The biggest selling point of this film is not the actor or director, but the producer behind the scenes, James Cameron, because it is claimed that James Cameron gave him the greatest technical support, but unfortunately there is a technical aspect for a film. Not enough, the story of this movie is not wonderful, the rhythm is slightly slow, the drama conflicts are all designed, but unfortunately it is not well-formed, and the characterization and lines are dull and boring, so it is completely unable to give the audience a sense of substitution. Later, it happened during the escape. You can find templates for all kinds of bridges in similar movies, and no new ideas have been played this time, which is not an attractive work. . .
The film director Arist Grierson has an unshirkable responsibility, with such a good background support, and the script is adapted from real life. The screenwriter Andrew Waite is a documentary master himself, and he will naturally pay more attention to the attraction of the script. In terms of strength, this film with a good theme was wasted by Arist Gleason and turned into a plain and ordinary movie. No wonder he had only made a mediocre work before ("The Great War"). Kokoda") is an influential director. . .
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