I heard people say that watching 2046 will be very different when I grow up. I thought it was the kind of work that would be very emotional when I revisit it with rich emotional experience. I saw it this morning and found that it couldn't be more embarrassing. The first embarrassment is that I was puzzled as to why 2046 was shot for so long (I thought it would not be released until 2046), and now I feel that Wong Kar-wai is studying how to use his own Wong Kar-wai universe to create a geo-epic. Obviously, Wong Kar-wai has wanted to become a director who can not only shoot ambiguous feelings since decades ago. He has been secretly cueing various Hong Kong people's mentality, such as the happy togetherness of 97, the role of Chongqing Forestry and Chungking Mansions. It is an attempt to present a geopolitical mentality with a love relationship, but it has been exploring and has never achieved any success.
The title of this movie is 2046, a delicate year (one guo and two zhi 50 years expire, 1997+50 expires 2047, 2047 the year before 2047), it seems to want to use Tony Leung (Hong Kong) and different women entanglement , Which symbolizes the pull of Hong Kong and various regions, such as Lao Qian, the casino milf Gong Li who helped him when he was at his worst is Singapore. Therefore, everyone is studying who Tony Leung loves, which shows that Wong Kar-wai is busy. In terms of emotion and atmosphere, this film is actually not rich. This is not the main problem at all. The main problem is that he has entanglements with Japan, Southeast Asia and Singapore. The most entangled one is He Keke (the characters in the film are not three-dimensional except Zhang Ziyi). The ending film is in front of the room in 2046. Zhang Ziyi finally put down his body and begged him to stay. Renting him, he said that he didn't rent some things, and then walked away and continued to drift; leaving Zhang Ziyi crying behind him.
I’m not going to write more specifically. From this perspective, Bai Ling from the mainland played by Zhang Ziyi, who loves unrequited love and loves Leung Tow Wai, sent a cruel heart and insisted to post, but never got it. The most important line of the whole film is too that. What's wrong. But still, I didn't shoot too many things, and it's more like writing a manuscript for a rigid film critic who sees this metaphor and climaxes. Instructor Wang may need to study a harder liberal arts degree in order to enter this field.
So the cruel thing is that it is difficult for creators to have multiple styles. Wong Kar-wai made "The Ferryman" to the challenge of comedy, but his ferry tickets, soaps, drunken dreams and dead wine, etc. are still very nostalgic.
The second level of embarrassment lies in the fact that the passion passage should be very beautiful, half-concealed, with some white space and space. However, these passionate dramas are so many and realistic, they look like voyeuristic privacy. As a person who obviously doesn't like to voyeuristic, I can't stand it. In fact, the best thing about Wong Kar-wai is Wang's ambiguous family. This is the only one in the world. The clothes must be worn between two people. The structure should not be too long. The structure is simple and the atmosphere is complicated (even "Happy Together" is also in this category), too. It makes people want it. In this film, even the lines are very straightforward. When Zhang Ziyi and Tony Leung said to each other "Why are you so beastly" and Tony Leung kept saying "loneliness" and "playing on the spot", how much I miss the expired canned pineapple and The whole house weeping—I wonder if these two characters are still in the wind and the moon. The whole film is entangled with two hundred yuan and ten yuan to give you money if you don’t spend the holidays with you. It’s too unskilled and emotional. Why are they so like two? College students...
The third level of embarrassment is that this movie male green tea club is particularly fond of, it is entirely a male green tea reminiscing about his love history. Like many literary films, it uses women of different colors to complete the narcissism of a male with green tea overflowing the screen. Women are not the main subject at all, but people think that this is already very romantic and respectful of women. In view of seeing Tony Leung, I felt too easy to get hurt, and I felt very insecure during the whole movie watching process. Did Zhou Muyun explode today? Before I killed him. #就和茶学干上了#
The last level of embarrassment is that the actor pulls his hips too much. Faye Wong plays this kind of sadness and melancholy Yiyi oh, oh, oh, the role that wants to communicate with her Japanese boyfriend is almost meaningless. She plays some lively and smartly sneaked into your home, deletes your female ticket and leaves a message for you. It's amazing, after all, she's not a professional actor; Carina Lau has now spread her breath from life to her face, and her lines have begun to "blunt", and she's not coquettish at all. This film was rescued by Zhang Ziyi and Tony Leung, otherwise it would completely collapse from the performance.
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