Next, let's talk about "2046". It is definitely a mistake to use the National Day as the schedule. Don't think that the people will relax in their mentality after the holiday. It’s not fake that you need to watch the film slowly for more than two hours, but when you see the crowds on the street, the gift bags, and the eight days of unhappy work after the holiday, I suspect that those who enter the movie theater can't watch it patiently. "2046". On National Day, a movie like "Dumb and Gua" should be shown. After watching it, people feel that they have been holding back for a day, and finally stood in front of the urinal tank. The level of liquid in the body slowly drops. This feeling is called in terms. :relax.
"2046" is like a holiday train, pulling the audience all the way, and there is no stopping point at all the places where it says "Sauna --- 40% off for students with disabilities". The audience is very nervous, holding on to the handrails, wanting to see what they can get when they stop. They were disappointed, and the car never stopped. After a tiring day and a tense day, many viewers have not seen anything that can be called "results" after waiting for an hour, so an atmosphere called "drowsy" spreads in the theater. . Outside the theater, the reporter observed an expression called "confusion" or "disappointment" on the faces of the audience. Therefore, the reporter of the "Dalian Evening News" wrote a film review after the interview was futile, mainly on the issue of Tony Leung's moustache piercing.
On this beautiful National Day night, no one should be blamed.
It should be said that Wong Kar-wai's films have always been shown to the niche audience. The topic of emotion generally has only one state, and that is tossing. The difference is that most people are tossing and tossing, while Wang Jiawei's film is tossing elegantly. The former is like Du Mei's use of a kitchen knife to force the dialect, and the hearty Ni Ping's writing is Hai Yan's writing that everyone can understand. I don't mean to belittle anyone here. It's definitely a real skill to be able to achieve the same horrible audience as "Passionate Addiction". I just said that to toss this specific thing itself, there are different ways of expressing it, and it does not necessarily have to be a kitchen knife. For example, changing cheongsam constantly, passing by in narrow alleys, the sorrow of each other's value rises to 10,000 points. The problem lies here. Some people like to pull out a kitchen knife to force them, while some people like to keep their distance and sneer. The difference is almost as big as the difference between putting a phone recording on the Internet for the people of the whole country to listen to and pour a glass of wine at home and enjoy it with HIFI alone.
Maybe this involves a question of comprehension. The essence is to do a little bit, but it is more intuitive to go to bed while blowing on the lights; it is more difficult to listen to music, drink red wine and show glass stockings. After all, you have to have a bottle of at least 2003 red wine and a CD player. In fact, not everyone has wine and a CD player, and you cannot guarantee that you are facing glass stockings.
The only people who should be blamed are the investors, who may have done something they shouldn't do in order to make a profit. When "Evil East and West Poison" came out, the poster said that it was a large-scale martial arts film. And because of this, many martial arts fans were fooled into watching. If there was the Internet at that time, Wong Kar-wai's head could be topped with a large pyramid of pure slabs. "2046" is basically operated in accordance with blockbuster films in terms of publicity. The so-called blockbusters mean that everyone can go in and watch them. After watching them, they will have similar feelings ---fighting and then forgetting them completely. Next time, the reason to guarantee that they will still enter the field is just that they remembered the feeling of the pee fight last time---cool. Because, in this world, there is only one thing that is cooler than Shuang, and that is to be cool again.
"2046" is not for a collective refreshment. After all, not every film can be like a men's toilet in a train station, with a spectacular 50-meter-long urinal. A famous director plus a famous movie star is not the same as a blockbuster. Just like a person who has money and leisure, he can hire a team of chefs to cook some small dishes at his own home. You don’t need to set up a table in a restaurant. There are five people shouting: "Untie the belt, everyone opens up." Let's eat!" Director Feng Xiaogang has this style, and everyone is really full every year. It's not easy.
I watched "2046" and thought it was pretty good. There is no question of understanding or not knowing or pretending to understand. Because I didn't think about what I wanted to understand for a minute after watching this film, I just went in to see how Master Wang made Zhou Muyun recall and grumble over the past two hours. The last time Master Wang talked about half of the story in "In the Mood for Love", he didn't say anything about Zhou Muyun after he went to Singapore. "If there is another ship flying, will you go with me?" This sentence has been there forever, I know, there is definitely a sequel.
Zhou Sheng returned to Hong Kong from Singapore, passed Aunt Gong Li, met Aunt Liu Carina by chance, climbed Sister Zhang Ziyi, and harassed Sister Faye Wong. At the same time, I wrote a novel called "2047" for Faye Wong's sister. Like the ancestor of Bodhi, I tried to explore the complex and subtle feelings between people, only with the background of surrealism. I watched it with gusto, and felt that it turned out that Meng Sao could have so many heads, it was simply "shoo"!
What's rare is that a film neatly filled with Master Wang's lower letters, summarizing the kind of Wang family emotional entanglements in almost all his previous films, it is simply a "Petite Bourgeoisie Psychoanalysis Outline". Master Wang! You have worked hard!
From the synopsis I wrote above, I can see that I am not very satisfied with it, that is, the actors are too old, especially the actresses. Except for Zhang Ziyi and the younger sister who jumped out for five seconds, it was a red sunset crew. Although women only have a taste at this age, I almost thought that "2046" meant the total age of the director and the actors.
Finally, there is one thing I shouldn't have said, that is, I sprayed tea once while watching the film. What happened is as follows: A few years ago, Zhou Xingchi taught Cecilia Cheung how to pose as a "quail" in the movie "The King of Comedy". I was very impressed, and I was always wary of girls' quail poses in the years that followed. In "2046", aunt Gong Li, facing Too-Wei Leung shortly after the opening of the film, also placed one, quite a quail, and laughed for a while.
Even if it is to take a look at Wong Kar Wai's version of "Quail", one should also take a look at "2046", not to mention the surreal BRA outerwear inside? What's more, the sentence in it, "So we need someone to hug and keep warm when we pass the 1224 and 1225 interval"? I think watching movies should have this kind of normal mentality, because this year everyone is already "tight" enough.
View more about 2046 reviews
