is derived from s Creed. By the way, he also wrote the soundtrack of Slow West, so the Kursel brothers and Farshark have collaborated three times. . . Although he pushed his elder brother to the direction of the director (Snowtown was also persuaded by his elder brother to take it), and the brothers performed their duties, they were able to share inspirations and benefit each other. In Jed's words, "I can send things to Justin and he can fill in the blanks. I can send him a piece of music that is completely unfinished and rough, and he can fill in what's missing." . When I saw this paragraph, I started to sprout in secret. . . (艸) I really like this mode of supporting each other inspire! When his elder brother was down, Jed was supporting him, "it seems like he is the older one"; when the younger brother is not confident about his work, he will fully trust his affirmation. Of course, the two brothers would disagree with "FUCK YOU", but the disputes over the works are benign. The above content is derived fromhttp://www.smh.com.au/good-weekend/two-of-us/two-of-us-justin-and-jed-kurzel-20141014-115qxdThis report. The brothers also talked about their father, you can take a look if you are interested. In short, it is this kind of tacit understanding built on bones, blood and soul. The picture and soundtrack of this movie can be said to be at the point where heaven and man are one (I’m exaggerating, bite me), watching it on the big screen is definitely enjoyable. , Damn enjoyment, I can’t help but feel sad when I think that this is the first and possibly the last time I have the opportunity to watch this film on the big screen. . . Of course, a movie is not just enough to rely on the picture and the soundtrack. Needless to say, the actors, except for a few supporting roles (yes, I'm talking about you as the young man of Malcolm), Ma Liang has contributed one of the most exciting performances of each person. Needless to say, Fa Sha, acting can be heartbreaking to hate. And Sister Ma Liang, a Frenchman who can act in Shakespeare's play can do this, and the actor's ability to cry well is really amazing_(: з」∠)_Sister Ma Liang’s last long monologue scene made people tremble with tears, and Fasha’s unpredictable tear was nothing short of amazing. Big brother can teach you the ability to shed tears unilaterally! In addition, everyone said that the Scottish accent is not easy. There is not a Scottish in the main actors, but fortunately there are English subtitles. . . (Think of a certain film that I watched in the afternoon where the British played the Americans and the Americans played the Russians ==) As far as screenwriters are concerned, the first feeling after watching it is that this will definitely be controversial. . The commendable point is that the script opens up a new perspective, and it indeed interprets a different Macbeth from before. But the main line of Macbeth is too strong, and the other character lines are weakened. The core of the story is not particularly clear. A major feature of Shakespeare’s script is its distinctive core. A play can be summed up in one sentence. For example, Luo Zhu is that hatred can obliterate beautiful things, while Macbeth is that desire leads to sinking, and sinking leads to destruction. Of course, there will be countless secondary interpretations derived from different aspects. This is also one of the reasons why Shakespeare's drama has endured. Repeated interpretations give it new life-The original is dead, long live the original. But in the new era, especially when multi-line narratives are popular nowadays, one core theme is no longer enough. This Macbeth has at least three themes: the war makes the soul riddled with holes (continuous flashbacks, depictions of PTSD, this kind of pain and the guilt of killing the king and killing friends pile up together, and finally destroy Macbeth) , The original theme, and the endless struggle for power (Macbeth’s desire for power, worry about power not being stable after taking power, and the final bright red heralding lens) To tell the truth, a two-hour movie can fill the next theme. It takes at least four hours to shoot these three themes. (By the way, I have to complain about how many movies have been ruined by the unspoken rules of commercial film duration. However, this is not the time of the past in the United States.) In addition, I checked the IMDB and found that there were three adapted screenwriters. No wonder. Putting aside the subject matter, I think some new content is good. For example, in the end, the scene of Madame Macbeth's almost crazy chattering turned, let the audience see that the object of her monologue was not someone else, but her son who died young. This contrasted with her previous words when she persuaded her husband to do something, "I would be willing to smash his head even if it is the child of my milk", and it also reflects the collapse of Mrs. Macbeth-she is not as hard-hearted as she thought after all. (Can’t help but vomit, what happened to those young soldiers who thought that the dead young soldiers were Macbeth’s sons, and that the Macbeths gave birth to daughters. Foreign children are so cute that they won’t be totally unrecognizable, right? , I actually said that it was the pure and kind-hearted Macbeth in Mrs. Macbeth's heart... Did you really watch the movie?) The other part is the final shot. The young man took the sharp sword, the struggle for power and the unpredictable fate, and was finally lost in the blood, and he really fulfilled the sentence, The king is dead, long live the king.
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